Quotes of All Topics . Occasions . Authors
Many people tell me that my pairing with Tamannaah worked big time towards the success of 'Paiyaa.' In 'Siruthai,' our on-screen chemistry will crackle as we share a terrific rapport.
I'm very silly as a person, but quality silliness on-screen has more of an art to it. Harrison Ford, whom I was in 'Morning Glory' with, has mastered that dry funny better than anyone.
I fell in love with Nawaz on-screen after watching 'Gangs of Wasseypur.' So my love story starts with him from there. I was quite nervous to act alongside him. He is an excellent actor.
Part of the allure of watching characters on-screen is to be able to put yourself in his or her shoes or to be able to relate to what he or she is going through or what he or she is thinking.
I stole a little snow globe from the set of the first 'Pitch Perfect' that I don't think ever made it on-screen, so it's not like fans would be tickled by that information, but I still have it.
What I believe is to keep working. How a film performs at the box office is not in my control: what is in my control is my work, how much honesty I can bring on-screen. I am happy people love me.
There isn't a right or wrong way to be depressed, anxious, or struggle with PTSD. Mental health challenges manifest differently for different people, and it's important that people see that on-screen.
My first on-screen kiss was lame: Nickelodeon. But my first real-life kiss was super cute and nice, but still very awkward. It was with this hot skateboarder with dreadlocks. He was my little Rasta man.
Every time we have a woman on-screen, we can empower her in a different way rather than just giving a speech on the importance of equality and empowerment. I think sometimes we have to show her as powerful.
As technology improves, on-screen avatars look more and more like real people. When they start looking too real, though, we pull away. These almost-humans aren't quite right; they look creepy, like zombies.
I am not against any kind of physical intimacy on screen, but kissing is a big no unless it's with Jennifer. I'd like to kiss her on-screen as we do it at home, too. If we get paid for it, that's even better.
'Stree' is something fresh and new. Audiences want to see different kind of content on-screen, and 'Stree' is exactly that. It is a unique genre - horror-comedy - which has not been explored much in our country.
Fans love the image that they see on-screen. They simply admire you for whatever they see on TV shows without even knowing you as a person. That's such a pure thing. I'm thankful for the love they have showered on me.
I was never reluctant to play this character; the only thing I was scared of was that Bua might be only subjected to insults on-screen which people might start taking it in bad taste. But it turned out totally opposite.
There are people who expect me to look the way I do on-screen, where I have a great director of photography and fantastic lighting. I'm sorry to disappoint people, but I don't look like that all the time - no actress does.
On-screen relationships are the best because you don't have to worry about saying the wrong things. And if the guy's got a girlfriend, or I'm not attracted to him, it's even better. It's just my character kissing his character.
It's very difficult to get an audience to be terrified of what's going on. Think about it: You're in a room with so many other people, so for them to be terrified and to care about what's going on on-screen takes a lot of work.
In the '70s, '80s and '90s, noted actors like Iftekhar used to get mainly police officer roles, Bindu ji would do a negative role, and Nirupama Roy was the on-screen mother. All this had its own charm. There was a fixed casting.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
A lot of comics aren't their on-screen personas; Chris Rock isn't always ranting and raving. What I do is make myself this over-the-top character that people either find endearing or they think is a joke. Then I can do anything I want.
When I was young, in my early films, the freshness, and the raw element in my presence on-screen was coming from my youth, and that naturally goes away with time. But the challenge of an actor is to retain the wonder and innocence alive.
I have straight married friends that other friends think are gay, and I have gay friends who don't throw that vibe at all. I know there's a full range out there, but I feel that gay men who aren't flamboyant are underrepresented on-screen.
When you watch a Coen brothers movie, it is always so certain about what it is trying to portray. That is their strength. The minute they write a word, they know how it will look on-screen. They are very purposeful, with no kind of mistakes.
If I wore a mini-skirt then it would become such a big deal, if I kissed on-screen then it was bold, it was glamorous but if the top actresses did it then no one would even discuss it. So I was like why do I have this sexy, wild and glamorous image?
I think one in five Americans has a disability of some sort. That's 20% of the population, and yet we rarely ever see people with disabilities on-screen, and their stories and their resilience and their zest for life and their humor and their humanity.
I really just like characters who you don't know where they stand for a long while. It's like people. You hang out with them for 10 years, and then all of a sudden they do something, and you say, 'Who are you?' That's more interesting. In life and on-screen.
I used to not even be able to order pizza on the phone because I was just so shy. I think that's why so much comes out on-screen: because that's my time to let go in a safe place. When you're doing that, it's all written down on paper, and it's total fiction.
The people I've respected most in the industry over the years - Paul Newman, for instance. I just loved the way he handled growing old on-screen. It's understanding that you're now basically a character actor. Which is fine, but you have to pay attention to it.
As the cinema is changing, on-screen kissing, love-making scenes are becoming part of the narrative. I am not saying it is wrong, because it is the reflection of how our society has changed and become comfortable with it. But I am uncomfortable performing it on screen.
When you're in a soap, it's fantastic, and I'm really grateful for the fans who watch you and support you. For me, it was the best experience because I was able to act every day and work with so many different directors and get some great storylines and learn on-screen.
The biggest cardinal sin is not being in the moment, whether in life or on-screen. You owe it to your fellow actor that if they feed you something, you give them an earnest response to what they've said to you as opposed to what you wanted to do before they ever showed up.
The attention span of children may be one of the main reasons why an immersion in on-screen reading is so engaging, and it may also be why digital reading may ultimately prove antithetical to the long-in-development, reflective nature of the expert reading brain as we know it.
With me, Bobby Fish, and Kyle O'Reilly, I know on-screen we are these brothers whose bond can't be broken, and we are this faction. I promise you, it's very real behind the scenes, too. I've known those guys for years. We travel together all the time; we talk every single day.
Let's make it clear: women are sexier than men. They are a prettier gender than their male counterparts. And then, if a woman is comfortable showing her mid-riff on-screen, what is the other's problem? Why does she face body shaming? Does a man face the same while going shirtless?
With any good projects, I feel like the off-screen chemistry factors on-screen. It's great when you don't have to force it, but when it's not there, you better focus on getting there because, as we live with these characters, we spend more time with one another than we do our families at home.
There's room for everyone, and everyone is wanted and needed. Whoopi showed me that. When I first saw 'The Color Purple,' it was so huge. That was the first time I had seen myself, my mother, my aunts, women that I had known my whole life on-screen. It gives us hope, and it gives us confidence.
In 1969, when I was still living in London, I had gone with some friends to see 'Easy Rider' in a movie theater in Piccadilly Circus and had returned alone some days later to see it again. It was Jack's combination of ease and exuberance that had captured me from the moment he had come on-screen.
But everyone comes to Hollywood hoping to get a role people are going to remember them for, and I get girls saying I was their first crush, or Asian guys saying Rufio was the first time they saw an Asian kid on-screen that wasn't nerdy or stereotypical, so I was lucky the character that resonated was cool.
I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.