I'll ride the wave, where it takes me!

Pearl Jam were a part of my growing up.

We want to have a life outside of Pearl Jam, too.

You don't hear Metallica complaining about Pearl Jam.

Everybody got away from what Pearl Jam are supposed to be.

I think our fans are bigger and better students of Pearl Jam than we are.

Pearl Jam sit down and have conversations about Kiss all the time on tour.

Any conversations we hear about 'So who are Pearl Jam marketing to?' are despicable.

When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.

Pearl Jam doesn't just sing about issues they care about. These guys walk it like they talk it.

We may take breaks and do other things, but we feel we'll ultimately have Pearl Jam as a family.

I used to be obsessed with Pearl Jam, but I love having pink hair and kind of looking like a Barbie.

I never play as well without these guys; the best I have ever been creatively has been with Pearl Jam.

I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.

I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.

We're charging what we're worth and we don't think we're worth $22.50. We take a lower cut than Pearl Jam.

'Ten' by Pearl Jam is still by far one of my favorite albums and is a big part of what inspired me to learn guitar.

I think the singer in Pearl Jam should eat some Pearl Jam! He cannot sing to save his life! And the guitar player needs to seek help.

I've seen a lot of Pearl Jam shows, and the only reaction I've ever seen is the audience being completely supportive and loving every moment.

With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, 'Can I sing this part,' or, 'I want to play guitar.'

This is embarrassing to admit, but I didn't really know anything about Pearl Jam. Of course, I knew who they were, but I had never really sampled them.

I've always loved music videos - I used to make my own for bands like Pearl Jam. My favorite directors are Michel Gondry, Spike Jonze, and Patrick Daughters.

Stone Temple Pilots, Bush, and Silverchair are taking the simplest elements of Soundgarden, Nirvana, and Pearl Jam and melding them into one homogenous thing.

It must be very strange to live in the world of Willie Nelson or Bruce Springsteen or Pearl Jam. I don't know what kind of handle they have on their own loss of talent.

In January of 1995, my family and I moved to Seattle. Pearl Jam did the first of their live radio broadcasts, Monkey Wrench Radio, along with many other Seattle musicians.

A lot of my friends loved Pearl Jam, so whenever I'd hang out with them, that was usually what CD - not album - back then, it was what CD, maybe even tape, but what CD was playing.

With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, Can I sing this part, or, I want to play guitar. I feel like I have more courage to do that.

The first time I saw Pearl Jam, I thought Eddie Vedder had seen too many Jim Morrison videos, and I didn't like the music very much. But by the third album, I really liked them after all.

I think Pearl Jam, greatly inspired by The Who, really did become a sort of musical conscience of a generation. I love such passionate songs as 'Not for You,' 'Wishlist,' and 'Long Road.'

When we're not doing any Pearl Jam stuff, that's when I'll probably think of doing something else, whether that be scoring - hopefully more opportunities will come - or doing a solo thing.

After Mad Season, I started writing my own music for Pearl Jam and brought it in. 'Given To Fly' came out of that, and so did 'Faithful' - those were on 'Yield,' which came after Mad Season.

And if I'm honest about it, I was obsessed with Nirvana and Pearl Jam. This is like '92, right in the throes of Soundgarden and Pearl Jam and Nirvana. I think I probably wanted to be Kurt Cobain.

In the early days of Pearl Jam, we were caught up in such a whirlwind that I was just trying to keep my head on straight and play music. I didn't have the kind of confidence that other guys in the band did.

The group disbanded prematurely in 1983, but its records made a sizable mark: Mission of Burma became a band's band; leaving noticeable impressions on the likes of Pearl Jam, R.E.M., Sonic Youth and Yo La Tengo.

I always wanted to tell the story of how Pearl Jam is the story of lightning striking twice. As well as being the flipside of the classic rock tale where great promise ends in tragedy. This is where tragedy begins great promise.

It's how you define yourself. It's not Nirvana or Pearl Jam: it's, 'Do you watch 'Portlandia' or 'Amy Schumer'?' It relates to a specific sense of humor. And, 'Do you know the hidden gems?' Like, if you knew the Pixies in the '80s.

It's a very complex scenario, and certainly Dave was, and is, not the only person in Pearl Jam with personality flaws. Everybody in this band exhibits some form of neurotic behavior. And we couldn't find a balance, a mutual respect for each other.

Someone told me, 'When you go see Pearl Jam, it's going to be a spiritual experience,' and it was. It was my first time seeing them live, and I've been a lifelong fan. Eddie Vedder's voice is a million times better live, and I couldn't believe the passion he put into every single song.

The artist that had the biggest impact on me was Michael Jackson. He was my Elvis and Beatles. When I was 15, I listened to a lot of Sinatra, but my jean jacket didn't have, 'I love Frank' on it, it had, 'I love AC/DC', 'Guns N Roses', 'Pearl Jam'. I thought Eddie Vedder was the second coming.

Growing up, I was a little hippie kid. I went to some good concerts... Amnesty International with Bob Dylan and Tracy Chapman... The best concert I ever went to was this one at the Cow Palace my freshman year in college on New Year's Eve. It was Pearl Jam opening for Nirvana opening for Red Hot Chili Peppers.

Rock will never be dead for me. Do I like a lot of what I hear on rock music radio? No, not for the most part. I'm not a fan of the regurgitated Pearl Jam and Nickelback crap that's the biggest thing in the Midwest. There isn't that big of a market for rock anymore. Every once in a while something happens and you like it.

I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.

Half of the modern world goes back as far as Pearl Jam. The real historians go back to U2. But they need to go back further. They have to go back to the '50s and '60s, where things started. That's how you get to be your own personality, by studying the masters. Rock and roll was white kids trying to make black music and failing, gloriously!

The coolest thing for me to do was listen to Pearl Jam's 'Ten,' Nirvana's 'Nevermind,' or Soundgarden and play along to it and think about how awesome it would be to be in one of those bands and be up on stage. When I'd close my eyes at 13 and dream of being in Pearl Jam or one of those bands, it was exactly like how it is now with the band I'm in.

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