If I were a teacher, I would like to teach freshman English - so I could be the Robin Williams type in 'Dead Poets Society.'

Most poets are elitist dregs more concerned with proving their skill with a dictionary than communicating ideas with impact.

If offered a good role, I would like to work in a good Punjabi film. This land has produced great writers, poets and actors.

Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that.

Poets, we know, are terribly sensitive people, and in my observation one of the things they are most sensitive about is money.

There are two types of poets: People who write poetically about their lives, and poets that live poetically and write about it.

Many poets in Iran have learned to speak almost a secret language, where political issues are talked about in allegorical ways.

I can't listen to rap music; it's not my thing. They say that they're the modern poets: of course they are, but it's not for me.

Defeat furnishes good material to the poets and the artists, but none of us care to have the glory of the conquered apply to us.

We have to raise the consciousness; the only way poets can change the world is to raise the consciousness of the general populace.

Most poets, like most people, try hard to be like someone they admire or they are possessed with an image of what they ought to be.

It's easy to understand why the most beautiful poems about England in the spring were written by poets living in Italy at the time.

The way I process things, they way I express myself, is in comics, just as poets process things that they are trying to understand.

They say poets write mostly for themselves; if anyone else likes it, well and good, if not, it doesn't matter; certainly, not to me.

Some people are suspicious of others who have more than one talent. I've had poets tell me to my face that an actress can't be a poet.

Alice Oswald. With Hughes and Heaney gone, people are looking around for the best British and Irish poets. Oswald is one of our finest.

In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.

Well, we all start thinking we're going to be Romantic rock stars, but then reality hits and you realize no one reads you but other poets.

There is an extraordinary degree of amity among Washington poets. They hang together. You would be hard pressed to find that in Manhattan.

Lyrical poets have to be in touch with visceral experience. I've always tried to avoid virtual experiences. That's emerging in my fiction.

I think 'Dead Poets' was probably my favorite, just to get started with the idea of doing a movie that people treated as more than a movie.

Lyrics have to be underwritten. That's why poets generally make poor lyric writers because the language is too rich. You get drowned in it.

All that a critic, as critic, can give poets is the deadly encouragement that never ceases to remind them of how heavy their inheritance is.

Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.

Poetry is the work of poets, not of peoples or communities; artistic creation can never be anything but the production of an individual mind.

The poets who have written the best poems about war seem to be the poets whose countries have experienced an invasion or vicious dictatorships.

A nation's poets are its true owners; and by the stroke of the pen they convey the title-deeds of its real possessions to strangers and aliens.

I'm not a historian. I know historians. I've worked with them. They have a really powerful way of looking at the world, and I think so do poets.

To see the Persia of poets and painters, hiding in plain sight behind the much-maligned Iran of our newspaper headlines, would be my fondest wish.

I'm very grateful to all the people of Fresno, to Philip Levine and all the poets before me, and all the farmworkers. I didn't get here by myself.

When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.

Poets are the only people to whom love is not only a crucial, but an indispensable experience, which entitles them to mistake it for a universal one.

I meet kids now who become novelists, poets, write for the theater and movies, who were simply inspired by what they saw during the Spoleto Festival.

The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I am sure that really they were as uncertain as I was.

People wish to be poets more than they wish to write poetry, and that's a mistake. One should wish to celebrate more than one wishes to be celebrated.

The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.

If sexual intercourse, as the poets tell us, began in 1963, it was another decade and a half before the American political system began to take notice.

I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.

I have a strange relationship with influences because mine are mostly literary or painters or poets, who I'll even quote. I don't do tributes to cinema.

But the West did not last long enough. Its folk myths and heroes became stage properties of Hollywood before the poets had begun to get to work on them.

We will certainly see teachers, journalists, artists and poets in space. Whatever it takes to the be the best is what it will take to get you into space.

I'm inspired by the poets, so I'm always going to give in that direction, rather than in any other. It's the making of me... and also the downfall of me.

I love poetry. I love rhyming. Do you know, there are poets who don't rhyme? Shakespeare did not rhyme most of the time, and that's why I do not like him.

I've had trouble with criticism, I guess. It's hard to know what role criticism plays in either encouraging poets or in getting other people to read them.

The community of poets I belong to is not as close as it used to be, if only for the fact that our lives have become busier: jobs, children, and the like.

There was a time when poetry often made its way to vinyl; take a deep dive, for example, into the beat poets' countercultural albums of the 1950s to '80s.

I always thought I was going to be a great poet, and go and live in New York, where the great poets lived - you know, where Whitman had walked the streets.

Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.

While I don't satisfy my curiosity about the way I work, I'm terribly curious about the way other poets work. But I would think that's true about many of us.

Being in the Sahitya Akademi, I did know quite a few poets - Jayanta Mahapatra, Sitakant Mahapatra, Sunil Gangopadhyay, to name a few. There were many poets.

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