I guarantee that if you talk to some of the young ladies that are out on the street selling their bodies -if you sit them down and really talk to them - they'll tell you that they've been abused, physically and mentally. They go through this stage where they don't care, because you don't feel like you're worth anything.

I'll tell you who I really like - the lawyer Imran Khan. I did my dissertation on stop-and-search powers, and I put in loads of quotes from him. Years later, when I was selling insurance over in Harley Street, he rang up and asked for insurance. He told me his name, and I asked him if he was the lawyer, and he said yes.

When 'Ice Ice Baby' was selling a million records a day, I bought several properties: a home next to Michael J. Fox in L.A., a palace in Miami and a mountain cabin in Utah. Then, a few years later, I took a break from touring, saw that my properties had cobwebs, so I sold them, and - to my surprise - I made a huge profit!

I started out at Procter & Gamble marketing panty liners, so basically selling women insecurity. I thought there must be more to life than this. Then I was on set for a Dr. Scholl's commercial, and I asked one of the execs, 'How do you get a job behind the camera?' and he said, 'Film school.' So I quit and applied to NYU.

As the wonderful agony begins for 1964-65, I sometimes wonder why I do it. I've got an insurance business going on the side, and it is starting to grow nicely. Selling insurance fulfills me, in a way, like basketball. But basketball keeps calling me back. I suppose I'll play until I can't keep up with the kids any longer.

'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'

There are many days when I want to throw my computer out the window, when I tell myself I'd be better off selling shoes at the mall. But I always keep at it, because I have to. Writing is completely part of who I am. Even if I never published another book, I would keep at it - because it feeds my life and makes it richer.

New York is on a grid system, so it's slightly less challenging logistically, but Londoners are more relaxed in their selling approach. With that intense shopping service in New York, it's easy to get carried away and make a wrong purchase. Here, there's a different flow. You are left to explore, and individuality is key.

I think, ever since I started doing well commercially, it's always been like, 'Oh, well, you're only where you are because of your dad, and it must be because of Mark Ronson and Greg Kurstin that you do well.' It's just everyone apart from me is responsible for the songs that I've written selling millions around the world.

India allows you the luxury of a million inequalities. You can be a schoolboy selling tea to passengers sitting in a state transport bus, but you are royalty when compared to a shirtless, barefoot village boy, from what was traditionally considered an untouchable caste, living on snails and small fish - and sometimes rats.

In industries where a lot of competitors are selling the same product - mangoes, gasoline, DVD players - price is the easiest way to distinguish yourself. The hope is that if you cut prices enough you can increase your market share, and even your profits. But this works only if your competitors won't, or can't, follow suit.

Technology has given us convenience, but at the same time it's making musicians work harder in that if you really want to make money making music and selling albums, you have to go out there and perform. And hope you sell stuff like merch, and get on YouTube, and all the other ancillary sort of things that go along with that.

To her credit, Madam Walker discerned that black women wanted to conform to white Victorian models of beauty. She was aware of the double- sidedness of her products - helping black women appear more European in look, with straight hair - but she always maintained that she was simply selling products that promoted hair growth.

We make too much out of past performance, and it's very misleading to investors. It causes them to move money around. They buy a fund that's hot and then it turns cold as all hot funds eventually do. And then they get out. Well, buying at the high and selling at the low isn't going to leave you a satisfied shareholder, right?

One reason why upturns follow downturns is that downturns tend to overshoot. People get panicky, they're afraid to stay the course, so they start selling. The other thing is that I think, as entrepreneurs keep on waiting to produce new things, that there's an accumulation of as-yet-unexploited new ideas that keeps mounting up.

As with many teens, my first jobs included babysitting and mopping floors at McDonald's. Since then, I've held jobs a diverse as selling used cars, selling apparel, cosmetics, and real-estate, substitute-teaching six graders, teaching undergraduate creative writing, and working as an editorial assistant for a literary magazine.

I have the idea that running shoes are based on a kind of cult idea - that our feet are flawed and we need shoes to correct those flaws. The shoe companies are in the business of selling shoes. But there's no evidence from running shoe manufacturers that they're right. There's no scientific data that running shoes reduce injury.

We are seeing a lot of cases where the startups are writing the term sheet, dictating the terms, selling common stock instead of preferred stock, where they don't give the investor veto rights or board seat or privileges, and they are really asking the investor -- why should I take your money when there is other money available.

Much good art got made while money ruled; I like a lot of it, and hardship and poverty aren't virtues. The good news is that, since almost no one will be selling art, artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.

Well, the album 'Intuition' is out and just went platinum officially. So I think to have the music doing what it's doing right now, man, it's the ultimate. Nobody is really selling records out there but we are at a million records and we dropped it at Christmas, so we are just trying to get that thing to like two million, you know.

I think it's a very female trait to want to please men and to want to be considered the Cool Girl. And if you take that to the farthest reach, where you're actually selling yourself out and degrading yourself by doing things you don't actually want to do, only in order for this man to think that you do, that's a very perverse thing.

There is a natural tendency for investors to devote a significant majority of their time to finding new ideas. After all, uncovering great companies selling at great prices is the lifeblood of successful investing. But in the never-ending quest for the next great idea, investors often give short shrift to their existing investments.

I started with jewelry when I was probably 24 years old. It was really just in response to a feeling that most of the fine jewelers were men appealing to men and selling pieces in a very unmodern way. I felt that there was a huge demographic of self-purchasing women who were feeling uncomfortable in the traditional retail environment.

There are signs that the age of petroleum has passed its zenith. Adjusted for inflation, a barrel of crude oil now sells for three times its long-run average. The large western oil companies, which cartellised the industry for much of the 20th century, are now selling more oil than they find, and are thus in the throes of liquidation.

We see that hyperactivity and reward areas are important when the bubble's rising. People getting caught up in it. We also see areas involving mentalizing, which means thinking about other people: Who's buying? Who's selling? Do they know something? We see emotional areas before the crash that indicate a sense of uncertainty or dread.

You look at what One Direction has done and just say, 'That is just lucky;' it is not. It is happening because they are talented boys, good looking lads; and yes, their songs might not be the typical songs that lots of radios want to play, but they are great songs, pop records, that are massive across the world selling in huge numbers.

You get moments all the time that kind of make you pinch yourself, some of them make you quite emotional. Winning a BRIT was a big moment because we were just so excited to be at the awards in the first place. Selling out Madison Square Garden was pretty amazing too. Then we woke to the news that our UK tour was sold out. It was crazy.

One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in - I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.

People nowadays think of gamebooks as rather old hat - and, after all, it was twenty years ago. In their heyday, though, they were a phenomenon, selling upwards of a hundred thousand units per title. And it's not as old hat as you might think: the same design skills I used in those days apply equally when I'm creating modern videogames.

It's easy to get jaded. It's easy to get lazy. It's easy to get too self-centric, like, 'Why me? What about my needs?' It has nothing to do with that. But you see, you are the thing you are selling whether you are a director or an actor in this business. It's very tough. The town doesn't realize that its greatest resource is its people.

We'd really like for BlizzCon to be something that the people who really really want to go, if this is something you're really passionate about, you want to be here at BlizzCon, we'd like it to be possible for you to get here. When we are selling out in a couple seconds, it's really not possible for a lot of people that really want to come.

As it happens, Chicago is the nation's leader in municipal privatization efforts. That's right: The city that conservatives portray as the citadel of the power-grabbing, government-growing left has been selling itself off in pieces for years. It signed a 99-year lease for the Chicago Skyway, a toll road in the city's South Side, back in 2005.

Our family business was operating batting cages. The pitching machine spit out the balls at lightning speed. Don Drysdale, Sandy Koufax. Whitey Ford. 50 cents for 12 pitches. Of course, my mother ran the place, and I was her slave: selling candy, hosing down the street, and the most dreaded of all jobs, feeding the pitching machine with balls.

No matter what his crimes were, Alton Sterling did not deserve to be executed for them. Look, guys, the punishment for resisting arrest shouldn't be death. The punishment for selling bootleg CDs shouldn't be death. The punishment for having a gun in an open-carry state shouldn't be death. The punishment for being a black man shouldn't be death.

Style-wise, Valle Nevado is what can only be described as 'hip international.' Brazilians, Chileans and Europeans make the place seem like an electronic music festival transported to an remote Andean valley. Huge speakers blare out thumping, bass-heavy music, while promotoras stalk the staircases selling everything from Red Bull to mobile phones.

There's nothing weirder than when your band finally gets big and you're playing sold-out arenas and you're selling millions of records, and you dread being a part of it all. It wasn't some master plan to go solo. I was just like, I would rather do my own thing, be happy, and have it be ten times less popular. That was really it. It just wasn't fun, the stress.

It's hard not to sell out because once, you know, I grew up with working-class parents who definitely, definitely would be disappointed if I didn't take particular jobs being like, "What are you talking about? I would have worked years for that money in like, actual physical labor." So there's a privilege to not selling out. You already have to be in a position where you can look at that money and not care about it.

There's always this talk of the industry of music and about selling records and whatever, but that ignores probably the majority of music that isn't about trying to sell itself, that isn't about being connected to any industry. There's a huge amount of music where someone just happened to have a tape recorder and turned it on or hit the red button while they were in the back of church or recording something in their front room.

In my movie, "Death By China," it shows Bill Clinton in 2000 promising that when China got into the World Trade Organization we would be making products here and selling them there, and life would be great. Just the opposite has happened. And here's why this has been so devastating - China went into the World Trade Organization and agreed to play by certain rules. Instead, it's violated these rules. For 15 years, it continues to illegally subsidize its exports.

There's a property in Panama where Trump has collected somewhere around $30 million just from selling his name to this property - it's somewhere between $30 million and $50 million. It would be so easy for a developer to slap on an extra $6 million to a Trump licensing deal and have that be a backdoor bribe. Who are we to say what that is worth? It's so ephemeral. And this is the appeal of selling something as ephemeral as a brand name, is that it can be inflated beyond all reason.

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