When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.

If selling had been part of his job description, Rusbridger, who never met a pound he had to earn that didn't disgust him in some visceral way, would have been disqualified long ago. Indeed, his early enthusiasm for the Internet - and a continuing principle of faith for him - was that it was free.

One of the big no-nos in cyberspace is that you do not go into a social activity, a chat group or something like that, and start advertising or selling things. This etiquette rule is an attempt to separate one's social life, which should be pure enjoyment and relaxation, from the pressures of work.

Companies selling a product play down its vulnerability and emphasize its robustness. But only after technology leaves the dock is it really tested. For human operators in control of a supposedly infallible system, complacency and overconfidence can take over, and caution may be thrown to the wind.

My run cannot be touched. If you want to talk about longevity, you can speak the name Hogan. If you want to talk about white-hot, selling tickets, and taking the business to a height it's never been - and, with a hell of a supporting cast, I might add - you're talking about Stone Cold Steve Austin.

I think DVD has been a real gold mine for a lot of reasons. You were selling a packaged good in a big mass market, so you could make it huge. You were selling or renting a thing that people didn't consume. You go to Blockbuster, rent five movies, and only watch two. That's a good business to be in.

Yes, when they're buying there are more buyers in the market and that's supportive of the price. The more buyers you have, the firmer the price is going to be. When central banks were selling it was a headwind the market had to overcome. Now it's a tailwind that central banks are joining the buyers.

Albert Camus was never abandoned by his readers. Camus is enormously read. He's the highest selling author in the entire Gallimard collection, and has been for some years now. Sales haven't ever stopped, so to talk about rediscovering him would suggest that he isn't read anymore and that's not true.

While I take no pleasure in others' misfortunes, we've historically made most of our profits from other investors behaving in a panicked and irrational fashion and selling us certain stocks at prices far below their intrinsic value. More volatility equals cheaper stocks, which equals higher returns.

I know people said I wasn't selling out in America, but that was entirely untrue. We sold out all over the world, and every night I looked out into the fans and those front rows that you're talking about, the tears, the honesty, the inability to not be completely overjoyed because they felt accepted.

Yeah, we've made beautiful strides, but what percentage of black people has made that stride when I go back to my neighborhood and see the same thing? I'm the only one who came out of my neighborhood. All of them dead, on drugs, selling drugs. Am I supposed to be honored and happy just by my success?

Advertisers don't want to be ignored, and they are drunk on our data, which is what Google and other large networks are really selling. The ads are almost a by-product; what companies really want to know is what antiperspirant a woman of 25-34 is most likely to purchase after watching 'House of Cards.'

I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.

I do not use short selling. The fund has not shorted a stock since the 2002 to 2003 time frame. At that time I did short three stocks, on which I broke even on two and made money on one of them. The experience taught me that I was not going to be using short selling going forward for a slew of reasons.

I've always hated modeling. It's superficial and fake, and I hate to have to care about what I look like. I get a pimple and freak. The whole business is all about selling beautiful girls' faces and bodies, so how can there be anything intelligent or nice about that except for the girl who makes money?

I wanted to find something I was passionate about, something with the possibility of upward movement, and I wanted freedom. I need to be outside living life, not stuck in an office. I figured I could either be out selling condos in Miami, or I could move to L.A. and chase after that elusive actor's job.

When you realize my best selling books are 'Owl Moon,' the 'How Do Dinosaur' books, and 'Devil's Arithmetic,' how can the public make sense of that! I have fans who think I only write picture books or only write SF and fantasy. I have fanatics of my poetry and are stunned to find out I write prose, too!

My father did lots of things. He had an orange-juice factory. He did real estate. He did commercial selling. He was always up and about doing all sorts of weird and wonderful things and being adventurous. I always admired his self-discipline. He was very good at getting everything done. He was very tidy.

We have been investing in building a mobile-first selling capability by establishing the Consumer Channels Group to strengthen and align the device-selling motion and to expand our impact with OEM, retail channel partners and our operator channel, and by extending it with our opening of Microsoft Stores.

When I'm in the studio, I'm strictly thinking about the beats, the rhymes and the song. The decision I make once the songs are created, and there's a barcode put on the package, and I'm out there in the street selling it, those decisions as a businessman are different than the creative decisions you make.

We have a generation of women who think that they can just have IVF, and everything will be fine. The odds are against you once you start having IVF, and the odds are against you over the age of 35. And to pretend that it's easy to have a baby in your 40s or 50s is - it's just selling women a false dream.

The song 'Bite the Thong' in particular, with Damon Albarn, really encapsulates the whole dilemma of, 'Hmm, should I stay on the underground when everybody else is selling out?' Nowadays, you can just do it - have your name-brand clothes, do songs with rock n' rollers - and it's not considered selling out.

Some days, I would find what seemed like entire family trees, torn from once-treasured albums and dumped in disorganized bins, selling 10 for a dollar. I wondered how people could give up pictures of their great-grandparents for complete strangers to paw through - or why complete strangers would want them.

In fact, when I began selling 'Phenomenal Woman' T-shirts on International Women's Day last year, the campaign was supposed to run just through March, for Women's History Month. At the time, I hoped to sell around 500, maybe 1,000 T-shirts in total. We ended up selling 2,500 T-shirts on the first day alone.

If the founders of a start-up are considering selling it, I'd advise them to consider the synergies. Could the buyer give you access to something you don't have now, like a certain technology? Would it make your life easier? Are you looking for a change? Things will change, so you have to be ready for that.

My second business would have succeeded but for competitors' jealousy. I was selling motorbike gear cheap, but the people I was undercutting complained to the manufacturer and cut off my supply. It showed me how corrupt business can be. When I sold phones, the same thing happened, but this time I was ready.

I have close to 300 pairs of shoes. I'm fortunate enough to be in a position to get any shoes I want. So I have a pretty nice collection. It's pretty valuable. It's funny when sometimes I buy a pair of shoes and I look on eBay and it's already selling for $500. I just wanted to buy those shoes to wear them!

I don't believe - till something radical changes that we are not on track to do - that hybrids are material to climate change. They're fashionable, everybody loves them, the Prius is selling well, but so are Gucci bags. But they don't impact the way the world carries stuff. You know it's a fashion statement.

'Streetcar' is no longer about the moment at all. There is no Blanche DuBois anywhere; south, north, east or west. We don't have Blanche DuBois at the moment. But we have Willy Loman; everywhere we look we see Willy Loman. We are Willy Loman. We're on Facebook; we need to be known; we're selling all the time.

Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes.

It's far too much to say that effective hoping is the only - or even the biggest - part of what it takes to succeed. If 14% of business productivity can be attributed to hope, that means 86% is dependent on raw talent, fickle business cycles, the quality of the product you're selling, and often pure, dumb luck.

So much of selling a film in the industry is about creating a fulcrum where all the pressure comes to bear, and something seems suddenly valuable and approved by an audience. It's amazing how people could pick up tons of films on the cheap, but they don't because they wait until everything is laid out for them.

My father, Rodolfo, worked as a train conductor and that's how we came to live in the railway car. The Government owned it, and we paid rent on it. Back then I would wake up at 4 in the morning and run through the streets, selling newspapers. I'd scream out, 'Sol, Debate, Noreste.' Those were the papers I sold.

As a kid, creation was something that I always loved. Creating worlds for video games, creating businesses that didn't make any money, selling lemonade, etcetera. In my fourth grade classroom, I even instituted a government structure because I was really interested in people having positions and there being law.

All I can think is that the owners of Chick-Fil-A have decided they have had enough, that they're just going to focus on selling chicken sandwiches to as many people as they can, and they figure that keeping their views about marriage to themselves is better than having a bunch of angry activists on your doorstep.

It's best not to think about winning or losing trades anyway, because the best ones work out for both teams. But, as a rule, if you're the team that's selling - if you're out of it, and you're trading with a team that's in it - you usually have the pick of just about their whole farm system, with a few exclusions.

By 1988, I'm seeing this commercial phenomenon beginning to show up. Hardware makers are selling routers to universities so they can build up their campus networks. So I remember thinking, 'Well, how are we going to get this in the hands of the general public?' There were no public Internet services at that point.

In 1978, we adopted a new Bankruptcy Code in the United States, and a principal part of this was designed to adjust to the new corporation, to find ways to let a corporation that had gotten into financial trouble reorganize itself. A big part of the selling point on this bankruptcy law was, 'It will preserve jobs.'

You know, I used to live in Russia where you had officers in the military opening up the warehouses at night and taking weapons out and putting them into a truck and selling them to foreign powers. That type of stuff doesn't happen in the United States. We still have a very functioning and relatively civil society.

I don't really know what 'selling out' is exactly. I would sell out if I could, but nobody's buying it. I would love to go mainstream, but my comedy is too edgy. It's always too dirty. It's always too filthy. I'm dying to sell out. But I love doing comedy, I love touring, and I think I would do everything for free.

I've never had the experience of 10 years at Unilever and five years at Coca Cola. But I'm not the marketing director who only wants 25 per cent a year on the revenues. In the old days, you sold something, and you would be happy. At Ajax, we thought we needed more from that than selling a seat and making five grand.

Fans tend to think that if you fall in love with an artist... and then he gets bigger, and he grows, and he starts to make a different sound, 'He's changing on us.' But with me, I created all types of sounds from the get go, so you can never say I'm changing; you can never say I'm going mainstream or I'm selling out.

I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'

Waitresses, soldiers, rickshaw drivers, old ladies selling vegetables - my father would schmooze anybody. He was Clintonesque before the word existed. And, of course, it paid dividends. Ill-tempered guards at the most notorious border crossings waved him through with cheery smiles. Haughty maitre d's fawned over him.

I always had the dream of doing a 'real' infomercial because I had done smaller home shows and fairs. Everyone said it wasn't going to work. 'You need a movie star,' they said. But I wanted to do it myself because I'm selling the passion - there is a problem and I have a solution - that had resonated well with people.

People of my generation in Portugal fell into the magic potion of political ideas. What was very funny about this revolution was that it did not bring wealth to the Portuguese. But it brought language, ideas. You'd go to the fish market, and all the women who were selling fish would call each other fascist, communist.

I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.

Many writers will get a contract by selling chapters and outlines or something like that. I wrote the entire novel, and when it was all finished, I would give it to my agent and say, 'Well, here's a novel; sell it if you can.' And they would do that, and it was good because I never had anyone looking over my shoulder.

I feel that contemporary music, with very few exceptions, is missing the voice. You see an award show, you see a hundred extras on set dancing and special effects, and you don't see that solo voice that was the trademark of Adele. It's no accident that it was her album that ended up selling 27 million copies worldwide.

I had a great time being a salesman because of the pitches that I gave when I was selling shoes. However, I don't think I'm as well versed in shoes as I am in comedy. Being a salesman was all about being a people person, and I enjoy being around people. I also love talking to people - which is why I think I did so well.

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