Quotes of All Topics . Occasions . Authors
The speed at which cinema is changing, the definition of hero is also changing. Even a big superstar like Aamir sir plays the role of a father. There's action genre, where you have to show body and do stunts, so you may call that a hero.
It was funny because on the day that I joined the club, the newspaper that broke the news was one that people don't always trust or believe. Then, when I signed, and there were pictures of me and Sir Alex Ferguson, people believed it.
I have worked very hard to shed away my chocolate boy image in order to get a tough look for this action entertainer. I am confident of my success and would love to dedicate the same to Director Balachandar sir.
Sir Richard Attenborough was a wonderful human being and an amazing actor and director. He was a British who really loved India, its people, the culture and the conscience. He lived a great life.
I have an unconscious burglar living in my mind: If I read something, it's mine. I can read Middle English stories, Geoffrey Chaucer or Sir Thomas Malory, but once I start moving in the direction of contemporary fantasy, my mind begins to take over.
It may not be proper for me, perhaps, to let my feelings carry me further am therefore resigned to stop here, if sir, you think my particular reasons following too free, or will give offense to the House, which I would be sorry to be thought capable of intending.
Manchester United is a world-famous club, and yet if you say, 'Manchester United,' then immediately you think of Sir Alex Ferguson. To have achieved so much and have so much importance at such a big club is extremely rare.
Sir Alex Ferguson was a genuinely nice man. We met many times and even had dinner together on a few occasions. But woe to the person who threatened or bothered Manchester United in any way. Then Ferguson would not spare his venom. I know, because he often aimed that venom at me.
Sir, allusion has been made, in an early stage of this debate, to the history of the excitement which once pervaded a considerable part of the country, in reference to the transportation of the mails on the Lord's day.
I have been in the industry for many years now, but people still come up to me and say, 'Sir, you're such a good actor. We loved watching you in that movie. What's your name?' While any other actor might get offended, I don't mind this at all.
I grew up with the great Sir Laurence Olivier, and I think it's fair to say that a lot of actors of my age were influenced by his very individual vocal delivery. He was a showman who would always play to the gallery.
I thought Anurag sir would be strict, and I had certain kind of perception about him, but he was warm and interactive.
Part of being a Manchester United player under Sir Alex Ferguson, perhaps the most important part of being one of United's attacking players was that when you were in possession, you had to take risks in order to create goal-scoring chances. It was not an option; it was an obligation.
I took over from Sir Alex, and it was always going to take time, whoever was in charge.
My great grandfather from my father's side, Sir Akbar Hydari, was the prime minister of the Nizam of Hyderabad. He was instrumental in setting up the Osmania university. His wife set up the Hydari club for women so that they could play tennis, and she also set up the first girls' school in Hyderabad.
Rajini sir has always been a part of my life from childhood. And I entered into filmmaking because I was influenced by his films.
I am grateful to Rahman sir. There is no way I can repay the graces he has extended to me by making me sing his compositions.
It is all about experience. When you are 7-8 years old, you start playing school cricket and score runs; my coaches, from school level to Rahul Dravid Sir now, all those small, small things - the experiences make a difference.
It is important that Manchester United keeps its identity. Their heritage is to produce and develop players, something that started with Sir Matt and continued with Sir Alex Ferguson.
I remember that, often, Mike Phelan would just nip down to the touchline for a message to one or two players. It was usually just a tactical thing. But when Sir Alex comes to the touchline, all the players know that it's serious stuff.
You find no man, at all intellectual, who is willing to leave London. No, Sir, when a man is tired of London, he is tired of life; for there is in London all that life can afford.
I have been fortunate that 'Pink' has been that film which gave my career a push. I owe a lot to Shoojit Sircar for having faith in me and my co-stars Taapsee Pannu and Amitabh Bachchan sir.
It is such a treat to see two of my most favourite creative people in one frame - Rajamouli sir and Amitabh sir. They are so inspiring.
If someone comes to me with a script and says, 'Sir, this hero...' I'm like, 'Is there a name, or he is just called a hero?' We are not heroes. Heroes are people fighting for us at the border. We are not heroes; we are just doing our job.
Sir, I am a republican; and I desire to see this House observe the principles of that democracy which is ever on the lips of its members, and which, I hope, is in their hearts, as I know and feel it is in mine, and mean it shall be in my conduct.
Icons like Nagarjuna sir and Jagapati Babu sir have been so encouraging and shared such great energy, welcoming me into the Telugu film industry. It is motivating.
If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.
Do I feel I should have been given more time? Of course I do. To go to a club like Manchester United and follow someone like Sir Alex after the time he had been there, to stay for ten months... It couldn't be a revolution at Manchester United; it had to be evolution. It had to take time.
Luckily, 'Petta' encompasses all the dimensions of Rajini sir's performances. His main strengths are his charm, style, and the fun that he represents.
When I was offered to sing 'Tere Bina' in 'Guru' by A. R. Rahman sir, it was a surreal experience. The song clicked, and many composers took notice of me and my work then.
You will never see United manager Sir Alex Ferguson in the media taking problems he has or the squad has or the club has into the open. Never, ever. But you do see that at Manchester City.
There is nothing, Sir, too little for so little a creature as man. It is by studying little things that we attain the great art of having as little misery and as much happiness as possible.
'Baahubali' was a film that was never done before. Rajamouli sir was my biggest inspiration because he lives in the smallest house and drives the smallest cars, but he makes the biggest films ever. He taught me the art of analysing your own strengths, and I take inspiration from him.
Anurag Sir is someone I have always looked up to and hoped to work with, like many other actors. It's a tremendous opportunity to be collaborating with him on my first film; I really feel fortunate. His conviction in me is very valuable.
There is no doubt that my former manager Sir Alex exerted an influence over some referees. He was the master of dropping a comment into his Friday press conference - for instance, how long it had been since we had been given a penalty, or the treatment meted out to a player like Cristiano Ronaldo.
I grew up idolising Rajinikanth, and I've always wanted to see him in a certain way. When I knew I was going to write for Rajini sir, I wanted to show him in the most stylish way and bring back his mannerisms and machismo.
As for song recordings - well, that's something that just happens. I've been working with music directors like Harris Jeyaraj sir, A. R. Rahman sir, and the experience is great.
The fear of letting people down - that's the drive. Sir Alex, I think, if he was brave enough to say it, he would say the same, but in his eyes, the motivating factor is that you want to be the best.
There is no private house in which people can enjoy themselves so well as at a capital tavern... No, Sir; there is nothing which has yet been contrived by man by which so much happiness is produced as by a good tavern or inn.
When we started work on 'Baahubali,' my sheer aim was to be able to live up to the imagination that Rajamouli sir had in mind. As an actor, my intention was to bring up 'Baahubali' live on screen for the audiences. I never even expected in my wildest of dreams that the film would grow on to become a phenomenon of sorts.
I worked with many great assistants to Sir Alex Ferguson over the years. Yet sometimes a manager's second-in-command is more suited to that role than any other. You confide in them - you tell them things that you would not tell the manager - and they are that bridge between the boss and the players.
When I thought of writing for Rajini sir, I told myself it will be a really cool character with a very happy-go-lucky attitude. We took such a character and placed him in a strong story, and I believe, as a combination, it has worked wonders.
Rahman sir keeps pushing himself. He keeps trying new things, whether it is his craft, music or sound... he is always learning. He looks for opportunities to learn, even from children.
The first time I retired, only Sir Alex Ferguson and I knew that the last league game of the 2010-11 season against Blackpool was to be my final game at Old Trafford. I was a little bit sad, but I am not one for tears. The end of a career comes to us all, and there is not a lot you can do about that.
Rajini sir gave me an opportunity to work with him because he liked my work, especially my style of narration and dialogues. Now, I can't go out and make something very different just to please him. He wanted me to make 'Petta' the way I want it and with my sensibilities intact.
Every time I meet Rahman sir, it's a fan moment for me. I don't take the fact that I am working with him lightly. I get excited every time I see and work with him. But I don't embarrass him.
I met Rajini sir after 'Jigarthanda,' and he said he liked my film. He told me I could approach him whenever I had a good idea. I had never thought he would listen to scripts from new directors. After the meeting, I wondered, 'Should I take his words seriously or not? Should I write something?'
Firstly, I'd say that A. R. Rahman sir is one of the biggest influences in my life. He's given me some great numbers, and I've looked at him for inputs many a time with regards to my career.
By the time I was 14, I had seen only three Tamil films - 'Anjali,' 'Bombay,' and 'Puthiya Mugam.' And I loved the music in the films. When I found out Rahman sir was the man behind the music, I made up my mind that I wanted to sing for him.
There is a myth that Rahman sir only works at night. He works through the day and night, so it depends what time slot you end up working with him. Besides nights, I have sung for him in the morning and at noon, too. I think he's the first composer to work at night, and that's why it's spoken about so much.
