Quotes of All Topics . Occasions . Authors
I'd signed up not just for Christianity but the established Church of England. That has a particular history and I think we rather lost it in the 19th Century, we became so much part of empire and colonialism, the language of the Church Of England still reflects that Victorian time. As the 20th Century developed, not surprisingly people left the church and I can see the church's role in losing people.
It's hard to align with money if you think that it is evil and nasty. But once you come to an understanding that money is neutral, it's easy to see that having money does not necessarily deprive somebody else. There's no reason why you can't be very rich and still be an extremely spiritual and wonderfully generous person-aligned to the God Force-with a huge heart, and compassion for everyone you meet.
The idea of getting old and dying, falling apart, does not sound fun at all to me, but it's an observation that I'm sure I'm not the first one to express. There're thousands of year of history attest to the same thing. Maybe it's the way I'm personally dealing with that inevitable transition. So I'm making metaphors out of the work possibly to think about that and try to get comfortable with the idea.
We weren’t trying to strike it rich with Firefox. It’s open source and it’s free. We weren’t trying to take over the world; we had kind of modest goals, and it was OK if it failed. We were a lot freer to make risky decisions. If you can afford to do things that way, it’s just so much better. You’re not thinking about venture capitalists or marketing or sales. Just product and users, all day every day.
I write a lot, poems and such, and when I look at it the next day, I can analyze what the problem is and find the solution. It's the same when I watch myself on the big screen, but first, my vanity has to go away and so I have to watch it ten times. But when it has gone, and I don't think my nose is too big and everything else, then I start analyzing, and I think it helps me to become a better person.
For other people who are involved in unrepentant sin whether it's the sin of homosexual sexual expression or gluttony or pride or heterosexual sexual expression outside of a monogamous heterosexual marriage or any other thing - are those people in danger of losing their salvation over those issues? Would Rob Gagnon and other people make as big a deal about that as they are with this? I don't think so.
I don't think it's good when entertainment tries to proselytize and I don't think people ultimately want someone showing up in their living room and just hectoring at them all day long. But if you can create a space where people are caught up in something - whether it's a drama, a comedy, a romantic comedy, or science fiction - that's when people give over their minds and allow their emotions to flow.
There are parliamentarians in Australia I really support. People through history, you know? Men like Ned Kelly in Australia who challenged ideals. Governor William McKell in Australia really set the tone of building a nation. The fundamentals of the country are built on what the governor McKell created. I think Sea Shepherd (Conservation Society) is a wonderful organization and I support what they do.
We can't, you know, use our military to make sure the planet doesn't get warmer. And so that kind of leadership, of being able to bring people together, to apply practical commonsense solutions based on facts, based on science, based on what works you know, that's been the approach I have taken consistently as a public servant. That's the kind of style that I think we need in the presidency right now.
I think the key for us is really letting the stories we feel are best told to kind of dictate where we go. When we find a story we really believe is one that should be told, how do we best tell it and you know what do we need to tell that story most effectively? I think to the good, the universe is such that there are a lot of options, there a lot of opportunities. So that's kind of what's guiding us.
Evelyn Waugh was in error when he said that in New York there was a neurosis in the air which the inhabitants mistook for energy. There was, rather, a tensile excitement in the air which made one think - made me think for many years - that time spent asleep in New York was somehow time wasted. Whether this thought has lengthened or shortened my life I shall never know, but it has certainly colored it.
I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.
In the United States, Iran is nothing but a whipping-boy. Few Americans have any real use for Iran. Most of us, what we know and remember about Iran are things like the hostage crisis in 1980, or they think about the Iranian attacks in Lebanon, or on the Khobar Towers. So you don't get a whole lot of political mileage in the United States by going out and advocating better relations with the Iranians.
The prospect Smiler was a manic farmer. Few men I think can have been as unfortunate as he; for on the one hand he was a melancholic with a loathing for mankind, on the other, some paralysis had twisted his mouth into a permanent and radiant smile. So everyone he met, being warmed by his smile, would shout him a happy greeting. And beaming upon them with his sunny face he would curse them all to hell.
Modernism in a way, early modernism, for instance, in pictures, was turning against perspective and Europe. And all early modernism is actually from out of Europe, when you think of cubism is African, is looking at Africa, Matisse is looking at the arabesque, Oceania. Europe was the optical projection that had become photography, that had become film, that became television and it conquered the world.
I do believe my life has no limits! I want you to feel the same way about your life, no matter what your challenges may be. As we begin our journey together, please take a moment to think about any limitations you've placed on your life or that you've allowed others to place on it. Now think about what it would be like to be free of those limitations. What would your life be if anything were possible?
If we seriously contemplate life it appears an agony too great to be supported, but for the most part our minds gloss such things over & until the ice finally lets us through we skate about merrily enough. Most people, I'm convinced, don't think about life at all. They grab what they think they want and the subsequent consequences keep them busy in an endless chain till they're carried out feet first.
I find it strange that - at least in my take on it - the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway. Humor is just an ingredient. It's always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it's found its way back. And it's simply an ingredient.
During the time I was in office we have seen the beginning of the elimination of the fire season completely and are having fires all year round. I think we have seen the major problem of the destruction of land and property and lives that is a major problem because we don't have the resources for that many fires and we don't have the resources and the manpower to fight those fires throughout the year.
The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
When I was done reading the poem, everyone was quiet. A very sad quiet. But the amazing thing was that it wasn’t a bad sad at all. It was just something that made everyone look around at each other and know that they were there. Sam and Patrick looked at me. And I looked at them. And I think they knew. Not anything specific really. They just knew. And I think that’s all you can ever ask from a friend.
When you continuously know and sense yourself as the space of consciousness rather than what appears in consciousness - sense perceptions, thoughts, emotions - then it can be said that you are enlightened... except that you wouldn't think or speak of yourself as 'enlightened', because that would instantly create another mind-based conceptual identity and so it would be the end of 'your' enlightenment.
I think it’s because there's quite a few of us now but because we’re less frequent than American actors - because Hollywood is the place to be for actors - and there's just a big rush when an Australian comes over just because there's less of them. I guess that's just how it is. Like if you pick a pink jellybean out of a jar of green ones it’d be amazing, but if you pick a green one, no one will care.
I think that it's very important to have the United States' engagement in many situations we have around the world, be it in Syria, be it in the African context. The United States represents an important set of values, human rights, values related to freedom, to democracy. And so the foreign policy engagement of the United States is a very important guarantee that those values can be properly pursued.
The reason I did the name change is simple. I wrote a bunch of autobiographical material and I was really enjoying myself doing it, and in two of the songs I quote two different people (referring to me as Mr. Stace). And it just hit me at some point that it was ludicrous for me to think of myself as Wesley Stace, publish novels as Wesley Stace, be Wesley Stace and not have it released as Wesley Stace.
I don't get my bliss by listening over and over to people in the street thinking, "Boy, is it that good?" Even though every time I hear it that's what I think. But I get it in human situations. There is this little voice that is going, "The reason you're able to enjoy your life now is that you made it in rock'n'roll and people are giving you free visas all over the place. Dude, you are being spoiled".
I accept that friends of ours have decided that the President's non-strike has somehow impacted perceptions of us. But I believe they are dead wrong and I think the critics are dead wrong, and here's why. The President [Barack Obama] made his decision to strike. He announced his decision to strike publicly. And the purpose of the strike was to get the chemical weapons out of Syria. That's the purpose.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
Some legislators only wish to vengeance against a particular enemy. Others only look out for themselves. They devote very little time on the consideration of any public issue. They think that no harm will come from their neglect. They act as if it is always the business of somebody else to look after this or that. When this selfish notion is entertained by all, the commonwealth slowly begins to decay.
I think whenever Ahmadinejad opens his mouth in forums, especially in front of the U.N. General Assembly, those that are listening, especially Western officials, European, American, even Chinese and Russian officials, I think, after listening to Ahmadinejad, they have even less confidence that there exists a mature political leadership in Iran which is amenable to some type of a diplomatic compromise.
People who have the courage to be individuals can usually think things through on their own and make sound decisions. They don't say, "What will people think?" They say, "What's the best way to handle this?" The amazing fact is that God created each one of us as a separate, unique person amid billions of other separate, unique individuals. So the best way to achieve real fulfillment is to be yourself.
Do you ever get moods when life seems absolutely meaningless? It's like a badly-constructed story, with all sorts of characters moving in and out who have nothing to do with the plot. And when somebody comes along that you think really has something to do with the plot, he suddenly drops out. After a while you begin to wonder what the story is about, and you feel that it's about nothing—just a jumble.
If you sit down with a person, or a watermelon for that matter, when you're stoned and sing into it, the quality of the hallucination is such that there is a way of thinking about it where you could say, 'This is an acoustical hologram of the interior of their body.'" I don't say that.I just say, "My goodness isn't it strange that I seem to be able to see inside of the watermelon when I'm doing this.'
It's hard to think back. I didn't even know I was going to do it, make actual records. But I was always making up songs, once I figured out that you could do it. I think it's pretty much the same, but there's less urge to get it moving out there. There was a time when it seemed like it was really super important to the audience and now it's just medium-important for people to like us. But that's okay.
Let us watch against pride in every shape - pride of intellect, pride of wealth, pride of our own goodness. Nothing is so likely to keep a person out of heaven, and prevent them from seeing Christ, as pride. So long as we think we are something we shall never be saved. Let us pray for and cultivate humility; let us seek to know ourselves correctly, and to find out our place in the sight of a holy God.
Retiring from cricket is not about form. I feel that the time is now and it's right. I've tried to give everything I have when I've played the game, the game goes on. You can't hold onto it and people shouldn't be too sentimental. I think a lot better players and greater players have gone, and the game has gone on and there are new players who take the mantle, and in my case it won't be any different.
I do think Hillary Clinton, I mean the Clintons, I`ve got a lot of critiques of the Clinton foundation. I do think they bend the law. But Hillary Clinton accepts the concept of legality, she accepts that courts are supreme, laws must be complied with and the power of the state is not to be used for persona revenge or personal enrichment. And that`s something - not something I trust Donald Trump to do.
I've gone into auditions and I think they have an assumption about me when they see my photo and then I open my mouth and they say, 'Where exactly are you from? And you were born in Ethiopia? But you're Irish, but you also kind of sound English. That's really strange.' They want to put you in a box in LA, that's how they tend to do it there, so if you don't fit in that box, it makes it more difficult.
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
Seafood is simply a socially acceptable form of bush meat. We condemn Africans for hunting monkeys and mammalian and bird species from the jungle yet the developed world thinks nothing of hauling in magnificent wild creatures like swordfish, tuna, halibut, shark, and salmon for our meals. The fact is that the global slaughter of marine wildlife is simply the largest massacre of wildlife on the planet.
It was amazing to see Donald Trump on the night before election, who had been describing Hillary Clinton as crooked and corrupt, in a matter of a moment, was describing her as a fine and dedicated public servant, once he had won the election. So, there was a kind of barbarism all the way around, I think, in this political campaign, in which the issues really were boiled down to very small sound bites.
When I had dinner with a friend or a loved one and one of you pays for the check and the other says, "I owe you next time." I like to think that we're eternally even - that they don't owe me anything or I don't owe them anything if you have a connection with somebody or a love with somebody. I like to think that there's no debt to pay. You love each other and you're happy to pay for dinner every time.
Asking the question whether the mainstream media has a liberal or conservative bias is like asking whether al Qaeda uses too much oil in their hummus. I might think they use a little bit too much oil; some people might think it's a little dry. But the problem with al Qaeda is they want to kill us. And the problem with the mainstream media is that it has these other biases that are much more important.
I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.
I think the retirement crisis globally is a major problem. I think it's especially prevalant in countries such as Japan, where immigration is an issue. I think the US is more shielded from it than most countries in the world. It has a higher birth rate than Japan, immigration is tolerated here unlike probably it is in Japan. I don't think it's as big an issue in the US as it is elsewhere in the world.
I have always been really picky about the films that I make, because I think that there's such an incredible opportunity to bring up questions when you're making movies, and some of my favorite films bring up big questions. They are movies that, when you walk away from it, it hits you as something deeper, and it's a great, fun way to be able to bounce around some of these harder concepts in our heads.
Do you think I am a fool, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you never think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you never wonder why I gave you so many pots, so many creams, so much perfume?
I think there is something about being described and having your abilities described as something definable. I was diagnosed at about six, when a teacher couldn't understand how I could be a bright girl and yet couldn't read yet. I did that whole backwards letters thing. I used to sit in the same place when I did homework because I remembered that B's went towards the window and D's went away from it.
When I search myself carefully I do think it's from my mother. I even feel strange saying that. Most people, I believe, when they're asked profound questions about their own persona are not really able to enunciate it, because it's a combination of so many things. But certainly influences early on that I felt from my mother. I wouldn't say she was "political" per se; she was sensitive to other people.
I've always explored things that people find a bit more freakish, like free jazz, and I'd gotten to a point where the live music I was making was really hectic and turning much more confrontational. So when I started working on Everything Ecstatic, that was very normal for me. I think it was a departure, but people read it as an escape from something, whereas every record I do is, I feel, a departure.