If anything kept me awake at night it would be worrying that there wouldn't be enough time to have a nap the next day.

Once upon a time, I could sing three hours. Now, when you see me say 'I'm done,' I'm done; ain't nothing left till the next night.

I mean, my students are texting me all the time. It could be 10 o'clock at night, 'Hey Dr. B., can you check my thesis statement?' You know, I'm in bed!

Even on tour, I spend two hours a night singing songs and the rest of the time staring at the back of people's heads on airplanes, some fat guy coughing on me.

In the past, the biggest mistake I've made has been trying to treat election night like the first and last time anyone will ever see me on TV. I've worn dresses that were more prom time than primetime.

My dad was the one who took me to concerts and introduced me to new artists. One time, he drove me from Pittsburgh to Washington, D.C., on a school night to see 'U2' - he was a pretty dedicated Bono fan.

Every time I see Trump on TV these days, I'm waiting for him to burst out, 'Live from New York, it's Saturday Night!' That would make sense to me - that this has all been one long 'Saturday Night Live' sketch.

With a play, for me, there's no time to sit back on it. You're living on your instincts. And every night there are subtle changes and adjustments, because what's in front of you is a living, breathing audience.

I suppose you want me to say I'm at parties all the time and am secretly going out with Tom Cruise, but I am afraid that is not the case. I'm still in my pyjamas at nine o'clock each night, watching ITV2 without telling anyone.

I tend to write during the day so I can see my children at night. But if my kids aren't with me and I have a chunk of time when I'm a single woman living in my house for a miraculous week, I will get to write at different hours.

My sleep is very important, and I have to have at least eight hours every night in order to function properly the next day. Unfortunately, flying through several time zones makes me disorientated, and it takes several days to readjust.

It is often pointed out to me that, in a brief time, I have gone from unknown film editor to star of 'Gomer Pyle,' guest star in two TV specials, and a night club headliner, and that this must necessarily have wrought some deep changes in me.

Somebody saw me on 'Cheers' and thought that I was an actor playing a part as opposed to a guy just doing what he knew. And they gave me 'Night Court.' And by the time they realized I wasn't an actor, I had already signed a five-year contract.

I've got to wear sunglasses everywhere, all the time, even if its indoors or at night time, to be recognized. That's part of my job. I cannot take off my sunglasses. For me, staying in the United States was so dark because I can't take them off.

I was still with Sunderland at the time of my first cap in 2010, and I remember getting the text to let me know that I was going to be called up to the squad - it was a Friday night, and I was in a hotel in London because we were playing Chelsea the next day.

I've just had this idea pop in my head of trying to learn a new song every da, and try and play it that night. That's been fun for me because it's a little bit of a scary adventure, playing a song for the first time in front of people and letting it just be what it is.

I never even thought about being an actor. Somebody asked me if I'd like to learn the craft, and I said, 'Okay.' I was a gymnast in a show at that time, and somebody asked me afterwards one night. I performed as a gymnast for nine years, and then I did acting after that.

That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.

I know Noah Baumbach from a long time ago. We were hanging out one night, and he asked if I wanted to be in his movie. If somebody whose stuff you really like says, 'Hey, you want to do it with me?,' you got to do it. I would like to say that I get these offers all the time, but I don't.

I'm a believer, but an unsettled one. I think it has something to do with the fact that my grandmother always told me she would come back and tickle my feet at night time when she passed away. She hasn't gotten me yet. But I keep the blanket over my feet at night, no matter how hot it is.

I've started most of the time I've been in a Knick jersey, so I just think they want me to bring a certain energy every night. They want me to bring that defensive presence because they know I can make something out of nothing on defense, and I think they just want me to bring that defensive presence every day.

Performance was a shock to me. The first time I remember feeling I could do it was during the making of my first video, 'Fun for Me.' I couldn't sleep the night before the shoot, I was so frightened. I had to play a ghost and a piece of merchandise in a shop window, and I had no idea whether I was going to be able to pull it off.

Share This Page