Quotes of All Topics . Occasions . Authors
Audience interest is directly proportionate to the presenter's preparation. You better spend time and energy on any presentations where the stakes are high. If you are trying to close a large sale or speak at a conference to an audience of potential clients, you better be ON your game. An audience can tell how much energy you spent on your presentation, which is a reflection of how much you valued their time. If they gave you an hour of their time, you need to make it worth it to them by treating their time as a valuable asset by making the content valuable to them.
I've been a freelancer my whole life. It's sort of been my ethos that wherever something takes me, it takes me, so, that was really the start of me trying my hand at whatever it was at the time. I've gone from doing sculpture to videos to being a set builder and working for a general contractor to jewelry maker to now, a rapper... I just love to create. I've had a stint doing pretty much everything! It sort of doesn't matter what it is, as long as I'm doing it. I love to see something from conception to final product. I love trying new things and seeing them through.
We are trying to identify employers that might be [hiring illegal aliens] and to take effective action against them. We're trying to make sure that employers that want to cooperate have a system whereby they can verify the employment status of a person that they are seeking to hire. It is part of a comprehensive initiative in which we look both at the border, at the workplace, at criminal aliens, in an attempt to have a comprehensive effort aimed at stopping illegal immigration while at the same time promoting legal immigration according to principles of due process.
Processes of avoiding the world within in order to try to regulate your behavior, or becoming entangled in your thoughts interfering with your ability to take advantage of what's around you, or losing contact with your values for fear that you'll know more about the places where you hurt - those kinds of processes are just normal psychological processes. And if you take the mode of mind that works great in 95 percent of your life and apply it within, it then implodes. It starts creating barriers, and that's true at work, it's true in our culture, true in our politics.
Our wisdom is all mixed up with what we call our neurosis. Our brilliance, our juiciness, our spiciness, is all mixed up with our craziness and our confusion, and therefore it doesn’t do any good to try to get rid of our so-called negative aspects, because in that process we also get rid of our basic wonderfulness. We can lead our life so as to become more awake to who we are and what we’re doing rather than trying to improve or change or get rid of who we are or what we’re doing. The key is to wake up, to become more alert, more inquisitive and curious about ourselves.
My husband is my most ruthless critic... sometimes he will say, 'It's been said better before.' Of course it has. It's all been said better before. If I thought I had to say it better than anybody else, I'd never start. Better or worse is immaterial. The thing is that it has to be said; by me; ontologically. We each have to say it, to say it our own way. Not of our own will, but as it comes out through us. Good or bad, great or little: that isn't what human creation is about. It is that we have to try; to put it down in pigment, or words, or musical notations, or we die.
Still, being fragile creatures, humans always try to hide from themselves the certainty that they will die. They do not see that it is death itself that motivates them to do the best things in their lives. They are afraid to step into the dark, afraid of the unknown, and their only way of conquering that fear is to ignore the fact that their days are numbered. They do not see that with an awareness of death, they would be able to be even more daring, to go much further in their daily conquests, because then they would have nothing to lose- for death itself is inevitable.
I'm at a funny crossroads, personally. I really want to turn my attention away from planet-hunting towards Search for Extra-Terrestrial Intelligence (SETI) program at UC-Berkeley. I'm in this lucky position that my career has been more successful than I could have ever imagined. It's time for me to roll the dice, try something that's a long shot. Younger scientists can't put their eggs in that basket, because if you spend your time on SETI, your chances of success are low. But I have the luxury. There are some experiments we can do to hunt for the great galactic Internet.
I have this problem where I get incredibly, miserably nervous every single show. This is part of why touring is so exhausting for me. I have not gotten to a place where it's like, "All right, here's another." It just doesn't feel workaday, at all, yet. It's kind of killing me, being so nervous so many hours of the day. After the show - we try to end on an anthemic note, and I try and let that be decisive, and I will often come back out for an encore a cappella, and that's where I try and take leave from the feelings of the stage. Trying, after I do that, to return to my life.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
After 9/11, we had this "terrorist-Muslim-threat" in the US but at the same time, next to that, in Holland we had this growing awareness that the so-called integration of new Dutch people, a lot of those that had come to live and work in our country originated from countries such as Turkey and Morocco, and a lot of them are actually Muslim, wasn't quite the success the state always had thought it was. The "new" Dutch didn't feel totally accepted, treated as second-rate citizens, and parts of the "old" Dutch suddenly believed that the new ones were trying to destroy our society.
I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming from and where you're going." At a certain point, it was interesting as the project started to become what it is now, The Source, which has a physical installation and also an online presence. As we started building the installation, I started thinking, "It's really strange that we're building this installation, this piece of architecture you can go into." It's almost strange because I suppose it's an artwork, but it's an artwork that's really constructed out of ideas.
Women face a lot of challenges every day - we have to stand firm in our walk and our intentions - but there are times when that weight feels too heavy, feels like a load that I just can't bear that day. I try to work through that in my art, whatever medium that might be. My live performance is based around the color red, and all the things that communicates as a woman to the world - fiery, really vocal, present, almost a kind of stubborn color - and redefining it as being very complex. Being able to express that complexity, I'm getting a lot better at that the older I've gotten.
One of the reasons people might be fallible, why we might fail to do what we try to do isignorance, that we have a limited understanding of the laws of the world - the physical laws that govern the world and of all the particulars of the world upon which those laws work. And then there's ineptitude, meaning that the knowledge is available, but individuals fail to apply it correctly. The third source is "necessary fallibility." That is, we're never going to be omniscient, there is some knowledge that we will simply never achieve, and there are limits to what we will be able to do.
I've been playing piano my whole life but I'd never tried to understand how compositions are made really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand. I don't have professional pretensions. I've learned so much. So many things I've been doing in the visual, two-dimensional painting world parallel many of the inner working of music - how intervals resolve into each other, harmonic rhythm, tonal things - there's a whole vocabulary that overlaps. Sometimes people see pianos in my works - that I never think.
We place the highest value on actual implementation and taking action. There are many things one doesn’t understand and therefore, we ask them why don’t you just go ahead and take action, try to do something? You realize how little you know and you face your own failures and you simply can correct those failures and redo it again and at the second trial you realize another mistake or another thing you didn’t like so you can redo it once again. So by constant improvement, or, should I say, the improvement based upon action, one can rise to the higher level of practice and knowledge.
Once you lose attachment to how you want things to be because you realize you don't control anything, there's a curiously liberating aspect of that. I've always been a control freak, I've always felt that if I try hard enough, everyone I love will be kept safe and everything will be okay. Being shown, in such brutal terms, that that's simply not the way it works, in someways, it messed me up. I've been through hell, but on another level, if you pile up so much tragedy, it either destroys you, or you just start laughing about it. Because at the end of the day, no one gets out alive.
The definition of insanity is doing the same thing with the same result over and over again, expecting something different. The left just spent how many months trying to destroy Donald Trump, trying to impugn Donald Trump with every weapon they had, with every trick in their book, every tactic that has been successfully used by the media to destroy Republican candidates over the years. It's in their playbook. They brought it all out. Every bit of it blew up in their face; all of it failed. And yet they continue with the same tried and true and worn-out techniques to discredit Trump.
I don't want to fetishize the past. I want there to be a natural sequence coming out of a synthesis of the ideas and information that I gather together as a result of looking at things that are in the world. I'm trying to bring forward signs or signals based on what I see and my responses to these things. I'm trying to leave a trail that will be useful to other people in the future. It has to do with making something that contains a synthesis of the information, and then consequently to make one's deliberations visible, to allow other people to follow them. That's how I see my role.
I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.
I also think pronunciation of a foreign tongue could be better taught than by demanding from the pupil those internal acrobatic feats that are generally impossible and always useless. This is the sort of instruction one receives : “Press your tonsils against the underside of your larynx. Then with the convex part of the septum curved upwards so as almost — but not quite — to touch the uvula, try with the tip of your tongue to reach your thyroid. Take a deep breath, and compress your glottis. Now without opening your lips say "Garoo".' And when you have done it they are not satisfied.
We look at the human body as a biochemical machine controlled by genes and therefore we see a mechanical aspect to life and then try to understand the nature of mechanics by looking at how the physical parts interact with each other. If you want to understand life you just look at it as a whole series of interactive chemical reactions. What we are leaving out is the invisible elements, the contributions of the invisible world, which are emphasized in the nature of quantum mechanics. Matter is energy and is a primary factor that must be considered because everything is ultimately energy.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
If my sense of security lies in my reputation or in the things I have, my life will be in a constant state of threat and jeopardy-a fear that these possessions may be lost, stolen, or devalued. If I'm in the presence of someone of greater net worth, fame, or status, I feel inferior. If I'm in the presence of someone of lesser net worth, fame or status, I feel superior. My sense of self-worth constantly fluctu-ates. I don't have any sense of constancy, anchorage, or persistent selfhood. I am constantly trying to protect and insure my assets, properties, securities, position, or reputation.
The idea of flux, kind of constant change, whether it be our sense of time or geological time or cosmic time. It's always there, and I think that maybe it's a way of dealing with the idea of mortality, trying to acknowledge the fact that all things change, and whereas, maybe death is the end of one state of being it's the beginning of something else. I'm not talking about going to heaven or being reincarnated as a toad, I'm talking about the idea that the molecules in our bodies, or at least the atoms, were here at the beginning of the universe, and the sense that we are basically matter.
Recycling is more expensive for communities than it needs to be, partly because traditional recycling tries to force materials into more lifetimes than they are designed for - a complicated and messy conversion, and one that itself expends energy and resources. Very few objects of modern consumption were designed with recycling in mind. If the process is truly to save money and materials, products must be designed from the very beginning to be recycled or even "upcycled" - a term we use to describe the return to industrial systems of materials with improved, rather than degraded, quality.
No other life forms know they are alive, and neither do they know they will die. This is our curse alone. Without this hex upon our heads, we would never have withdrawn as far as we have from the natural—so far and for such a time that it is a relief to say what we have been trying with our all not to say: We have long since been denizens of the natural world. Everywhere around us are natural habitats, but within us is the shiver of startling and dreadful things. Simply put: We are not from here. If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us.
You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. ... You put a piece of paper in the typewriter, or you turn on your computer and bring up the right file. ... You begin rocking, just a little at first, and then like a huge autistic child. ... Then your mental illnesses arrive at the desk like your sickest, most secretive relatives. And they pull up chairs in a semicircle around the computer, and they try to be quiet but you know they are there with their weird coppery breath, leering at you behind your back.
Recently Mr. Mawdsley’s donkey escaped from his stall, raced down the road, and somehow found his way into an enclosed pasture. Mr. Caird’s prized mare was innocently grazing when the ill-bred seducer had his way with her. Now it appears the mare has conceived, and a feud is raging between Caird, who demands financial compensation, and Mawdsley, who insists that had the pasture fencing been in better repair, the clandestine meeting would never have occurred. Worse still, it has been suggested that the mare is a shameless lightskirt and did not try nearly hard enough to preserve her virtue.
Christianity has always been against the flow of culture and continues to call us in the opposite direction of the way the world is heading. Instead of falling in love with ourselves, Christ followers are called to deny themselves. Instead of trusting in the power they possess, they are called to surrender to God's higher power. Instead of looking within for the answers in life, they are called to acknowledge that His ways are higher. The decision to follow Christ has always been an "all or nothing" decision. There's no way to stand up to the world while you're trying to straddle the fence.
I'm just as intrigued by acting as ever. It's an ongoing process. There's no arrival. There's no point at which you say "Oh, OK, done it, got it." It just doesn't happen. And that's true of any creative endeavor. For me, it's just a lifelong interest. I'm very much interested in the craft. I started by doing plays and it took me a long time to feel comfortable doing movies, working with cameras. I felt like I was a theater actress pretending that I was a movie actress for quite a while. Now, I just love the process of working with cameras and being on a set and trying to put a film together.
We were trying to do as much science as we could because that was the main purpose of the international space station. But without the shuttle to bring up heavy laboratory equipment and bring back samples, we were limited by what we could do, but I was proud that we actually accomplished more science that was planned for the flight. And I got a chance to do two Russian spacewalks on that flight, I had become an expert in U.S. spacewalks and using U.S. suits and techniques, and this was a chance to put on a Russian Orlan suit and do two construction space flights outside of the space station.
Modern societies accepted the treasures and the power offered them by science. But they have not accepted - they have scarcely even heard - its profounder message: the defining of a new and unique source of truth, and the demand for a thorough revision of ethical premises, for a complete break with the animist tradition, the definitive abandonment of the 'old covenant', the necessity of forging a new one. Armed with all the powers, enjoying all the riches they owe to science, our societies are still trying to live by and to teach systems of values already blasted at the root by science itself.
