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I do not speak through my characters; it's not a ventriloquist act.
When I was a kid, I used to send away for those ventriloquist kits on the back of comic books.
Children are so used to seeing puppets that when they see a real ventriloquist they don't understand it.
It's true, you can never eat a pet you name. And anyway, it would be like a ventriloquist eating his dummy.
To be accused of 'channeling' is to be dismissed as a ventriloquist's live dummy, derogated at not having a mind of one's own.
I'm a pretty good ventriloquist, but it's the entertainment value and the laughs that keep people sitting there and wanting more.
My mom was a ventriloquist and she always was throwing her voice. For ten years I thought the dog was telling me to kill my father.
I started with Katie, a doll I got on eBay on my 10th birthday. I don't use her anymore. I've got a new Katie now, a real ventriloquist's puppet.
I don't really want to be known as just the puppet girl or just a singing ventriloquist. I want to be known as the performer, singer, ventriloquist, actress, Broadway star, all of it. I want do it all.
All through college, I was searching for characters that would make me unique and set me apart from the typical ventriloquist with the typical dummy that was the little boy, cheeky hard figure like Charlie McCarthy.
I do laugh when I hear myself saying, 'I am a ventriloquist.' I am definitely suited to it, though. I took it and ran with it quite hungrily. It is not for everyone, but it is just the chance to write for a character.
The only way a ventriloquist speaks differently is that he forgoes using his or her lips, and learns to reproduce sounds using the tongue, upper palate, and teeth only. Those 'difficult' letters are B, F, M, P, V, W, and Y.
A little before my 10th birthday, I was like, 'Can I please have a puppet, Mom and Dad?' They were like, 'No. You are a singer, not a ventriloquist. You have three brothers, and you're in gymnastics. There's no way we have time for this.'
So many actors are lively-minded, creative people who just tread water in this awful way, waiting for the phone to ring and doing their hair for auditions. It feels like a bit of a dreamer's life - as opposed to a sensible ventriloquist's life.
Back in 2000, I had come to a crossroads in my life, unsure about what career path I should pursue. Shepherd, bouncer, philosopher king, ventriloquist or perhaps man on the flying trapeze. Fortunately, I was guided back onto the path of the magical world of music.
Strangely enough, among my dad's things, I found the diary of an ancestor who was born in 1797 and became a ventriloquist in London. That was quite chilling. It described exactly how I was as a child but 150 years earlier - doing voices, pretending to be a ventriloquist.
The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.
I started on television. I had five years of network television before I ever got up on a stage. The first thing I ever did was in 1967. This guy Bill Keene had a little talk show at noon, and Gary Owens took over for a week. He knew about this dummy bit I used to do, this ventriloquist thing, and I was on 'Keene at Noon.'
I think there's a lot of, unfortunately, unfunny ventriloquists out there, so they've got a bad rap. It came after Edgar Bergen because everybody had a little cheeky boy dummy like Charlie McCarthy, and everybody decided to become a ventriloquist because Bergen had popularized it. He brought it back from the doldrums of vaudeville.