Quotes of All Topics . Occasions . Authors
It's funny, you know: my mother-in-law, who doesn't have an ounce of nerd in her, is just so excited by the fact that I write 'Batman' because she'll see an article about me in the 'Washington Post' or 'The Wall Street Journal' or something. And that means so much to me.
Possibly I am difficult to live with, but I don't bring my work home much. I'm either busy or not busy. And I don't work from home. I have an office here which has a white wall. No view. I did try working in a room with a view but it was too interesting. Too distracting.
Our trials and our times of pain get the most recognition, but 'Straight Outta Compton' speaks to triumph. When it's doubtful, when nobody is on your side, when your back is against the wall, you triumph and make it through. Showing growth through movies promotes growth.
You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that fleeting moment when you feel alive. It is not for unsteady souls .
A stranger to myself and to the world, armed solely with a thought that negates itself as soon as it asserts, what is this condition in which I can have peace only by refusing to know and to live, in which the appetite for conquest bumps into walls that defy its assaults?
The world has different owners at sunrise... Even your own garden does not belong to you. Rabbits and blackbirds have the lawns; a tortoise-shell cat who never appears in daytime patrols the brick walls, and a golden-tailed pheasant glints his way through the iris spears.
Self-pity imprisons us in the walls of our own self-absorption. The whole world shrinks down to the size of our problem, and the more we dwell on it, the smaller we are and the larger the problem seems to grow. Awareness of others is a healthy antidote to this self-focus.
Those who aren't caught up into this bigotry, this hatred, those who respect us when they see us. Then you have an obligation also, the good ones. To make sure you say to the others, that this blue wall of silence must come down and that everybody must be treated equally.
But perhaps the most important lesson I learned is that there are no walls between humans and the elephants except those that we put up ourselves, and that until we allow not only elephants, but all living creatures their place in the sun, we can never be whole ourselves.
It was a life with purpose. And it was also a lot of fun. Fishing is fun. Hiking up mountains is fun. Building a wall out of river rocks dug up from the bottom of a glacial lake is not fun. Not at all. But it does give a work ethic that you can take anywhere in the world.
Leaps over walls - especially when taken late in life - can be extremely perilous. To leap successfully, you need a sense of humor, the spirit of adventure and an unshakable conviction that what you are leaping over is an obstacle upon which you would otherwise fall down.
When I do a 30-minute meal, for instance, on Food Network, that's my food you see at the end of the show and it's not perfect. And if sometimes things break or drop or the pasta hits the wall when I'm draining it, they never stop tape. They just kind of let me go with it.
Surely there is grandeur in knowing that in the realm of thought, at least, you are without a chain; that you have the right to explore all heights and depth; that there are no walls nor fences, nor prohibited places, nor sacred corners in all the vast expanse of thought.
I'm lucky enough and wealthy enough to be able to buy photographs and buy art that inspires me from day to day. I don't want a Picasso on my wall; it's great art, but it's dead art to me. I'd rather have a photograph by someone I've never heard of that really inspires me.
The kitchen was bright, cheerful yellow, the walls decorated with framed chalk and pencil sketches Simon and Rebecca had done in grade school. Rebecca had some drawing talent, you could tell, but Simon's sketches of people all looked like parking meters with tufts of hair.
Pale and pinched-up faces hovered about the windows where was tempting food; hungry eyes wandered over the profusion guarded by one thin sheet of brittle glass--an iron wall to them; half-naked shivering figures stopped to gaze at Chinese shawls and golden stuffs of India.
We are all conceived in close prison; in our mothers wombs, we are close prisoners all; when we are born, we are born but to the liberty of the house; prisoners still, though within larger walls; and then all our life is but a going out to the place of execution, to death.
Prayer is the window that God has placed in the walls of our world. Leave it shut and the world is a cold, dark house. But throw back the curtains and see His light. Open the window and hear His voice. Open the window of prayer and invoke the presence of God in your world.
The influence of the senses have in men overpowered the thought to the degree that the walls of time and space have come to look solid, real and insurmountable. .. Yet time and space are but inverse measures of the power of the mind. Man is capable of abolishing them both.
Remove all the walls and curtains so you can get closer and purely love. Have principles but do not use them to exclude or to judge the others. Stay far from idols, specially from those you made from your own principles. Have a powerful faith, but do not play the powerful.
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.
What happened on 'Mr. & Mrs. Smith,' I was given a big budget and given too many choices, and I made a lot of mistakes and missteps early on until I squandered all that extra money. But then, once my back was up against the wall, I made what I consider a really good movie.
It was like a classic thing with Emma. So I walked in and I slammed the door and everything fell off the wall on the set. It was my second or third scene and I was so embarrassed and scared and so nervous about what everyone would say, but everyone just packed up laughing.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
The state of interbeing is a vulnerable state. It is the vulnerability of the naive altruist, of the trusting lover, of the unguarded sharer. To enter it, one must leave behind the seeming shelter of a control-based life, protected by walls of cynicism, judgment, and blame.
I'm not a kid. You don't get in this business for anonymity. It's not like I have posters of myself on the wall, but at the same time, I'm kind of ready for a little bit of it, but I worry for my little one, and my family - their privacy. That's what I'm more protective of.
I had a lot of fun with those guys from the Wall Street. The laughter is unlike most settings you'll find. The level of intensity, the adrenaline, the stakes are incredible. I mean it is addictive. I can understand why people end up spending 23 or 24 hours a day hitting it.
My photographs are not really about photography. They are about editing. I use photography but they are all taken from the TV screen. Anybody can do that, but it's the order I put the pictures in to try to create a new kind of movie, something that you can put on your wall.
She goes where she pleases. She appears unhoped for, uncalled for. She moves through doors and walls and windows. Her thoughts move through minds. She enters dreams. She vanishes and is still there. She knows the future and sees through flesh. She is not afraid of anything.
The hallmark of creative people is their mental flexibility... Sometimes they are open and probing, at others they're playful and off-the-wall. At still other times, they're critical and faultfinding. And finally they're doggedly persistent in striving to reach their goals.
What is called zazen is sitting on a zafu [pillow] in a quiet room, absolutely still, in the exact and proper position and without uttering a word, the mind empty of any thought, good or wicked. It is continuing to sit peacefully, facing a wall, and nothing more. Every day.
When you walk around, your vision system is processing a whole bunch of signals in milliseconds and judging that a visual object is a wall, or an imminent cliff, or a car heading towards you. This might be disturbing to a lot of people, but some of those guesses are errors.
I felt that the decrepit state of these once magnificent buildings, with their broken gutters, walls blackened by rainwater, crumbling plaster revealing the coarse masonry beneath it, windows boarded up or clad with corrugated iron, precisely reflected my own state of mind.
What many men desire--that 'many' may be meant By the fool multitude that choose by show, Not learning more than the fond eye doth teach, Which pries not to th' interior, but like the martlet Builds in the weather on the outward wall, Even in the force and road of casualty.
I don't like to reminisce much, and my walls don't have photographs of me and the actors I was with, or any of that stuff... I try and keep that disciplined, and just work. There are so many traps you can get into, and looking back on your own work is certainly one of them.
The writing was so clearly written on the wall about me, but I didn't see it. I had no role models. I didn't know there was even a possibility of being gay. I battled with it, but this was the way God made me. If you have a problem with it, take it up with the man upstairs.
In 'Jonaki,' it isn't about the individual actor. The actor is as important as the wall, or the water flowing down the wall, or a shadow. That kind of acting is also fascinating to me, not to be invisible necessarily, but to be in perfect synchronicity with the environment.
Every two years the American politics industry fills the airwaves with the most virulent, scurrilous, wall-to-wall character assassination of nearly every political practitioner in the country - and then declares itself puzzled that America has lost trust in its politicians.
I have taken on virtually every element of the big money establishment, whether it's the Koch brothers, and the big energy companies, whether it's the industrial complex, whether it's Wall Street... I have taken on the drug companies. I have taken on the insurance companies.
I also talk about building a wall and oftentimes I'll say, and there's going to be a big beautiful door in that wall and people are going to come into our country because we want people to come in. We want people to come into our country, but we want them to come in legally.
I grew up wearing black arm-bands when the hunger strikers died. I went on those marches. I grew up basically a Provo, though I never obviously got into any activities. I was writing 'IRA, Brits out' on walls all over where I grew up, but that was a false sense of Irishness.
Drag is like breaking the fourth wall in theater where we're letting you know straight up that this is an illusion. People are attracted to that because they know it's the truth of who they are also. No one is who they think they are. That's why people are attracted to drag.
I've had many students over the years, sometimes even very sophisticated students, who will be writing and will hit a wall. Often I find it's because they're working out of sequence. Maybe some people can do that, but I don't think that's how fiction works. It's a discovery.
Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their creative force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics.
People say all kinds of things about the ingredients of songs. But you know they are a kind of magic, in the sense that they may easily include a stain on your bedroom wall... and a variety of mis-recollections. And then you name it after a girl's name that you just made up.
I wasn't interested in going to the school dances. I wasn't interested in going to the football games. What I wanted was to be in my room painting my walls and doing weird stuff. That's what I wanted and I got to do what I wanted, so that, to me, is my high school experience.
Now there is no taboo; everything is allowed. But one cannot simply go back to tonality, it’s not the way. We must find a way of neither going back nor continuing the avant-garde. I am in a prison: one wall is the avant-garde, the other wall is the past, and I want to escape.
[Conservatives] go to church, they do lots of things for free for each other. They hold potluck dinners. ... They serve food to poor people. They share, they give, they give away for free. It's the very same people leading Wall Street firms who, on Sundays, show up and share.
There are moments when a kind of clarity comes over you, and suddenly you can see through walls to another dimension that you'd forgotten or chosen to ignore in order to continue living with the various illusions that make life, particularily life with other people, possible.
There are a lot of different ways of getting Mexico to contribute to doing this. And there are different ways of defining how exactly they pay for it. [Donald Trump] has a promise that he made to the American people which is to secure our border. A wall is a big part of that.