I have never read a line of Walt Whitman.

Whitman was Emerson translated from the abstract into the concrete.

American poets celebrate their bodies, very specifically, as Whitman did.

'Beloved Renegade' is a meditation on Walt Whitman, on tenderness, on dying.

Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies.

Poetry. I read Walt Whitman, Emily Dickinson, and Jane Hirschfield. I like to read Billy Collins out loud.

Walt Whitman, he who laid end to end words never seen in each other's company before outside of a dictionary.

I really love poetry. I'm a big E.E. Cummings fan and a big Walt Whitman fan, and I have a big book of poetry.

There's something almost adolescent about Whitman's paean to everything that was and remains good about America.

I gotta say - if I clicked on a movie interview, and the first part was all about Walt Whitman, I'd love that article.

The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman - these are public value-founders.

The poetry of Walt Whitman. I can return again and again to these magnificent poems and still get pleasure from reading them.

My heroes are, above all, the great 19th-century Americans: Emerson, Whitman, Dickinson and the others. I love the way they think.

Some of his own closeness to nature, his great love for human beings, was passed on by Whitman to all of us who knew and loved him.

Walt Whitman defended the sacredness of love, the purity of passion - the passion that builds every home and fills the world with art and song.

It is always great to see technology leaders like Ginni Rometty, Marissa Mayer, and Meg Whitman breaking through as a new generation of leaders.

I always thought I was going to be a great poet, and go and live in New York, where the great poets lived - you know, where Whitman had walked the streets.

There is little premium in poetry in a world that thinks of Pound and Whitman as a weight and a sampler, not an Ezra, a Walt, a thing of beauty, a joy forever.

I always knew in my heart Walt Whitman's mind to be more like my own than any other man's living. As he is a very great scoundrel this is not a pleasant confession.

Walt Whitman is the only great modern poet who does not seem to experience discord when he faces his world. Not even solitude - his monologue is a universal chorus.

I think Whitman more than any other poet possessed the gift of revealing to others the beauty of everything around us, the beauty of nature, the beauty of human beings.

Whitman will always be a strange and unwonted figure among his country's poets, and among English poets generally: a cropping out again, after so many centuries, of the old bardic prophetic strain.

Shane Johnson and I coincidently went to Whitman College. This is notable because Whitman is teeny-tiny, with only 1,200 students. He graduated the spring before I started, so we didn't know each other.

I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.

I answer that question by saying: 'Why Meg Whitman' which is: I'm not a career politician. I spent 30 years in business. I can tell you that people in California have had it with career politicians: they are done.

As far as I can see, the best writers in the last two hundred years have been Whitman, Rilke, Proust, Kafka. Their best works: 'Leaves of Grass - 1855;' 'Duino Elegies;' 'The Captive & The Fugitive;' 'The Castle.'

I felt very comfortable playing Don Draper, because I knew that Don Draper is a character - that Dick Whitman is playing Don Draper. I felt very comfortable in that manufactured-confidence mode. He himself is manufacturing it.

Vegas has the Whitman's Sampler of audiences. They come from all different places, so you have to do some crowd psychology. You have to find the heartbeat of the room. It doesn't shift my jokes, but it shifts my timing and my attention.

I'm somebody who has to physically experience an environment in order to know it as well as I would like to know it. I recognize this is impressionistic, not scientific. People say, 'You sound like Walt Whitman.' Well, I'll take that comparison.

My chief literary influences have been Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman. My favorite public figures include Jimmy Durante, Marlene Dietrich, Mary McLeod Bethune, Mrs. Franklin D. Roosevelt, Marian Anderson, and Henry Armstrong.

It's art that pushes against psychological and social expectations, that tries to transform decay into something generative, that is replicative in a baroque way, that isn't about progress, and wants to - as Walt Whitman put it - 'contain multitudes.'

The first thing I did on television was a PBS thing where I played a priest. It was a Walt Whitman or Carl Sandburg story - I can't quite remember - but I was a turn-of-the-20th-century priest kind of guy. Never saw it; don't know if I was any good or not.

More than any other poet, Whitman is what we make him; more than any other poet, his greatest value is in what he suggests and implies rather than in what he portrays, and more than any other poet must he wait to be understood by the growth of the taste of himself.

Eventually, all of our impressions will be dead. That's one of my favorite things about Paul F. Tompkins' 'Dead Authors' podcast is to be able to do impressions of people you've never otherwise think to do or get to do. I did Walt Whitman on there, and that was really fun.

Now, in New Jersey, we have more government workers per square mile than any state in America. But since I've been governor we now have fewer people on the state payroll at any time since Christie Whitman left office in January 2001. That's the right direction, Mr. President, not the wrong direction.

I began writing poems when I was about eight, with a heavy assist from my mother. She read me Arthur Waley's translations and Whitman and Robinson Jeffers, who have been lifelong influences on me. My father read Keats to me, and then he read more Keats while I was lying on the sofa struggling with asthma.

I would like to know what politicians eat on the campaign trail, what Picasso ate in his pink period, what Walt Whitman ate while writing the verse that defined America, what mid-westerners bring to potlucks, what is served at company banquets, what is in a Sunday dinner these days, and what workers bring for lunch.

The type of mind of Whitman's, which seldom or never emerges as a mere mentality, an independent thinking and knowing faculty, but always as a personality, always as a complete human entity, never can expound itself, because its operations are synthetic and not analytic; its mainspring is love and not mere knowledge.

The major poets of New Jersey have all suffered, whether it's Whitman, who lost his job for 'Leaves of Grass,' or William Carlos Williams, who was called a communist, or Ginsberg, whose 'Howl' was prosecuted, or myself. If you practise poetry the way I think it needs to be done, you're going to put yourself in jeopardy.

'Dead Poets Society' was a very influential film on me and so talking about that movie with him, he just inspired me to continue writing poetry and we talked a lot about our favourite poets. My wrap present from Robin was a beautiful limited edition copy of Walt Whitman's 'Leaves of Grass' and that's a great memory for me.

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