I don't pay to have my dirty work done for me. I do it myself.

I've set up businesses. I've set up charities. I have actually done the work myself.

If I physically made every work myself, I would get only one or two paintings done a year, if that.

All I had done for five years was work 18 hours a day all over the world. I needed to step back and distance myself from it.

One of my big fears is drying up, and the more I create, the more I feel myself shrinking beneath the backlog of work I've done.

If I fall into a city, I fall into a scene, and I just don't want to get distracted and enjoy myself too much. There's too much work to be done.

A lot of the qualities in 'Killing and Dying' is sort of a response to work I'd done previously. I wanted to push myself in some different directions.

I want to see things work out for everybody... so it's a burden I place on myself to make sure that we are performing at a certain level, that we get certain things done.

As I get older, I feel better about myself because I've done a lot of spiritual work on myself and balanced myself out, and so I feel more confident about myself as a person and as a woman.

Writing is pretty flexible work, don't you think? If you want to surf, you just have to get a lot done when the waves are lousy. That's what I'm always telling myself, anyway - write while the surf's down!

It was very important that it be done in such a way that it be executed with complete conviction. If I had done it both ways, if I was trying to cover myself in case it didn't work, then it would have been to no purpose.

I have done a lot of work in Hollywood myself. I worked in television for roughly 10 years, from the mid-'80s to mid-'90s. And I was on staff at a couple of shows. I did some feature films, including originals and adaptations.

I had tried painting, mostly to give myself a greater appreciation of the craft and to inform how I looked at paintings. That led to collaging some of the work I had done on paper, and I found myself mixing in found pieces as well.

I always try to do as much as I can do. I'm never a person that does not enough, because I'd regret not doing enough and think I probably could have done more. I probably go too far and have to reel myself back in, which works in some things, and other things it doesn't work.

My whole premise has been, right from the beginning, that it would take me a lifetime to learn to explain myself as an artist. As you grow older, you learn what to do and what to leave out. You kind of simplify your work and get the same thing done with fewer strokes. It's pretty interesting to me.

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