Quotes of All Topics . Occasions . Authors
Anything where people have to work together makes me cry.
For me, juggling mommyhood and work is a challenge, but each day I learn little tricks to make it all come together.
In the NFL, you're part of a team. You work together to win. Being a WWE Superstar is all about me. No team. I'm special.
I was like, 'Wow, Tommy Hilfiger wants to work with little old me.' All the dots connected, we had a meeting, and everything started to come together.
The driving factor for me is having DC as one company together ourselves. Our ability to work more collaboratively with the whole studio is certainly a benefit.
People often compare me and Srikant Mohta with the legendary Raj Kapoor-Shankar Jaikishan jodi. They say, when ever we work together on a project, it turns into gold.
When you work with Drake, you don't really work with Drake. You send him the song, he rap on it, then y'all done worked together. So it ain't like me and him sitting in the studio.
I had no idea at all how to model, but people would start to follow me. So, I would go to these start-up companies and say, 'I have all these followers... how can we work together?'
I have one coach and one coach only. His name is Alexander Vetrov. They brought him in for me when I joined the Bolshoi. He was a dancer with the Bolshoi, and we work very intensely together.
My work is entirely surgical, and Col. Starr has given me a very interesting task of collecting nerve cases that have had the nerves sewn together. I may also do some experimental work for him.
But after the TED talk went viral, I called Sara Hirsh Bordo, who had produced TEDxAustinWomen, to ask her advice. She told me she'd like to do a documentary, and that we should work together on anti-bullying efforts.
There are some sequences in films that I think work filmicly, that stand out to me, but that's much more to do with the staging and the cutting and the mood of the thing as a sequence, the way everything comes together.
The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
Don't get me wrong: there are some fantastic people who work at British Cycling who kept me together, who were there when I was struggling with it all. They were walking the same tightrope in many ways, because if you do speak up, your days are numbered.
I don't design cars. I'm not a designer. I know what I desire to be built, I know what the end result is, the horsepower, the competition we'll be working against - but I leave it to the people who work with me to put it all together. I don't do anything.
I never hand in a book until it's completed. Richard Jackson then reads it and asks me to clarify murky points. We work very well together. He knows how hard to push, and I know how hard to push back. He's the only person who can criticize my work without me throwing a hissy fit.
For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Beethoven, but Mahler was different.
I've continued to write fiction since being in television. TV is a different kind of writing, but it's all writing. It was David Milch of 'Deadwood' who helped me to see it that way. We later collaborated on the short-lived 'John from Cincinnati,' but I'm very proud of the work we did together.
Many of the crew members I work with and continue to work with were friends or have become close friends, and so we keep working together. And I like casting friends of mine or people I know in parts I know would be perfect for them. I like to bring things and people that mean something to me in to my work.
I wanted to create Rouje to bring together my talented friends - photographers, stylists, graphic designers - in a project to create my universe and perfect dressing. I did not want to call the brand my name, because I have other projects, and this brand is the result of the work of several people and not just me.
I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.