Quotes of All Topics . Occasions . Authors
I refuse to finance the mass murder of innocent civilians...What is one more life thrown away in this sad and useless national tragedy? If one death can atone for anything, in any small way, to say to the world: I apologize for what we have done to you, I am ashamed for the mayhem and turmoil caused by my country.
Now therefore, be it Resolved by the Fiftieth Annual Convention of the Veterans of Foreign Wars of the United States, That we hereby declare that we are unalterably opposed to any program which would entail the surrender of any part of the sovereignty of the United States of America in favor of a world government.
It is clear to me that the imbalance of power between the genders is a major part of the world's problems right now. Anything out of balance is going to eventually be bad for us and presently the male energy and the worship of maleness is in fact a major contributor to the decaying state the world finds itself in.
It's a matter of whether you see the self as fundamentally in relationship to other selves or not - whether you see the boundary between self and the world as relatively permeable, which makes you "interdependent" (collectivist) in outlook, or relatively impermeable, which makes you "independent" (individualistic).
I had a role in developing the doctrine From the Sea, which was later modified to Forward From the Sea. But the way we looked at the situation was that the world we live in is a dangerous place. There's a violent peace out there, there are going to be problems over the horizon, and certainly that proved to be true.
What I find interesting is this ricochet effect, that the audience perceives the work and then does something with it, throws it back to the world, and there's an ongoing interaction between work and audience, which doesn't belong to the artist anymore - from the moment you release it, it doesn't belong to anybody.
You must also remember that the world has God to govern it, and He has not left it to our charity. The Lord God is its Governor and Maintainer, and in spite of these wine fanatics and cigar fanatics, and all sorts of marriage fanatics, it would go on. If all these persons were to die, it would go on none the worse.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
There are responsibilities which are parental responsibilities and those are the types of things we prepare the next generation for, but no one tells you how to answer the kids' questions in the backseat of the car when they want to know what the world is for or where they came from or why any of this is happening.
As much as they deny it, I think people want to be scared. It's a phenomenon, why people want to be scared when there is so much violence and craziness in the world. People still really enjoy being scared. It's a conundrum to me. It's hard to explain. It's an unconscious thing, really, why people like that so much.
I felt freed to please myself, to find my way as I would, in a world that was much vaster than I had realized before, in which I was but one star-gleam, one wavelet, among multitudes. My happiness mattered not a whit more than the next person's - or the next fish's, or the next grass-blade's! - and not a whit less.
One place that I really feel comfortable is being a comedienne. I'm very socially inept. There's so many things that I can not do in life, and this is, like, the one thing that I have mastery over. It's my world. And anybody who's coming to the show, it's like they're coming because they know that this is my world.
[M]any people would accept that we do not really have knowledge of the world; we have knowledge only of our representations of the world. Yet we seem condemned by our consitution to treat these representations as if they were the world, for our everyday experience feels as if it were of a given and immediate world.
Erwin Schrodinger has explained how he and his fellow physicists had agreed that they would report their new discoveries and experiments in quantum physics in the language of Newtonian physics. That is, they agreed to discuss and report the non-visual, electronic world in the language of the visual world of Newton.
Adam and Eve - and especially Eve - are victims of the greatest character assassination the world has ever known. Eve is not secondary. Eve, if anything, is the great initiator in the story. She's the first independent woman. For me, rediscovering that Eve was the greatest bad**s women of all time was a revelation.
Most people would trade everything they know, everyone they know- they'd trade it all to know they've been seen, and acknowledged, that they might even be remembered. We all know we die. We all know the world is too big for us to be significant. So all we have is the hope of being seen, or heard, even for a moment.
I'm interested in getting John Kerry elected President. And then I'm interested in doing whatever I can to see that Democrats retain Democratic values. And the thing I'm most interested in is health insurance for everybody. We're the only country in the industrialized world that doesn't have that, and we need that.
If you're getting your guidance about who you are and what to do with your life only from the external world, then by definition you'll be led away from your authentic truth. Your authentic truth isn't in the material world. It's counterintuitive, but you have more power in the world when you know you're not of it.
Tap dancing is like... it's equivalent to music, not only for the African American community, but also for the world. Tap dancing is like language; it's like air: it's like everything else that we need in order to survive. I'm blessed and honored to be knowledgeable of the art form and to be a part of the art form.
So often we give God a partial obedience. We do not dare to disobey, but we do not care to obey fully. So we compromise. We do some of what we should, thus removing the stigma of disobedience. But we refrain from the most difficult or objectionable or uncomfortable part, and thus try to get the best of both worlds.
Linus Van Pelt: Well, I can understand how you feel. You worked hard, studying for the spelling bee, and I suppose you feel you let everyone down, and you made a fool of yourself and everything. But did you notice something, Charlie Brown? Charlie Brown: What's that? Linus Van Pelt: The world didn't come to an end.
He [Merlin] is slightly from another world and place, so it [challenge in bringing the role to life] is about having fun and presenting it in a new way. He's more of a politician, and slightly Machiavellian, but there's also a lovely relationship going on between Merlin and Arthur. There's so much to be had, really.
Most Southerners recognize when a story about their own experience feels off-kilter or offensive. But Southerners are also fascinated by the way their region is presented in popular culture. It is exciting to see how filmmakers take great care to present worlds in which race, region, and food are deeply intertwined.
We ask [ of the computer ] not just about where we stand in nature, but about where we stand in the world of artefact. We search for a link between who we are and what we have made, between who we are and what we might create, between who we are and what, through our intimacy with our own creations, we might become.
The notion that aid can alleviate systemic poverty, and has done so, is a myth. Millions in Africa are poorer today because of aid; misery and poverty have not ended but increased. Aid has been, and continues to be, an unmitigated political, economic, and humanitarian disaster for most parts of the developing world.
Would all, who cherish such wild wishes, but look around them, they would oftenest find their sphere of duty, of prosperity, and happiness, within those precincts, and in that station where Providence itself has cast their lot. Happy they who read the riddle without a weary world-search, or a lifetime spent in vain!
If I go into a museum, it doesn't matter how often a work of art has been written about or thought about, I am going to discover something that is my own, which will be new. You always must be discovering, rediscovering. That's what the world of art means. It means constant mystery in the discovery, the rediscovery.
The international institutions go around the world preaching liberalization, and the developing countries see that means open up your markets to our commodities, but we aren't going to open our markets to your commodities. In the nineteenth century, they used gunboats. Now they use economic weapons and arm-twisting.
Whenever you are in the world of the tonal, you should be an impeccable tonal; no time for irrational crap. But whenever you are in the world of the nagual, you should also be impeccable; no time for rational crap. For the warrior intent is the gate in between. It closes completely behind him when he goes either way
I never said I wanted a 'happy' life but an interesting one. From separation and loss, I have learned a lot. I have become strong and resilient, as is the case of almost every human being exposed to life and to the world. We don't even know how strong we are until we are forced to bring that hidden strength forward.
As the malicious disposition of mankind is too well known, and the cruel pleasure which they take in destroying the reputation of others, the use we are to make of this knowledge is, to afford no handle for reproach; for bad as the world is, it seldom falls on anyone who hath not given some slight cause for censure.
We must realize that the Reformation world view leads in the direction of government freedom. But the humanist world view with inevitable certainty leads in the direction of statism. This is so because humanists, having no god, must put something at the center, and it is inevitably society, government, or the state.
I've never been very interested in literary narrative in movies, it always seems an obligatory trait and the least interesting of all the things film can do. It forces us to look through the thing instead of at it, it teaches us to ignore our senses and look for meaning outside the immediate world of our experience.
Give, give, give - what is the point of having experience, knowledge or talent if I don't give it away? Of having stories if I don't tell them to others? Of having wealth if I don't share it? I don't intend to be cremated with any of it! It is in giving that I connect with others, with the world and with the divine.
It [9/11 event] was aimed at symbols: the World Trade Center, the heart of American capitalism, and the Pentagon, the headquarters of the American military establishment. But it was not meant to be argued with. It wasn't part of any negotiation. No message was intended with it. It spoke for itself, which is unusual.
There are so many people out there living a life they don't want to live. They either are eating the food they don't want to eat, that doesn't serve them, or they're in a job that doesn't serve them and what they're really good at in the world, or they're in a situation or relationship where it's bringing them down.
But actually a code is a language for translating one thing into another. And mathematics is the language of science. My big thesis is that although the world looks messy and chaotic, if you translate it into the world of numbers and shapes, patterns emerge and you start to understand why things are the way they are.
Recognition, gratefulness exist.[ Speech for the Nobel Prize] is to show that this is what has come from what [Albert Camus] teacher did for him. And also throughout the world there are Monsieur Germains [his old schoolteacher] everywhere. That's why I published the letters, so that he could have a place in the work.
On the theory of natural selection we can clearly understand the full meaning of that old canon in natural history, “Natura non facit saltum.” This canon, if we look only to the present inhabitants of the world, is not strictly correct, but if we include all those of past times, it must by my theory be strictly true.
A decline in courage may be the most striking feature that an outside observer notices in the West today. The Western world has lost its civic courage . . . . Such a decline in courage is particularly noticeable among the ruling and intellectual elite, causing an impression of a loss of courage by the entire society.
The attacks of September 11, 2001, were spectacular, riveting, grim, costly and searing. The shock that they caused reverberated throughout the world. What happened in New York and Washington and Pennsylvania ended the lives of thousands of people and changed the lives of many more. But they did not change the world.
The name, his true name, was weaker and more flawed than he would have liked, and he hated himself for that, but there was also much to admire within it, and the more he thought about it, the more he was able to accept the true nature of his self. He was not the best person in the world, but neither was he the worst.
Juanita Violini delivers a world most of us can't even begin to imagine. This is something quite beyond strange occurrences. Rather, Violini brings us a whole year's worth of unexplained mysteries with which to confuse our staid little hearts: a new one, each and every day. Be afraid. This one could change your life.
Immortality is what nature possesses without effort and without anybody's assistance, and immortality is what the mortals must therefore try to achieve if they want to live up to the world into which they were born, to live up to the things which surround them and to whose company they are admitted for a short while.
Pleasure without God, without the sacred boundaries, will actually leave you emptier than before. And this is biblical truth, this is experiential truth. The loneliest people in the world are amongst the wealthiest and most famous who found no boundaries within which to live. That is a fact I've seen again and again.
First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.
Sustaining innovation is the lifeblood of any enterprise. It is the time when we capitalize upon, and recover from, all the disruptive change prior. Most of the operating profits in the world come from sustaining innovation. Much of the market capitalization gains, on the other hand, come from disruptive innovations.
We've grown up with American movies. Not to say that American movies - or movies that have been based in Watts, Compton, or Inglewood - are a 100% true depiction of that world. But also you have inner-city London, and the foundations are pretty much the same. Especially me, growing up in Southeast London, in Peckham.
I would like to continue being radical. As you get older, some of the world catches up and it's passed you. In the '60s you were on the crest of a wave because you were part of the wave. I don't want be a stick in the mud and do the same thing as I did last year, I want to do something different and see what happens.
If anyone on the verge of action should judge himself according to the outcome, he would never begin. Even though the result may gladden the whole world, that cannot help the hero; for he knows the result only when the whole thing is over, and that is not how he became a hero, but by virtue of the fact that he began.