Quotes of All Topics . Occasions . Authors
It's the best thing to happen to a sport, that you have a superstar. In football there is always something to write about the Beckhams, same as people want to write about Rooney or Hooney or whatever his bloody name is.
Everything of mine is permeated with my love of ideas-both big and small. It doesn't matter what it is, as long as it grabs me and holds me, facinates me. And then I'll run out and something about it... I write for fun.
But to the fighting soldier that phase of the war is behind. It was left behind after his first battle. His blood is up. He is fighting for his life, and killing now for him is as much a profession as writing is for me.
Even when I don't think I'm writing, I'm writing. There's some part of my brain geared toward making songs up, and I know it's collecting things and I know when I get a moment to be by myself, that's when they come out.
When I finally got tired of arguing with her and decided to write a novel as if I was some kind of formulaic, genre writing drone, just to prove to her how awful it would be, I wrote the first book of the Dresden Files.
I would love to see more women directors because they represent half of the population - and gave birth to the whole world. Without them writing and being directors, the rest of us are not going to know the whole story.
I never write with any kind of message, and I don't think that this book, 'Goodbye, Stranger' has a message in the capital M form of the word but I do hope it makes people ask themselves questions about what they think.
I've discovered I prefer to prepare a few notes or actually write the speech so I can really hone it down to hopefully be entertaining, try and get a laugh at least by the second line, and then say what you need to say.
I love writing pop songs and I love the challenge. I love melodies and wanted it to be classy. I wanted it to have some substance because I feel as if I have a lot of things to say and wanted it to have something to it.
I wouldn't totally rule out doing Letterman or the Tonight Show if I had a set that I just happened to write that I thought was funny but was still appropriate for network censors. But I'm not going to go out of my way.
I work every day - or at least I force myself into office or room. I may get nothing done, but you don't earn bonuses without putting in time. Nothing may come for three months, but you don't earn the fourth without it.
I understand pain very well, so I look for that in a role. If the characters are well-written, don't tell nobody, but I'll do the damn thing for free. I'm serious. It's the writing. I love beautifully flawed characters.
I suspect by the time the Beatles were writing the White Album, they didn't go, "'I Wanna Hold Your Hand!' I wanna play that!" It's like if somebody asked you to put on the clothes you wore in high school. Well, no. No!
A commission and an original are two different things, and both have their virtues and vices. A commission is a bit more collaborative, in that you outline the story that you think should be told, and then you write it.
But compared to writing a novel, where you can be God, I did the Bay of Pigs invasion in six pages once, and there were 50,000 guys with boots that I didn't have to pay, and all those extras; we didn't have to pay them.
I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
I've now learned how to do it, I can write anywhere. I'm the type of person that will get a random idea and then I'll have to write it down and then continue on it. It can be anywhere. It doesn't have to be a set place.
I don't like the word "happy." I wouldn't want to use it that context. I enjoy writing songs, it's a really good challenge, it tickles me. It's a wonderful way to engage with your surroundings, through poetry and songs.
There are no grown-ups. We suspect this when we are younger, but can confirm it only once we are the ones writing books and attending parent-teacher conferences. Everyone is winging it, some just do it more confidently.
The press can't write the kind of things they write, which are lies.The stories are fabrications and false. And the only thing I say is hopefully, hopefully, our patriotic movement will overcome this terrible deception.
The establishment, the newspapers, they try to create something called Scottish literature, but when people are actually going to write, they are not going to necessarily prescribe to that, they'll write what they feel.
Weirdly, by the way,[Bob] Dylan also managed to write several beautiful love songs, like "To Make You Feel My Love" (covered by Adele, Garth Brooks, Billy Joel, and who knows who else) and "Most of the Time." Go figure.
One of the great things about writing a series is that with each book, the novel is meant to stand alone on its own legs, but also to bring along those loyal readers who become attached to the characters over the years.
I always feel like I have got so much to write about, when it comes to writing for the album. I still think that even though my songs are written from my perspective, I think that all age-ranges can relate to the songs.
A man would have to be an idiot to write a book of laws for an apple tree telling it to bear apples and not thorns, seeing that the apple-tree will do it naturally and far better than any laws or teaching can prescribe.
I always write the end of everything first. I always write the last chapters of my books before I write the beginning....Then I go back to the beginning. I mean, it's always nice to know where you're going is my theory.
If I'm feeling confident, then I write confident, happy, or assured music. I can hear some early electronic sketches I did where I'm clearly not confident and everything's a bit mid-range, nothing really pushes through.
I knew [Eva Braun] wrote to [Adolf Hitler], I would see her writing to him and I would see her reading his notes or letters. She kept all that in a safe at the Berghof and nobody got near that safe except Hitler or Eva.
If people are going to write bad things about me because it makes news, I can brush it aside because I've had this for 10 years. I'm big enough and strong enough to cope with it. It's what comes with being Alan Shearer.
I always felt better co-writing something - always co-writing. Because if I was the lead of it and it failed, then it failed on my own accord. I would say, "Well, I liked it or I screwed up. I take the hit on this one."
I carry my thoughts about me for a long time, often a very long time, before I write them down; meanwhile my memory is so faithful that I am sure never to forget, not even in years, a theme that has once occurred to me.
For a fight to be productive, or at least relevant, writers should fight over different demands they put upon writing (as an individual, private act) and literature (a network of relations in which we are all involved).
How fascinating to a child are words: the shapes, sounds, textures and mysterious meanings of words; the way words link together into elastic patterns called "sentences." And these sentences into paragraphs, and beyond.
Try to be original in your play and as clever as possible; but don't be afraid to show yourself foolish; we must have freedom of thinking, and only he is an emancipated thinker who is not afraid to write foolish things.
Punctuation is the art of dividing a written composition into sentences, or parts of sentences, by points or stops, for the purpose of marking the different pauses which the sense, and an accurate pronunciation require.
I write better in Cape Breton... too many people around in Ontario. Down there I meet all sorts of non-human people, but they don't bother me, and I don't feel I have to apologize on behalf of my species quite so often.
I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.
One of the reasons I like immersing myself in different texts, putting myself in the company of other writers, is that they do change your vocabulary. They change what you write about or they change the length of lines.
I was such a sullen, angry, sad kid. I'm sure there are writers who have had happy childhoods, but what are you going to write about? No ghosts, no fear. I'm very happy that I had an unhappy and uncomfortable childhood.
Literature is one of the few kinds of writing in the world that does not tell you what to buy, want, see, be, or believe. It's more like conversation, raising new questions and inspiring you to answer them for yourself.
My goal was to do anything that would lead to a job. I know that writing would not lead to a job. It's too fancy for me. My biggest goal was to be an office receptionist, answer phones. I didn't expect to go beyond that.
I never thought about writing the part where the pirates get on board the ship. I wasn't interested in that. I'm not an action director. I'm sure that other guys could do it a lot better. I couldn't put my heart into it.
There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.
Writing is not magic. It’s a craft, a process, a set of steps. As with any process, things sometimes break down. Even in a good story, the writer runs into problems. So the act of writing always includes problem solving.
I became an actress because my mom wanted me to become an actress. It took me until my mid-30s to realize I actually didn’t. I actually wanted to write and direct and be more involved in politics and humanitarian issues.
I quarreled with every word, every phrase and expression, every image and letter as if they were the last I was ever going to write. I wrote and rewrote every line as if my life depended on it, and then rewrote it again.
I'm trying to break myself of that habit [of not writing out a first draft ] because I'm working on a couple novels and I know if I tried to write those books the way I wrote the stories it would take me years to finish.
Writing the short story is essentially an act of grace. It's not a matter of will so much as trust. I try to let the story do some of the work for me. It knows what it wants to do, say, be. I try not to stand in its way.
We get a lot of unsolicited manuscripts here. Im not even a publisher, but we get several a week. I dont read them, but I do glance through some of them, and some people dont need to be writing, they have something else.
So I started to relax and would work on my act eight hours a day, sitting at a desk writing at my grandmother's house, and I would put on Richard Pryor Live on Long Beach and would play it like a loop and think and write