Quotes of All Topics . Occasions . Authors
You try to learn who you are. You work hard. You've either got it or you don't when it comes to writing books. And you tend to only get these things if you want them, and want them to the exclusion of everything else.
I often think I would like to come even closer to home and write about somewhere like Wales, for example - which we in England tend to be a little snooty about. That's where the coal comes from and that sort of thing.
I can write two scripts concurrently, but I usually prefer to do one at a time. However, I also usually have 5 or 6 story ideas that are percolating in my head at any one time, so it can get a little crowded in there.
There's a kind of tension that if I'm getting a story right I can feel right away, and I don't feel that when I try to write a novel. I kind of want a moment that's explosive, and I want everything gathered into that.
A travel book is about someone who goes somewhere, travels on the ground, sees something and spends quite a lot of time doing it, and has a hard time, and then comes back and writes about it. It's not about inventing.
The voice is a human sound which nothing inanimate can perfectly imitate. It has an authority and an insinuating property which writing lacks. It is not merely so much air, but air modulated and impregnated with life.
I was really inspired while I was pregnant and I wrote a whole album for my baby. I wanted to write a kids album that didn't annoy parents. I used The Beatles 'Rocky Raccoon' as sort of a starting place for my writing.
Writing organizes and clarifies our thoughts. Writing is how we think our way into a subject and make it our own. Writing enables us to find out what we know-and what we don't know-about whatever we're trying to learn.
There is nothing more dreadful to an author than neglect; compared with which reproach, hatred, and opposition are names of happiness; yet this worst, this meanest fate, every one who dares to write has reason to fear.
The "executive producer" title either means that you're the person who created, or co-created, the show, or you're the person who's in charge of day-to-day operations. Whereas "producer" is often just a writing credit.
For me, the challenge is just making great albums, because talent - and writing in general - is not tangible. There's no expiration date on it. At the same time, you might wake up tomorrow and be unable to write music.
The first thing an unpublished author should remember is that no one asked him to write in the first place. With this firmly in mind, he has no right to become discouraged just because other people are being published.
I get criticized for a lot of what I write about, but as far as I'm concerned I'm actually standing up and having a look at what goes on in the minds of men, and I have the authority to talk about it because I'm a man.
When you write an album and you're writing about relationships, the stuff that I've been through in my relationships, 99 percent of it is really good, but it's that one percent that always inspires you to write a song.
I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.
I write songs in batches and then record them and then can't write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.
The greatest compliment a writer can be given is that a story and character hold a reader spellbound. Im caught up in the story writing and I miss a good deal of sleep thinking about it and working out the plot points.
When I start to write, words have become physical presence. It was to see if I could bring that private world to life that found its first expression through reading. I really dislike the romantic notion of the artist.
Write a lot. And finish what you write. Don't join writer's clubs and go sit around having coffee reading pieces of your manuscript to people. Write it. Finish it. I set those rules up years ago, and nothing's changed.
...Writings can be stolen, or changed, or used for evil purposes. But isn't the risk worth taking? The more people who share knowledge, the greater safeguard for it. Isn't there more danger in ignorance than knowledge?
I'm happy, I would say that I'm one of the happiest people I know but I've certainly had periods of profound sadness, depression and heartache and those are the kind of things that are interesting to me to write about.
I enjoy both TV writing and novel writing, and they are very similar. The goal is to entertain and amuse the audience, and I subscribe to this P.G. Wodehouse piece of advice: "Try to give pleasure with every sentence."
No deliberative body is manifestly less qualified to make decisions about public education than our state Legislature. With a few shining exceptions, most of these clowns don't read, can't write, and clearly can't add.
It's interesting going between small parts and then bigger roles where you carry the film. If the writing is good, and if the people involved have integrity, then you'll do it, even if it's only five minutes on screen.
I don't have a fixed routine. I write every day but I don't "write" every day, if that makes any sense. In other words, I email with my friends constantly and sometimes I'll pull out something I've written and save it.
When I began writing songs, there was a pretty direct line between what was happening in my life and what I wrote about. So my first album was really all about my failed attempts to make a particular relationship work.
This sounds like a cliche, but I always wanted to write. After college, I did some writing and realized very quickly that it's hard to make a living as a writer. At that point, I was more interested in fiction writing.
We are motivated by a keen desire for praise, and the better a man is the more he is inspired by glory. The very philosophers themselves, even in those books which they write in contempt of glory, inscribe their names.
History is the torch that is meant to illuminate the past, to guard us against the repetition of our mistakes of other days. We cannot join in the rewriting of history to make it conform to our comfort and convenience.
If you want to write about people, you can make it up. But if you spend time talking to someone and examining what it is you want to write about, you discover a level of detail that you wouldn't have noticed otherwise.
A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
Today, for a Jew who writes in the German language, it is totally impossible to make a living. In no group do I see as much misery, disappointment, desperation and hopelessness as in Jewish writers who write in German.
I did write a number of reports on my political experiences, but there were many omissions, and I feel bad about that because it was work that was interesting and had I written more about it, it could have been useful.
I rail against writers who talk about the loneliness of it all — what do they want, a crowd looking over their typewriters? Or those who talk about having to stare at a blank page — do they want someone to write on it?
The whole point of writing poetry or fiction is that you get to agonize over whatever it is you want to say, and you finally say it, and you get it as perfect as you can make it. Then you're forced to babble freestyle.
Why do people write books that say it's better to be older than to be younger? It's not better. Even if you have all your marbles, you're constantly reaching for the name of the person you met the day before yesterday.
The mission of the playwright ... is to look in his heart and write, to write whatever concerns him at the moment; to write with passion and conviction. Of course the measure of the man will be the measure of the play.
I'm usually a panster and throw ideas down on computer the second they hit my brain. I even had to get off the treadmill to write down my ideas. It's a great place to 'zone out' and think about my plots and characters.
I wanted to write a book that talked about the emotions of children, which is the rainbow. We all have moods. We talk about being blue when we're sad, and being yellow when we're cowards, and when we're mad, we're red.
My writing is translated into every Indian language, it's distributed in pamphlets, in little private video things, it's everywhere. So it's a lovely pastime for the middle class to think of itself as the whole nation.
With directing, you have to wake up early, which stinks, but you get to hang out with the crew, you're laughing, you're active, and you're working with the actors. It's just more fun than writing. Writing is very hard.
It's like a novelist writing far out things. If it makes a point and makes sense, then people like to read that. But if it's off in left field and goes over the edge, you lose it. The same with musical talent, I think.
I wonder what it means about American literary culture and its transmission when I consider the number of American poets who earn their living teaching creative writing in universities. I've ended up doing that myself.
The society of dead authors has this advantage over that of the living: they never flatter us to our faces, nor slander us behind our backs, nor intrude upon our privacy, nor quit their shelves until we take them down.
Our everyday language has become encumbered, Germanic, artificial, bureaucratic, inorganic. It may not be exaggerated to say that by now American writers face but two alternatives: write English, or write gobbledygook.
Writing is an outward expression of instinctive insight that must be summoned from the vastly deep of our mysterious selves. Therefore, it cannot be taught; indeed, it cannot even be summoned; it can only be permitted.
I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room.
When you write down your ideas you automatically focus your full attention on them. Few if any of us can write one thought and think another at the same time. Thus a pencil and paper make excellent concentration tools.
My ideal life is just lounging around the house and every once in a while I'll kind of write something, and then I'll leave and eat something and masturbate or whatever - just this very fluid life of comforting myself.
Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.