Quotes of All Topics . Occasions . Authors
I don't think writing stops until the film is out. In the edit, it's another draft. [The script] is the food for set, and then the set is food for the edit, and the edit is food for the screen. It's constant, and this is just the first stage of it.
The notion of a rigid separation between church and state has no basis in either the text of the Constitution or the writings of our Founding Fathers. On the contrary, our Founders’ political views were strongly informed by their religious beliefs.
We do not wait for inspiration. We work because we've jolly well got to. But when all is said and done, we toil at this particular job because it's turned out to be our particular job, and in a weird sort of way I suppose we may be said to like it.
I tended not to be concerned about whether a song was going to be a hit when I wrote it. Because it became evident that none of us knew what was a hit and what wasn't. So I thought if I just write what I like, why shouldn't people like what I like?
The bigger the issue, the smaller you write. Remember that. You don't write about the horrors of war. No. You write about a kid's burnt socks lying on the road. You pick the smallest manageable part of the big thing, and you work off the resonance.
The United States has made a massive effort since the end of the Second World War to secure the dominance of its films in foreign markets - an achievement generally pushed home politically, by writing clauses into various treaties and aid packages.
If our lives are truly "hid with Christ in God," the astounding thing is that this hiddenness is revealed in all that we do and say and write. What we are is going to be visible in our art, no matter how secular (on the surface) the subject may be.
I love writing on trains. The joy of being a writer is it's all in your head; you don't need materials apart from the laptop. It's like taking your work home with you, so you can feel grounded in your own insane writerly realities wherever you are.
There is something to be said for the openness to form, and literary form because it forces you to actually think about the other person, and their motivations, and to try to see them from all sides and to really write about them not as caricature.
To become an American citizen, we require people to read, write and speak in English. That is to help them to assimilate in our melting pot, truly to become Americans. We mock that when the cherished right to vote does not involve English any more.
I've only suffered writer's block badly once, and that was during the writing of Chamber of Secrets. I had my first burst of publicity about the first book and it paralysed me. I was scared the second book wouldn't measure up, but I got through it!
I write because I admire the act of rationalization, of seeking clarity in one's understanding of the complexities of life, and I'm bad at it. I'm slow. Writing, which is an arduous and slow process, proceeds at the same rate as my sloth-like mind.
I don't know what makes a writer's voice. It's dozens of things. There are people who write who don't have it. They're tone-deaf, even though they're very fluent. It's an ability, like anything else, being a doctor or a veterinarian, or a musician.
The first time I saw a review of one of my permaculture books was three years after I first started writing on it. The review started with, "Permaculture Two is a seditious book." And I said, "At last someone understands what permaculture's about."
People no longer write letters. Lacking the leisure, and, for the most part, the ability, they dictate dispatches, and scribble messages. When you are in the humor, you should take a peep at some of the letters written by people who lived long ago.
There's one massive problem with coming from writing novels into screenplays that I've discovered over the years, which is that you've got too much facility on the page. In novels, you can persuade people of things that work that don't really work.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
I try to write like the writers I admire - I rip them off in form. It comes from George Strait and Merle Haggard records, and country music in general is really good at that, the twisted phrase... So Im always looking for that angle in my own work.
Write against patterns. Go against the devils. Write what you never write. Lie. Validate what you don’t validate. Indulge what you don’t like. Wallow in it. Write the opposite of what you always write, think, speak. Do everything against the grain!
The Kansas secretary of state Kris Kobach who helped write the immigration laws in Arizona said that [Donald] Trump's policy advisors are drafting, they're discussing drafting a proposal, to reinstate a registry for immigrants from Muslim countries.
The great thing about string quartets is the players are kind of like family. They work really well as a unit, so you can write things that let them use those talents of association and intuition-all the things they’ve developed together as a group.
As Thoreau famously sead, it doesn't matter where or how far you go - the farther commonly the worse - the important thing is how alive you are. Writing of every kind is a way to wake oneself up and keep as alive as when one has just fallen in love.
Creative expression, whether that means writing, dancing, bird-watching, or cooking, can give a person almost everything that he or she has been searching for: enlivenment, peace, meaning, and the incalculable wealth of time spent quietly in beauty.
Happy is he who looks only into his work to know if it will succeed, never into the times or the public opinion; and who writes from the love of imparting certain thoughts and not from the necessity of sale - who writes always to the unknown friend.
Writing doesn't come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency, I think - the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
I do experience something pretty commonly with every song; there's some moment where it clicks into its own life with its own emotional impact that I feel, and even though technically I'm the one writing the song, it's like watching a storm come in.
I caution writers all the time to slow down and pay more attention to the work in front of them than to the end result. I don't think you write one book and get anywhere. I think you write five books and then maybe you are finally on the right path.
I like monsters in general - that's what I like to write about. Somebody was joking with me that my body was becoming a manual for a role-playing game because I'm covered in little monsters. That's true. I could easily have more monsters on my skin.
Spero Speroni explains admirably how an author who writes very clearly for himself is often obscure to his readers. "It is," he says, "because the author proceeds from the thought to the expression, and the reader from the expression to the thought.
Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.
Schiller writes in a letter [to Goethe, 17 December 1795] of a 'poetic mood'. I think I know what he means, I think I am familiar with it myself. It is the mood of receptivity to nature and one in which one's thoughts seem as vivid as nature itself.
When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.
Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.
I work in an old tradition that goes back to the ancient Greeks. You hold a mirror to crime to see what's happening in society. I could never write a crime story just for the sake of it, because I always want to talk about certain things in society.
Each day is a surprise - and each day I learn something wonderful and new. Both in writing thrillers and in reporting the news, I work to change the world a little bit. I want readers - and viewers - to be surprised and captivated and even inspired.
Because I worked as a newspaper reporter for about 14 years before attempting my first novel, I learned to write under almost any circumstances- by candle light, in longhand, in African villages where there was no power, under shelling in Kurdistan.
anyone who writes about "Darwin's theory of evolutionin the singular, without segregating the theories of gradual evolution, common descent, speciation, and the mechanism of natural selection, will be quite unable to discuss the subject competently.
Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.
It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.
I picked up On The Road, Howl, and Naked Lunch (in that order) in high school. I was blown away. The writing was amazing and the places it took me was even more far out. It opened up new avenues of thinking for me and so I went down the beaten road.
Remember that the animals and plants have no M.P. they can write to; they can't perform sit-down strikes or, indeed, strikes of any sort; they have nobody to speak for them except us, the human beings who share the world with them but do not own it.
Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.
People always say, "Can writing be taught?" I always think, I can teach you how to write a better sentence, how to do dialogue, how to do character, but I can't teach you how to be a decent person, and I can't teach you how to have something to say.
Any expensive ad represents the toil, attention, testing, wit, art, and skill of many people. Far more thought and care go into the composition of any prominent ad in a newspaper or magazine than go into the writing of their features and editorials.
Whatever poets may write, or fools believe, of rural innocence and truth, and of the perfidy of courts, this is most undoubtedly true,--that shepherds and ministers are both men; their natures and passions the same, the modes of them only different.
Some people talk of writer's block - you got all of these ideas but nothing happens. The truth is, there's no such thing as writer's block. It's to the degree that you want to write. The thing is that these things show up whenever they feel like it.
Invention, it must be humbly admitted, does not consist in creating out of a void, but out of chaos; the materials must in the first place be afforded; it can give form to dark, shapeless substances, but cannot bring into being the substance itself.
I'd really like to see smart sex writing, writing that can take sex apart and try to put it back together, that doesn't just put a box around "sex writing" and give it glaring neon lights but assumes that sex is part of everything else in our lives.
I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.
I use an IBM Thinkpad. I just use it like a typewriter, but when I started using it in 1987, I thought I won't be able to write anymore, so I thought I'd go back to the typewriter. But you couldn't go back to the typewriter after using the computer.