Quotes of All Topics . Occasions . Authors
I even asked [Saniyya Sidney] why she wanted to be an actor and she said, "I'm serious about this. These other little kids they want to play, and I don't have time for that."
I asked my mother I said, "You divorced my dad, how did you decide? She said, "I decided twelve years before he knew it." I was like wow; I'm learning something new every day.
[Black people] come into the world exactly like you. It's just that there are circumstances in the culture that are dictated and put on our lives that we have to fight against.
Cursed be the ground for our sake. Both thorns and thistles it shall bring forth for us. For out of the ground we were taken, for the dust we are and to the dust we shall return.
Success? I don't know what that word means. I'm happy. But success, that goes back to what in somebody's eyes success means. For me, success is inner peace. That's a good day for me.
If you don't love your fellow man, women, person, then you don't have anything. If you don't treat your neighbor as you would want to be treated that to me is the fundamental message.
We just had to stay out-of-the-way [in Fences]. [August Wilson] already wrote a masterpiece. And you really don't know how it's going to work until you get it in front of an audience.
There's things that I can do as an actor that I couldn't do in any other form of life and I've got a strange personality. But film requires strange people, so I've got a nice comfy home.
We rehearsed for two weeks [in "Fences"], and we taped out the whole house in the front, and the rooms, and we stood it up like a play. We tried to get off book and gave people small props.
The Bible says "faith without works is nothing" so destiny is great, fate is great, faith is great - but you still have to work at it. I don't just sit at home and wait for it all to unfold.
[Saniyya Sidney] was very serious about her work and her craft, and she wanted to be good, and she wanted to work on it. So I said, "Ok." It was as simple as that. She was just right. She just has it.
I'm very proud to be black, but black is not all I am. That's my cultural historical background, my genetic makeup, but it's not all of who I am nor is it the basis from which I answer every question.
You start to find a rhythm and usually if it makes me laugh or comment in the editing room then I knew that's what's going to happen in the audience. That first reaction is usually the right reaction.
Religion to me is when man gets ahold of spirituality: "My god is right, yours is wrong." Religion to me is the human condition. "If you're a Muslim, you can't be a Christian." That to me is religion.
I'm very proud to be black, but black is not all I am. That's my cultural historical background, my genetic make-up, but it's not all of who I am nor is it the basis from which I answer every question.
[Martin] Scorsese probably could have directed Schindler's List and [Steven] Spielberg probably could have directed Goodfellas. But it's as much to do with the difference in culture as it is with race.
[Rose from "Fences"] couldn't just jump out there. Not just because of economic reasons but because how she was looked at in society at the time. There were a lot of factors that made you stay I guess.
I'll be working with Ridley's [Scott] brother, Tony, again, someone who needless to say we've had a great amount of success together. I trust him - so I won't have to think about it or I'll try not to.
I made a commitment to completely cut out drinking and anything that might hamper me from getting my mind and body together. And the floodgates of goodness have opened upon me - spiritually and financially.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
For whatever reason, God has blessed me with the ability, put me in a position to make these leaps and bounds. I'm fulfilling my part of the bargain, which is to give back and be a positive influence on others.
It's strictly business. If I loan you $25 million, I want my money back. I don't want to hear about the social impact. That's great for you, but now I'm $25 million in the hole, so next time you come to ask me.
I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.
So the desire you have, that itch that you have to be whatever it is you want to be ... that itch, that desire for good is God’s proof to you sent already to indicate that it’s yours. You already have it. Claim it.
When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.
I had a lot of success from the start. I never really was tested for long periods of time. I got my first professional job while I was a senior in college. I signed with the William Morris Agency before I graduated.
I'm a parent. I think we're responsible for the problems that young people have. I believe that. I don't blame them for any of it. I blame us for what we haven't done as mothers and fathers, not sticking together as a unit.
When people say "What do you want people to get from this movie?" I say, "Well, it depends on what they bring to it." I don't try to decide what people should get from it or why. I don't do a part for those kinds of reasons.
In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
When I was a child I thought I saw an angel. It had wings and kinda looked like my sister. I opened the door so some light could come into the room, and it sort of faded away. My mother said it was probably my Guardian Angel.
The strongest, toughest men all have compassion. They're not heartless and cold. You have to be man enough to have compassion - to care about people and about your children" (217) - John Singleton "Oh Man, I've Become My Father
Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.
Everybody has a job to do. There are people in Iraq on both sides of this war who do what they do for religious reasons, and they feel with God on their side. Some people are good at annihilating people. Maybe that's their gift.
You'll never see a U-Haul behind a hearse. ... Now, I've been blessed to make hundreds of millions of dollars in my life. I can't take it with me, and neither can you. It's not how much you have but what you do with what you have.
We had a guy, a gentlemen by the name of Mr. Greenleaf who lived behind the house we were shooting [Fences], and he was like a part of the movie.He would come downstairs, and he couldn't hear well to say, "Ya'll want some coffee?"
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
At the end of the day, it's not about what you have or even what you've accomplished. It's about what you've done with those accomplishments. Its about who you've lifted up, who you've made better. It about what you've given back" (23).
I think we're fascinated by gangsters and that whole lifestyle and crossing the line. We get sort of stuck in our normal lives, if you will, and you want to be bigger than life and I think people somehow live through these sorts of characters.
Fundamentally, the most important thing is to get the film made for me and to get as many people to see it as possible. And if I help that, then - I know I help that, let's put it that way. I do know that I help that. It is called show business.
You don't pick black actors or black directors because they are black. You pick them because they are good. If you lend somebody 50 million dollars you want you're money back. You don't care if they are oppressed. You just want you're money back.
I'm older and wiser. So and now having segued into filmmaking I'm looking at [Ridley Scott ] and what he does in an entirely different way and I have respect for what he does and how he composes shots. So that was what was completely fascinating.
A film is just like a muffin. You make it. You put it on the table. One person might say, 'Oh, I don't like it.' One might say it's the best muffin ever made. One might say it's an awful muffin. It's hard for me to say. It's for me to make the muffin.
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in."
I pray that you all put your shoes way under the bed at night so that you gotta get on your knees in the morning to find them. And while you're down there thank God for grace and mercy and understanding. We all fall short of the glory, we all got plenty.
[Russel Crowe] has been through a lot and had a lot of success. No one knew who he was when I worked with him 12 years ago. He's just come off a great film in Australia- Romper Stomper - and so it was good to see him again. Obviously, I'd seen him since.
We know what hair smells like when a hot comb hits it. That's a cultural thing. We know what that smells like on Sunday mornings, usually church-related or something. In my house, it was getting ready for church and your sister was getting her hair fried.
A part of me still says, 'Maybe, Denzel, you're supposed to preach. Maybe you're still compromising.' I've had an opportunity to play great men and, through their words, to preach. I take what talent I've been given seriously, and I want to use it for good.
Some said America took a step forward electing a black president. In light of the unconstitutiona l expansion of powers, lack of transparency and fueling the fires of unrest that clearly hasn't been the case. Vote based on merits, not to fill a racial quota.
When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.