Quotes of All Topics . Occasions . Authors
I try not to think about that [getting Oscar] ahead of time. You just try to do the best work you can, and then you get the movie out there, and we've been hearing good things. But you never know, you don't want to get too high, and you don't want to get too low.
We've all received our share of good fortune, so that's my definition of much. A single blessing is all the bounty in the world, and if you've been blessed at all you're meant to pass some of that on. You're meant to set a positive example. That's our responsibility
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
My father was a minister for 50 years with Pentecostal Church of God in Christ. We prayed about everything, every day, then he always said, "Amen. God is love." I thought God is love was one word. Like "Godislove." And it took me a long time to learn what that really meant.
Michelle Pfeiffer hasn't been finding a lot of work recently because she doesn't like what a woman her age is offered. That's a real double standard. You get Sean Connery, who gets older and older, still playing opposite young ladies, but it doesn't work the other way around.
That's where you can find things and modulate your performance and give the other actors something fresh to respond to. We've probably all worked with actors who when it's suddenly your close up, they get sleepy. I don't like that. It's selfish acting, and I won't tolerate it.
Years ago, even prior to 9/11, I did a movie called "The Siege." I did a lot of research with the FBI and the CIA. And I was amazed at that time (I guess we might all know it now) how little information they shared with each other. So after that, I'm not surprised by anything.
We all are doing the best we can. I would like to say that I'm a walking poster board for feminism and women's liberation, but there are things that I do in my life that deeply, deeply fall short of being a statement for being a strong woman. I am flawed as much as anyone else.
There's always got to be room for what you might call benign corruption. Nobody blames a man who steals food to feed his starving children, but on the other hand, somebody who picks up a badge and takes an oath to serve and protect; we do expect a certain level of essential honesty.
What it taught me was forgiveness. It taught me that when people present themselves in a certain way, there's probably some back story or issue or reason for the way that they are. It's not you. It's them. And a lot of times, its about something that's completely out of their control
People have said to me for a long time, "Man you're funny." I say, "Well, I'm quick," but being funny on purpose, take after take - that's why I said for me it was new territory, and so by improvising something might come out that might be good. And it's film, so they can cut it if it isn't.
I remember my mother and father arguing about light bulbs because my father thought he could save money by putting 25-watt bulbs instead of 60-watt bulbs and my mother was trying to explain to him that her children needed to learn to read so that they could go to college. He couldn't see that.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
The greatest lesson I've learned in life is "Who knows what's good or bad?" Things come along that you really want, and they turn out to be the worst thing in the world. And some of the worst tragedies that you can conceive turn out to be the best things, the exact medicine you need in that moment.
Taking the money from drug operations and all that sort of stuff is something that goes past what most of us in society would expect a policeman should do. That temptation hits the police force at the same time as the temptation to take those drugs that are readily available hits the people on the streets.
I've just directed a film called The Great Debaters, which is inspired by a true story about a young college debating team in the thirties and two of those people are still alive and we put them on tape on the film and I'm sure that will be added to the DVD, and to get the opportunity to do that is very cool.
It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!
We've all had some level of injustice, whether 20 years in prison, or 20 minutes sitting in your car waiting for a police officer to determine your future. Or even a few moments in an elevator with some woman clutching her purse thinking you're going to rob her ¾ regardless of celebrity, that has happened to me.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
Cats are too independent. They piss me off. They play when they want, and then they turn their back on you. Dogs, you throw the ball, and they bring it back, tongue hanging out, tail wagging. Cats are like "Not right now, too busy." Definitely a dog man. Except when it comes to cleaning up after them! Cats win that!
Americans love to talk about the Constitution and how it protects the rights of every citizen and promises freedom to every citizen, but it's also a country based on racism and they don't talk about that too much and every time there's a film which deals with it there's certain parts of the country that feel uncomfortable.
I don't feel pressure, because I do what I want to do. I don't feel pressure at all. I've never done any movies because I thought this was what somebody wanted me to do. I'm a bit more, for lack of a better word, selfish than that. But like I say in the movie, you do what you have to do so that you can do what you want to do.
I just do what I feel and what I like. I don't necessarily censor or feel an obligation to have a particular moral standard - I'm willing to wallow in the mud, if necessary. It appears as if there seems to be a consistency in result, but maybe that has as much to do with the roles I choose as it does with how I play them. I do what pleases me.
I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.
I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.
In marriage, if you're a guy, learn two phrases. One is "yes, dear" and the other is "honey, you're right." Be patient. Be good friends first. And stick together. You gotta work at it. It's not all a honeymoon, it's not all flowers and roses, but if you're friends and partners and committed, you'll be okay. And everybody's got advice for you - don't listen.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.
Just stick with your kids. There's no set of rules on how to be a parent. No handbook. Just hang around your kids and ask them a lot of questions. You have to stay involved in your children's lives and monitor everything they're doing whether they like it or not. You're not in the job of making them like it. You're there to protect them in a world that can be troubling.
Every day, sincerely and without phoniness, Lou demonstrated by his actions how very vital it is - more than anything else - to understand and appreciate the people who work with you...Do your job well, but always remember that the people you work with are your most valuable asset. Embrace them. Honor them. Respect them" (206) - "Prescriptions for Success" by John Schuerholz
It was never my dream to be famous. I didn't start acting to be a movie star. I started in the theater and my desire was to get better at my craft. It's still my desire. I don't consider myself a movie star, nor do I really have the desire to be one. I'm just an entertainer. An actor who works hard at his craft. Whatever labels people give me, that's not really me or part of my process.
I think that we all at some point are in search of something - a higher power, whatever you want to call it, the meaning of life. I know I was, especially at even my son's age in my 20s, and dabbling in Eastern philosophies and yoga and Buddhism and Christianity and Islam. I kind of touched them all, you know, just trying to figure out the meaning of life or if nothing else, figure myself out.
I remember my father telling me that just like Troy, he could get me in with the water department where he worked in New York. He talked about how he could get me on the job, and if I stayed 25 years, I could probably work my way up to be a supervisor and how it was a good union and all of the benefits and that I was going to make $20,000 in 50 years or whatever it was. He couldn't see that far.
Fall forward. Here's what I mean: Reggie Jackson struck out 2,600 times in his career - the most in the history of baseball. But you don't hear about the strikeouts. People remember the home runs. Fall forward. Thomas Edison conducted 1,000 failed experiments. Did you know that? I didn't either - because number 1,001 was the light bulb. Fall forward. Every failed experiment is one step closer to success.
I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.
I honestly believe, and I've said it many times, that the universal stems from the specific and I can't walk around with a performance and ask everyone how they feel about it, but if noble is an opinion that people have I'll accept that. I've been asked many times why I don't play bad guys, or heavies, and I would do it, absolutely, in a second, just haven't been offered any so... if anybody has a script out there tonight I'm more than willing.
When we shot "Cry Freedom," I wasn't even allowed in South Africa. They told me I could come but I wasn't going to leave. I had heavy death threats at that time. So we shot in Zimbabwe. In 1995, I had the privilege and the honor to meet Desmond Tutu and Nelson Mandela the same day: I had breakfast with Desmond Tutu and lunch with Nelson Mandela. Then I had the good fortune to have Mr. Mandela actually come to my house in California. There's been a tremendous amount of change.