Even the ears must dance.

I think often that God is guiding me.

Being spontaneous, it's what saved me.

I want to be free... free to develop my art.

I don't keep my secrets or my knowledge to myself.

I recently learn a new word: insatiable. That's me.

It's a hard life... but if I could, I would do it all again.

All of the very important events in my life happen by chance.

A real ballerina must fill her space with her own personality.

To look back all the time is boring. Excitement lies in tomorrow.

Dance involves physicality, it involves spirituality and even brains.

All ballet, all reading, all music. That was my world, my inner world.

You cannot dance an arabesque in 'Swan Lake' and 'Nutcracker' the same way.

I travel like a gypsy, and I didn't know how I could perform and be a mother.

Usually, English personalities are difficult; they dont take criticism easily.

Usually, English personalities are difficult; they don't take criticism easily.

It’s hard to find backbone.I never had crisis of identity. But I think many Americans have it.

Many people thought I would never succeed, because I am so Russian. So Russian, hundred percent.

What I am looking for is a masterpiece. I don't want to waste my time. I am tired of experiments.

People tell me I'm dancing better than ever. I don't know what happened, but I have new enthusiasm and more endurance.

Because my profession is the body, it is a relaxation for me to get out of physicality and concentrate on more mental things.

It's not possible to be perfect - you can always do something better. I'm never proud of what I've done. Sometimes, I'm not ashamed.

I really feel sorry for new generation. It's hard to find backbone. I never had crisis of identity. But I think many Americans have it.

I prepare myself very intensely. I am at the theatre four hours before the performance. It allows for complete concentration and preparation.

It is the body, subject to the harmony of the steps it is executing, which speaks. And it speaks to the heart in as direct a language as does music.

I was born to be a ballerina - my physique, my spirit, my feeling for music. What I am can only be expressed in dance. I am an erotic woman and that's what dance is.

The expression should come from within oneself, conveying the spiritual - something between earth and heaven. And if one runs, one should not seem to touch the ground.

Technical things are getting more mechanical. Take 'Swan Lake,' the Black Swan pas de deux. Now, my goodness, they're turning not just 32 fouettes - but double or triple pirouettes.

I am different because I have better schooling, better understanding of the line, gesture, how feet working, positions. They taught me modern things... and I wanted to give what I had: my schooling.

Dancers, many dancers today can do so much technically. You can give them steps that are complicated, then more complicated, pyrotechnical - and they can execute these steps to perfection. But to do simple steps with a pure classical line, that is truly difficult.

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