Honestly, as you can imagine, it really isn't all that fun directing yourself, running back and forth to the monitors to see if you're terrible or not.

Any time you put a cast like this in compromising circumstances or shake it up a little bit, I think we're all pretty close so we draw on real emotion.

What I'd like to do is try as many different ways of working as possible. That's what I'm looking to do - collaborate with as many different directors.

There's the concept that if I do this big budget project, then that will help me do the things I really want to do and bring more money to those films.

I don't think there's any connection between my journalism career and my film career. They are two totally different mediums and very different skills.

But we were doing plays and movies which I had nothing to do with other than being a producer, and I don't have that kind of interest or time any more.

I wish I had the ability to crack wise, generally. You know, without getting punched. There's no way I could do it while getting beaten up. Definitely.

Please don't refer to me as "channeling Mark Twain." I'm an actor. Not a channeler. That word is an iPhone shortcut. Acting is more eloquent than that.

The last president we had was the smartest guy anyone could remember and he did the dumbest thing anyone has ever seen in the White House so go figure.

When I did that first movie, it was the introduction to all the set-up time and the waiting time that's endemic in motion pictures, and the repetition.

And it's tough traveling. You know, the hotels and the airports and all that. That part, eating and getting around to the hotel room and then going on.

I can't say 'no' to an interesting role. I always tell my husband, 'That's it, I quit, I've done all I wanted,' and he's just like, 'Yeah, yeah. Sure.'

As we sit here and idly chat, there are woman, female human beings, rolling around in strange beds with strange men, and we are making money from that.

Now I meet people with full-color Wolverine tattoos on their backs. Thank God I did okay, because I think if I hadn't, they'd spit on me in the street.

Those remarkable, God-given eyes! That glorious, good-natured personality! Elijah's Frodo is a dazzling light in the doom and gloom of war and despair.

As an actor, I'm very much a company person. And this also goes through my life: I have a dread of responsibility. I like someone else to be in charge.

I increasingly see organized religion as actually my enemy. They treat me as their enemy. Not all Christians, of course. Not all Jews, not all Muslims.

Because I was big, I didn't have to listen to anyone doubting me. I was just considered good at football or whatever, there were no questions about it.

Time keeps no measure when true friends are parted, No record day by day; the sands move not for those who, loyal-hearted, friendship's firm laws obey.

You know, what 'New Girl' is doing is they're bringing in really cool people. These are home-run people who aren't your typical guest-star-type people.

I don't care who you are, the pressure is on to go to the next task immediately. What happened to the days of hanging out in the hammock all afternoon?

Perhaps people, and kids especially, are spoiled today, because all the kids today have cars, it seems. When I was young you were lucky to have a bike.

If a building has been condemned or it's left to ruin, I get so upset. I feel something really deeply about it. I don't like to see anything neglected.

It would have to be connected with performance art somehow, either in the front of the house or the back. I was myopic about this from fourth grade on.

When you see big people, they expect them to wobble or something. The whole feeling of bigger people in this country is so negative. This works for me.

My Grandmother would say, 'Make sure you look good. Make sure you speak well. Make sure you remain that Southern gentleman that I've taught you to be.'

I don't want to be obnoxious with my ambition or sound like I expect any sort of entitlement here. Hollywood is not in the business of humoring people.

I think NBC got a little reluctant to get behind single-camera shows after 'Scrubs' didn't do what they thought it was going to do following 'Friends.'

British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.

Everybody wants to make more movies. You see any movie, and it's just a feat of human strength and perseverance. It is a brutally challenging business.

Storytelling is always evolving, but if you allow people with new voices and perspectives to come in, you open audiences up to different walks of life.

The best comedians and the best rappers can make you laugh and can make you cry... I believe I've been blessed with that gift to make you do just that.

Well, I think that there is a connection between being a lawyer and a doctor and an actor. They kind of, in some ways, have the same appeal, I suppose.

George Saunders's 'Lincoln in the Bardo' is a hands-down masterpiece - the subject of Abraham Lincoln and the genius of this author is a perfect union.

It's like Scott Wolf, I never thought he looked like Tom Cruise until somebody said it and now that they've said it, I see it every time I look at him!

I was a sandwich artist at Subway and can still rattle off the order of toppings. I was fired because I got meatball sauce on the ivory cutting boards.

Any time you play a character for a long period of time, regardless of how close it is to you, it infiltrates your life. It's impossible for it not to.

I give credence to the worst things somebody writes about me, and if somebody writes something nice, I think they're wrong or false or lying or joking.

I wake up some mornings and sit and have my coffee and look out at my beautiful garden, and I go, 'Remember how good this is. Because you can lose it.'

My career has been in a weird kind of like low-flying under the radar-kind of place. I never made it on "Saturday Night Live" where all my friends did.

Out of every 10 scripts I get sent, seven are fairly generic about an American guy who gets the girl and is involved in underground espionage activity.

In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.

The offers were, like, a lot of money - maybe not for other actors, but definitely for me. But I don't want that power. I don't want $20-million power.

I think the day that I become comfortable doing interviews and going on talk shows is the day that I don't know what it is to be a human being anymore.

Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.

I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.

You can be in the public eye all the time and still have a private life, but the important thing is to keep in touch with the people who put you there.

I'm about to turn 48, and I think that the closer I get to 50, the more I might be interested in fatherhood. But honestly, I'm not grown up yet myself.

The only advice I give to acting students is, 'Be nice to your underclassmen. You never know who might be in a position to help you get a job one day.'

Turns out, Down syndrome is the most common genetic disorder, occurring once in every 800 births, and no one really knows why it happens. It just does.

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