Quotes of All Topics . Occasions . Authors
The Travel Channel had success with their 'Food Paradise' series, '10 Best Places to Pig Out' and those types of specials, so they knew there was a market for comfort food and wanted to develop a show around it.
I've never had a chance to sit down and enjoy what's happened - I've been too panicked about the next move. So I took some time out. I thought either I do this now or in 10 years' time I'll end up in the Priory.
I actually didn't really go to college. I enrolled and never showed up. Being on a college campus where we shot some of the scenes in 'The Goodwin Games'... it did make me wish that was an experience that I had.
Not to be able to move around or do things without thinking - that's tough. I may end up that way, but if I do, I hope to hell my intellect will take over, and I'll find some kind of joy and a way to contribute.
I've always thought darker characters were more fun to play. They're probably not any more complex or interesting than their good, law-abiding cousins, and I'd always tend to see things from their point of view.
I used to be a Catholic. I left because I object to conversion by concussion. If you don't agree with what they teach, you get clobbered over the head until you do. All that does is change the shape of the head.
My father was a dreamer - my hero. He was a smart, tough guy from Poland, a cutter of lady's handbags, an old socialist-unionist who always considered himself a failure. His big line was: 'Don't end up like me.'
It's true that old actors don't die, their parts get smaller. You're less likely to get the part, many parts, if you're playing people your age as opposed to people who are younger. There are fewer parts around.
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.
I remember my mom had a conversation with Sam Jackson about what she should do with our careers and what the next step should be; I was eight and my brother was nine. He said, "You need to get them on Broadway."
I don't think acting is addictive. If I stopped acting tomorrow, I really wouldn't care. If you told me that I would have to sell real estate in New York City to look after my family, that would be fine with me.
In England, there's a lot of people producing their own work and becoming producers and filmmakers, so they're not constantly waiting around. It can be very scarce for work, so it's important to create the work.
I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
So something about that touched me, obviously, when I was young and it just stayed with me. I'm always amazed by that, because my experience seems to be so much different than what I'm told, so much of the time.
Nationalism is fraught with dangers, of course, but so is the blind refusal to recognize that attachment to one's own culture, traditions, and history is a creative, normal, and healthy part of human experience.
The trick is not to get too fanatical about getting the accent too accurate because then that becomes a mask. What I try to do is just painting and sketching some of the sounds without obliterating my own voice.
I remember actually liking a girl in high school who was kind of an outcast and weird, and people made fun of her. I remember hanging out with her, but I was apprehensive about telling anyone I really liked her.
It wasn't my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.
A friend of my mom's was a casting director so, really as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.
If we are just specks of dust hit by lightning, if we have no spark of God in us, why not just take whatever we can and devil take the hindmost? I mean, we are fools not to do that if there is no right or wrong.
My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'
I throw a Christmas party at my house. It's not really a Christmas party, because I don't want to call it a Christmas party. But let's just say I put a lot of Christmas trees around the house, so it smells good.
I always wished there was somebody like the Coen Brothers and they appeared. And so yeah, my favorite role that I've ever done was in The Man Who Wasn't There. That's my very favorite character I've ever played.
A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.
I had a standup act, and I ended up turning it into something that was really watered down and accessible. Something that went from scary and threatening to something that was almost to the point of being corny.
I don't really pursue acting. I jokingly say that I retired right at the same time people stopped hiring me, but I really don't think I'm very good at it, and I'm not really interested in it anymore as an adult.
Fatherhood is the best thing I ever did. It changes your perspective. You can write a book, you can make a movie, you can paint a painting, but having kids is really the most extraordinary thing I have taken on.
It was a great mantel to be able to take on really, an amazing legacy. And you know to finally see it, because I just saw the final product yesterday as well, is really amazing to be part of something like this.
In Hitchcocks eyes the movement was dramatic, not the acting. When he wanted the audience to be moved, he moved the camera. He was a subtle human being, and he was also the best director I have ever worked with.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
We obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where it's taking us or what it means, but I know we do it. I have seen a lot of it myself.
Honestly, I like someone who is really grounded, super sweet, honest. I need them to have a sense of humor. I need them to laugh at what's funny, I need them to get jokes and be funny and be witty and sarcastic.
I wish there were people when I was young that I had a respect for and looked up to that I could have been guided by. I didn't have that, and I really do wish I did because I think I would've learned a lot more.
You're out there on a high wire without a net, and that's the way actors operate. They have to be fearless about how they work and they have to create a life for the audience in 90 minutes and make them believe.
A lot of people will say, "Oh, I got into acting because I wanted to explore my craft." They're a bunch of liars, unless they're Sean Penn, DeNiro or my dad. For the rest of us it was all about chicks and money.
There's no such thing as a good gun. There's no such thing as a bad gun. A gun in the hands of a bad man is a very dangerous thing. A gun in the hands of a good person is no danger to anyone except the bad guys.
When my fans and actors like Rajinikanth and Amitabh garu wished that I do films once again, I thought I should do. I had some skepticism in me, initially. But looking at the encouragement, I grew in confidence.
I think that all the talented filmmakers sort of share, I think, a sense of allowing magic to happen; of creating a stable and secure environment for performers to feel they can push to the end of their ability.
In a pinch, when my leather shoes need a quick shine, I take the inside of a banana peel and rub it on the leather like I would a shoe wax. Then I spit-shine it and buff it with a cloth, and my shoes look great.
Child abuse is one of those issues that's very difficult to talk about because it's surrounded by guilt and shame and so on, but us avoiding that issue doesn't help those kids in need out there who need support.
At home in Victoria, we have three dogs, Tosh and Lucy, they're half Blue Heelers, and then there's Torrin a little Maltese terrier. She gets more attention in the house than anyone else! Yes, I miss them a lot.
I'm definitely the most tech-savvy in my family. My wife wouldn't have a clue, as far as getting the computer working. All of my kids, it's amazing. Like everybody's kids, they're more savvy than I am, probably.
I'm always calculating what I want to do, who I want to be, what I want to accomplish. I don't need to worry about that - that's always there on a slow simmer. The muscle I have to work on is being more present.
I surprised myself with my ability to run. It's kind of like tippy toe running. I would not be able to outrun Indominus Rex, but with enough practice I might be able to make it 40 or 50 feet before I was killed.
It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.
I think that - apart from the fields of science and medicine - we live in an age of decline. Look at the world. There is decline in morals, ideals, manners, respect, truthfulness: just about everything, in fact.
De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.
I don't think I'd be a good director because people would ask me, you know, "What is it? What's going on here? Where should I put the camera?" Or, "What's my motivation?" And I would say, "Do whatever you want!"
I've never seen a movie director who was happier to be directing a movie than Dave [Mamet]. His sets, everyone who's ever been involved with one of them will tell you of the funnest, funniest sets you can be on.
Michael Moore and I actually have a lot in common. We both appreciate living in a country where there's free expression. But Michael, if you ever show up at my front door with a camera, I'll kill you. I mean it.