Quotes of All Topics . Occasions . Authors
You may look at the people who sell the pages of the tabloids, and they're more famous for their personal exploits. I know all about these people, but when was the last time I saw something they've done or bought an album?
I don't get much sauciness, I'm too old for saucy now, but back in the day I think there were a few marriage proposals. And I do use the fact women approach me as a chance to chat them up. They never seem to mind too much.
I've seen people with a tremendous amount of educational background in the field not turn out to be terribly good actors, and I've seen people with no education in the field turn out to be people that I admire quite a bit.
Some of the craziest people I know, some of the coolest guys I know who party and go crazy and play rock shows and have tons of tattoos, they will still go to church on Sunday and do their best to live that kind of a life.
Sometimes you read five, six, seven times for a role, and you meet new people every time, and you just keep climbing that ladder, and then it never goes anywhere. And then sometimes you just read once, and then you get it!
I don't gravitate toward any particular genre. I like to do things that interest me, regardless of genre. I've had a blast doing Cosmos, and I'm said that it's coming to an end. I would like to do something else like that.
If people perceive you as a good actor then they'll wish for you to be a good actor and they'll root for you when they watch you, but if you come out and you're going to clubs every night people don't root for you anymore.
There's a way to do an acid trip like Harold & Kumar, and there's a way to be on acid. What I know of acting, Sean Penn actually strapped up to that electric chair in Dead Man Walking. These are the guys that I look up to.
What I've realized is that when I walk into a club, I don't feel good, I feel uncomfortable. I wonder what to do, I look for my drink... it's not necessarily an enjoyable experience, so why would I put myself through that?
What I've realised is that when I walk into a club, I don't feel good, I feel uncomfortable. I wonder what to do, I look for my drink... it's not necessarily an enjoyable experience, so why would I put myself through that?
Infinity is a way to describe the incomprehensible to the human mind. In a way it notates a mystery. That kind of mystery exists in relationships. A lifetime is not enough to know someone else. It provides a brief glimpse.
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
The good thing about Twitter is that there's not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them. It's really fun in that way.
I like vocabulary and I actually read a book called 'Word Freak,' which is about a guy who basically went into competitive Scrabble for a year. But having a big vocabulary and being good at Scrabble are not the same thing.
But I loved the script to 7th Heaven and couldn't say no. It made me laugh and cry, and I was hooked. I'd love to know who turned it down, because I'm sure at least one other actor did. But I'm glad he did, whoever it was.
I've always been curious about why one man jumps out of a foxhole with a grenade and charges a machine gun nest, and his buddy next to him sits there cowering. And my feeling is that the difference is tiny between the two.
I don't even know if I have kind of a personal, like a take or a mental manual of how I'm raising kids. It's really - I think with everybody, it's just day-to-day and you just try to deal with every situation as they come.
I was in love with this character of Ray Krebbs. I wanted the part badly. I had done several Western films in my career at that point and there wasn't much opportunity then to play Western roles on television at that time.
There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.
I try not to question the choices of the production. They've done such a good job up until now that I'm sure they have the right plan in place. And to be quite honest, we don't even know exactly when it will be coming out.
When you do a normal film, you play the character for three months and you say goodbye to him. And then, when you watch the movie, you say, "I wish I could have done that differently. I wish I could have added this to it."
Years ago, we all talked about recycling and not dumping things down your drain and all of that, but talking doesn't help much. Basically, it's going to have to be legislation because the impact is so huge and diversified.
I'll never forget my worst business decision. I bought a Nissan Pathfinder with my first signing bonus. I didn't even have a place to live, but I bought a car. Not a smart move but, believe me, I learned from that mistake.
When I was in the NFL, whenever I got cut from a team I would do paintings of the players, they would pay me $4,000 to $5,000 to do their painting of their family, and that's how I survived until another team picked me up.
I have two concerns with my work: having good things to act, and getting paid. In that order. Although if you're not getting paid well, that order can change. But that's what I'm concerned about. Good scenes. Decent money.
New York police force seems like unlike any other in America and even the world. There's a very specific culture dynamic, a specific chemistry. There's almost a specific set of rules because of the city and the size of it.
While we all could agree that the Zionist ideal is alive and well, there is serious doubt whether the Zionist movement can be said to be an ongoing proposition, fragmented as its components are in ideology and in practice.
I like living at home: I've been making films since I was 12, when I played Sam in 'Love Actually', and if you spend as much time away on set as I have done, you get your independence young, so it's nice to come back home.
I need to be spontaneous sometimes. Sometimes I find that the little detail or nuance that you add to it that's based on what's happening at the time that's not very rehearsed often ends up feeling like the funniest thing.
I've had lots of parts in movies that I've never seen. I mean no disrespect to them. It was really fun to go act, but I'm not calling my friends and saying, 'I couldn't be more proud of this picture. You should go see it.'
You only have to look at Manchester's Royal Exchange or Home to understand the huge energy outside London - there's enough talent around the country to have a Donmar and National in every city. It just comes down to money.
The moment for me, thinking I might actually want to do comedy professionally, was when I did public speaking at school. I found out I was good at getting up in front of class. In the fifth grade, I did a speech on comedy.
The Long Red Road is a story about alcoholism and dysfunction and tragic tale of a man who's trying to drink himself to death on an Indian reservation in Dakota. It was written for me, so it's something I would love to do.
In our increasingly secular society, with so many disparate gods and different faiths, superhero films present a unique canvas upon which our shared hopes, dreams and apocalyptic nightmares can be projected and played out.
Very early on, when I started doing these plays and live shows, I would travel from city to city, and there were a million shows out there... so I wanted to step out among it, and I started putting my name above the title.
I have no time for real horses, so I have a plastic horse. Large size. Called Max Von Sydow. For photographs it looks real. If I do a photo shoot and it stands in the background, you think it's a horse. A horse is a horse.
I'm a traditionalist with suits. It doesn't need extra pockets, and I don't want headphone jacks in my jacket. I appreciate designers who do different things, but for me, the most basic version of that item is what I want.
They are having quite an argument over Treasury Secretary Mellon's Tax Bill. Mr. Mellon wants to cut the surtax on the rich, and leave it as is on the poor, as there is more poor than rich. I suppose the majority will win.
The only way to solve the traffic problems of the country is to pass a law that only paid-for cars are allowed to use the highways. That would make traffic so scarce, we could use our boulevards for children's playgrounds.
Can I say something? Um, I'm the type of person that if you ask me a question and I don't know the answer, I'm gonna tell you that I don't know. But I bet you what, I know how to find the answer and I will find the answer.
I believe that my connection, to my higher power, is separate from everybody’s. I don’t believe that the Muslims have all the answers. I don’t believe the Christians have all the answer, or the Jews have all the answers...
My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.
Success is different for everyone; everybody defines it in their own way, and that's part of what we do in 'Close Up', finding what it was each person wanted to achieve and what their willingness to sacrifice for that was.
I like to think of myself as the Chris Benoit of the movie industry, capable of taking any picture and carrying it to box-office success. Take Garden State, without me that would have just been two hours of Portman doging.
My job as an actor has inspired generations of children to become doctors. My job as a writer has opened up the minds of millions. My job as a director has produced masterpieces that will be taught in film school for ages.
There was no other concern; there was no other focus [in the Governor's School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I'd say that was a big pivotal moment for me.
Depending on what my job requirement is, my techniques change. If something is incredibly difficult to connect to, and painful, then I have to do a lot of work to connect to that and not joke around or lose sight of my job.
I wanted to study painting and become a painter, but I had a huge flip-over in my life when I was about 18 or 19. I was part of a criminal environment; I got arrested and convicted, and I had to start thinking in a new way.
I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.
I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.