I think the only consistent thing is that I like projects that explore different social themes. 'Our Family Wedding' is a comedy, but it deals with two different cultures coming together. It's also about people letting go.

I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.

My mother never threw anything out. If there was a sliver of a tomato, it was in the refridge. I would come in with my friends, and Mom would say, 'Want something to eat?' In 20 minutes, there was four, five dishes to eat.

On 3 things in his bucket list: On my bucket list... Uhm, the question is totally catching me by surprise. Some more travel, spending quality time with my family and just getting the most I can out of my wife and daughter.

I said something really stupid once. I told a friend that my mother was so beautiful, but my dad was ugly. My dad heard it and just laughed it off, but I felt guilty. It haunted me for years. I should never have said that.

And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.

I used to work out in the gym a lot when I was younger. I was a competition body builder when I was 16 or something crazy like that for a short period of time. So, the gym is quite familiar and I know what I'm doing there.

Everything's a conspiracy and everything's not a conspiracy. You could look at this planet and go, "This is all a conspiracy. God made this to test us to see if we'll use the nukes." You can let your mind believe anything.

I've never seen a Western that was really truthful. Most are just morality plays. Good guys and bad guys - and the good guys always win, whereas in reality most of the sheriffs were as bad as the gangsters they were after.

I'm big into Eastern concepts. The horror of life, the love of children, the whole phantasmagoria - it's all meaningless. Be still, and see what happens. All of life unfolds perfectly. You have to get beyond consciousness.

Painters hate having to explain what their work is about. They always say, 'It's whatever you want it to be' - because I think that's their intention, to connect with each person's subconscious, and not to try and dictate.

There's no one actor in particular that I want to model my career after, except for the people who have been able to keep their career varied and who choose things that interest them. That opportunity is all I really want.

If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.

Monetary success is not success. Career success is not success. Life, someone that loves you, giving to others, doing something that makes you feel complete and full. That is success. And it isn't dependent on anyone else.

Taking in and blowing out smoke? And now you see girls smoking cigars. It got to be such a fad. Girls on the covers of magazines, smoking cigars. Give me a break. I didn't want to be a part of that. I don't like 'popular.'

I just wanted to perform. I just wanted to perform in whatever capacity, whether it was acting, singing, dancing, comedy - whatever it was, I just loved it and felt at my absolute happiest when I was performing for people.

I've never been "celeb-y" actor. You know, you don't catch me falling out of nightclubs at three o'clock in the morning. Well, very rarely! But I find it all a bit baffling, the whole celeb thing and I don't really get it.

Only you know what you're trying to accomplish. Any time you're thinking about whether someone's going to like this or not like this, you're f**ked. You've made the decision based in fear. Fear is the cancer to creativity.

I played cops and robbers and pirates and all the rest when I was a kid, but I didn't want to grow up and be an actor and play cops and robbers and pirates. I wanted to grow up and be that, be cops and robbers and pirates.

I wanted to be a part of the first 'Twilight' movie, and unfortunately, it didn't work out so great. So when they came back and were like, 'Do you want to come in for a part for the second movie,' I was like, 'Absolutely.'

As far as getting work, no one thought I spoke English. It was absolutely ridiculous. I'd show up at a meeting and they'd be like, 'Oh my God, you speak English! That's so cool.' They didn't really know what to do with me.

You get to a certain age, and you feel like you know who you are, and how you fit into the world, and how the world sort of perceives you. And you get pretty set in that. And then things can happen that can turn it upside.

But in film you always watch situations or stories that you really have no relation to. A lot of times just because there's no personal connection doesn't mean you can't connect with the film or the characters in the film.

My photography is mainly focused on my work making movies, which I've done my whole life. I think I have a perspective that not many people have. And I get to take advantage of all of the strange sources of light on a set.

I only know from my own personal experience, and I personally feel that there's a cyclical nature to things, so you don't want to start making generalizations about how bad things have become in comparison to the old days.

One of the wonderful things about this glorious holiday trip I'm on is that I'm in public with people. It hasn't been inclined... I don't know - something to do with the death of my wife. It's inclined to make me isolated.

I love being part of a group who tells stories, whether it be in the theater or in cinema, and I love creating imaginary worlds rather as children do, but I never had a burning desire to act, but it just sort of suited me.

Americans enjoy uniformity in a way that the British don't; they wanted everybody of a sort of nice chorus line height and here I was, this person who was a good three inches taller than anyone else on the end of the line.

I do music because I can just pick up my guitar and sing, and completely satisfy, instant gratification. I don't need a script, I don't people, I don't need anything, cameras, I just have myself and my guitar, or keyboard.

When you are in a live-action movie, you have so many more options to express yourself. You can use your body and your gestures and facial expressions. When you are doing an animated movie, you really only have your voice.

I wanted to be an actor because I wanted to be onstage. I wanted to do musical theater, and from that I realized I was interested in plays. I never imagined myself on television. I was so lucky to be onstage my whole life.

(Wil Wheaton) was so fun to have on the set, and he was such a good guy, just in general. He seemed to be completely okay with the fact that his entire name became a mantra of vengeful hate. That didn't seem to bother him.

For minority actors, developing our own projects has to be the eventual path. We have a lot of stories to tell and a really unique voice. But none of that is going to be heard as long as we're just the hired hands, acting.

I haven't watched 'Mad TV' a lot, but I have seen some stuff on there that is truly funny. You have to have some sort of attitude toward the subject, and they seem to have it. It depends on how much blood you want to draw.

I come from classical theater training and when I went to college it was a bunch of kids that were hand-picked from around the world. I was around such brilliant young minds and incredible artists with incredible teachers.

When you're dealing with younger people, if you start acting like the leader or the expert or the elder statesman, 'well, let me tell you how this is...,' that's a great way to alienate young people and make them hate you.

Acting is a win-win situation. There is no risk involved. That's why I get tired of hearing actors who try to make out that there's a downside to it. Fame is an odd thing. It bugs you a little bit, but it's really not bad.

I've never done a [Berthold] Brecht. In the 1960s when the Berliner Ensemble came over [to England] with Helene Weigel [Brecht's second wife], I saw all the Berlin actors. It was an amazing time, very exciting early 1960s.

I know I'm guilty of and I think a lot of people are guilty of sort of getting starry-eyed with love and sort of looking over the bad things and keep going and you don't really prepare for how much work marriage really is.

When you do a really good play, the audience and the performers are looking into the same looking glass, the same microscope. And the specimen they are looking at is human life and that's why I do it, that's why I like it.

I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.

When I looked further into my mother's history, I realised that her anxieties and her neuroses could be accounted for by facts from a very early age. Her parents, William Henry Jones and Sarah Emily, were desperately poor.

There are necessary evils. Money is an important thing in terms of representing freedom in our world. And now I have a daughter to think about. It's really the first time I've thought about the future and what it could be.

As a teenager I was so insecure. I was the type of guy that never fitted in because he never dared to choose. I was convinced I had absolutely no talent at all. For nothing. And that thought took away all my ambition, too.

My grandfather used to write one sentence every day in his journal: 'I love Anne more than ever today.' I think that was his meditation - keeping him in his marriage, and also his appreciation for it. It was very touching.

My brother is the lifelong musician, he made the choice to do that when we were very, very young kids. I remember him playing in bands and listening to the music he was writing in the house - he's nine years older than me.

My brother is the lifelong musician; he made the choice to do that when we were very, very young kids. I remember him playing in bands and listening to the music he was writing in the house - he's nine years older than me.

Any time you do an Adam Sandler film, it's kind of like a boys' club, because you're hanging out and there are guitars around, and basketballs and footballs and electric bikes and scooters and different people dropping by.

I've had bad experiences on red carpets where people didn't know who I was and were like, 'Get out of the way!' It's so embarrassing to have someone scream at you like you're not worth anything when you were invited there.

I was focused on either being a social worker or physiotherapist. That was the direction I was going until I met a girl who wanted to be an actress, and I wanted to be close to the girl, so I followed her into an audition.

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