Quotes of All Topics . Occasions . Authors
There's got to be something you want to tell and that's the engine which spurs all of the work you have to do in order to create the story, but you have to love some sort of nugget of what you're telling to be a filmmaker.
I admit, I do a lot of projects, but it's because I'm in a position now where I'm reading a lot more scripts and plays and things, and I'm really listening to offers and trying to think what I want to do at any given time.
It used to be that people would watch TV shows because they knew the characters would stay the same. Whether it's Archie Bunker or it's Thomas Magnum you watch it because it's like, 'I'm comfortable, this is the same guy.'
My father got a phone call to bring me in to meet with Spielberg for 'E.T.,' partially because they knew I was a physical kid, and I was known in the business somewhat as a stunt kid, and I could do all the bicycle riding.
Directing is: you're overwhelmed the whole time. Your mind never stops. If you care about it. You wake up in the morning and you begin thinking about it and then you go to sleep at night and you're still thinking about it.
Think of the difference between a team sport and one that you do by yourself. Like it or not, if you're by yourself, you're going to be faced with a lot more of your own doubts and your own drawbacks and your own whatever.
I see caring for somebody as a creative outlet. I like drawing little faces and writing little stories and hiding them in places. I don't think it's that hard to be thoughtful, especially when you do care about the person.
The biggest challenge is probably some of the physicality. Some stuff you would never want to experience, in real life, but it's still such an adventure that it's worth all the scrapes and bruises and mud between the toes.
I do not have much patience with a thing of beauty that must be explained to be understood. If it does need additional interpretation by someone other than the creator, then I question whether it has fulfilled its purpose.
I think the desire to be with someone beautiful...I just had such a different experience growing up. To be in a position where you're lauded for things that you don't own - and don't think of yourself as - it's so bizarre.
To go to the Oscars for Moneyball - that was pretty amazing. And to be able to go work with Kathryn Bigelow - that's going to be pretty sweet. Hopefully I don't have to go back to being a waiter. That's still my main goal.
Kane is a band I formed with my best friend Steve Carlson. We just got together and started playing guitar. He was playing some old school rock and roll, and we got together and thought, 'Hey, let's take this on the road.'
Making films has never just been a job to me, it is my life. I have some interests outside of acting - I sing and I've written books, for instance - but acting is what keeps me going, it's what I do, it gives life purpose.
When the Second World War finished, I was 23, and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. So seeing horror depicted on film doesn't affect me much.
Making films has never just been a job to me; it is my life. I have some interests outside of acting - I sing and I've written books, for instance - but acting is what keeps me going: it's what I do; it gives life purpose.
On the wall of his rehabilitation room was a picture of the space shuttle blasting off, autographed by every astronaut now at NASA. On top of the picture it says, "We found nothing is impossible." That should be our motto.
If I show somebody something that I've written and they say, "Eh...alright," I just put it away and I never show it to anyone again. But I know people who won't take no for an answer, and eventually someone pays attention.
You definitely do not do films for that particular reason. You do them for yourself, for your satisfaction of creating this thing with characters and watching these characters take on real life - that's all you care about.
In America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience.
I'm always very aware of the physical challenges of work. I train much more than I did when I was in my twenties, and I've done some very physical films, and I always get properly prepared for them and get as fit as I can.
I want people to learn from me, see I'm human, and understand that I make mistakes just like they do, but it doesn't have to consume you. You've got to walk through the raindrops, and that's totally what I am trying to do.
Coming from having absolutely nothing to having a few grand in the bank, it was a big culture leap. I think that's why I went off the rails a bit really, 'cause there was no training for it. They didn't do fame in schools.
What happened to society? I go into business, I don't make it, I go bankrupt. I've been on food stamps and welfare, did anybody help me out? No. No. They gave me hope, they gave me encouragement, and they gave me a vision.
If you skate with an Olympic level skater, they make you so much better because you're skating behind them, and you're trying to imitate their stride and their stance. It's like having the world's greatest training wheels.
I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.
I like to believe that most human beings go about things with a point of view that they're just doing what they feel like they need to do at that time. Sometimes people make bad decisions, but it's not evil, not malicious.
Yes, we are our fathers' sons and daughters, but we are not their choices. For despite their absences we are still here. Still alive, still breathing, with the power to change this world, one little boy and girl at a time.
I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way on the details that are not at all at the centre of the work.
When you're seventeen to early twenties, that's the time you're trying to work out who you are. If you're trying to make some kind of artistic or creative impact, that's the age when you start to figure out how to do that.
My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.
I am the youngest of four children - three boys and one girl. I don't think becoming an actor had anything to do with seeking attention, though. My relationship with my siblings when I was growing up was close and playful.
I've been acting for 27 years, and anonymity has always been a part of what I do. Of course you get recognised every now and again, but 'Homeland' pushed me into a completely different strata, and that took me by surprise.
There's nothing I could say that would make it so anyone is disappointed when they see it. In other words, I can trumpet it all I want, but it's just that good. It's a really layered film [Sausage Party], strangely enough.
I've been lucky enough to win an Oscar, write a best-seller - my other dream would be to have a painting in the Louvre. The only way that's going to happen is if I paint a dirty one on the wall of the gentlemen's lavatory.
It's like a piece of music; you never lose sight of the theme. Each scene pushes off to the next like music builds and you can almost hear the next chord progression, so it has a strict structure, which is very compelling.
I remember a conversation with my parents about who the people on the TV were, and learning they were actors and they acted out this story and just thinking that was the most fantastic notion, and that's what I want to do.
Always believe in yourself and keep going. You don't have to have the most talent in the world. You don't have to be the smartest person in the world. If you persist and you persist and you persist, you will be successful.
I think it's very interesting how an American network chooses to tell this story. We don't name one country the good guy and the other country the bad guy. We talk about this co-responsibility that we share, in everything.
Good actors, especially when they know their character, will come in and either tell you in advance that they have an idea, or in the middle of the rehearsal or the scene they'll let it loose and you go, "Ah that's great."
Good actors, especially when they know their character, will come in and either tell you in advance that they have an idea, or in the middle of the rehearsal or the scene they'll let it loose and you go, 'Ah that's great.'
It's often difficult to slough off all that we've acquired, all the comforts and safety nets modern life provides for us, and realize that in those days, people were living very much on the edge - life was incredibly hard!
I try to gauge whether a girl likes me before I make a move. I would write a page-long note to a girl. If she wrote a whole page back, I knew she liked me, too. If she wrote back like two words, then I figured I'd move on.
I was seeing everything through pain. I would roll out of bed and do my exercises. I had to do that to work out the remainder of the pain pills. I would drink coffee and go to the set and plunge myself so far into my work.
When I was a teenager, I went on an organised three-day tour of Rome. It was the worst experience ever. I promised myself that I would never travel like that again, with someone telling you what to see and what not to see.
In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.
'The Price Is Right,' it was an honor to be offered it because it's such an American institution. To be able to carry on this tradition with a show that has been on for so long, I thought it was a great opportunity for me.
You know how we built the pyramids? You gotta ask yourself a question always flip the script. What if up was down and down was up? What if you looked down into space standing up on Earth? This is how we built the pyramids.
There has been a great proliferation of lawyers in the pat 20 years, just as there has been a proliferation of computers. But unlike computers, lawyers do not get twice as intelligent and half as expensive every two years.
There is a part of me that still wants to go out and grab a backpack and unplug - not take a cellphone or even a camera and just get out there and experience the world and travel. I have yet to do that, but someday I hope.
Literally, if someone says I am grounded, everyday I am at home, I actually have my hands in the ground and dirt under my fingernails. I don't have a staff to do it all for me. I still plant a seed and I'm amazed it grows.