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I do weights a few times a week. Not a lot of heavy weights. I do it just to keep my muscle toned. With the martial arts, I am doing pretty basic stuff. I do some sparring. If I get a chance, I will go swimming or running in-between. I keep in pretty good shape between films.
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
My mum lives in Boston; she's famous for teaching wushu and t'ai chi. So from when I was young, my mum and aunt were like: 'You're training; you're not playing baseball or football.' Training every day was normal. Later, when I was almost a teenager, Bruce Lee became my idol.
When I think about directing a film, the thing that stops me short is wondering if I'm a natural at it the way I think you, and PTA, and Fincher are born directors. Maybe some people's talent is in understanding the ways that film communicates, without dialogue, without plot.
Most people, if you live in a big city, you see some form of schizophrenia every day, and it’s always in the form of someone homeless. “Look at that guy - he’s crazy. He looks dangerous.” Well, he’s on the streets because of mental illness. He probably had a job and a home...
I think because the show ["Grant MacLaren"] is essentially a hopeful show. The show says that as bleak as the future is, the one thing that mankind developed was the ability to send their consciousness back and where a lot of the institutions of modern life have fallen apart.
I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.'
We have the history of slavery or inequality to women, and now the civil rights movement of the 21st century is the struggle for equality for the gays, lesbians, bisexuals and transgender people. And I think it's important for Americans to know about the times that we failed.
You learn more about a person from the people around that person than you do from the person themselves. We all have our own ideas of who we are that may or may not be justified, and you can really find out a heck of a lot more accurately from the people around an individual.
With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.
I just find the evangelical church too, well, restrictive. But the School of Practical Philosophy is non-confrontational. We believe there are many forms of scripture. What is true is true and will never change, whether it's in the Bible or in Shakespeare. It's about oneness.
I never went to drama school, I don't have any certificates saying: 'He's a qualified actor.' But I did think that House was something I didn't have to apologise for. It was something I was really proud of and it was sort of ... whether you liked it or not, it was undeniable.
Everything is not black-and-white . I'm really interested in the gray area - not justifying it, not glorifying it, not condoning it, but at least having people see there's a genesis for every event in our lives. There's some divine order to it, whether it's ugly or beautiful.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
I did not give Angie a French kiss. It was something simple and lovely. She was about to go off to Mexico to finish filming 'Original Sin' with Antonio Banderas. I congratulated her on the Oscar win and gave her a quick kiss on the lips. It was snapped and became a big thing.
If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.
Of course, on a job, you have a shared common interest in the fact that you're there making a movie or making a TV show, and that creates unification within a group. There has to be something more than just the work for that to continue on, for that friendship to continue on.
Being home schooled is awesome because you can make your own schedule, so as far as time management, it's up to you how much you get done and when you get it done. It's all got to get done; how you do it is up to you. You need a lot of self-discipline, but luckily, I have it.
People always like to have a good time and laugh, and, [among] the vast majority of the seven billion people on this earth, one thing that we all have in common is at some point we all need to pair up and find some sort of significant other, some sort of romantic counterpart.
I'm from Chicago. And I was an actor in high school and college, and I wanted to see if I could make a run of it in this job. So, I went downtown in Chicago, and I went up on a stand-up stage and did an open mic. It went well, so I'm like, 'Alright, I'll give it another try.'
[George Carlin] was obsessive about time; he was obsessive compulsive about his material and making things shorter and more perfect. He did an HBO hour every other year. It's live; you have to be off-stage at 55 minutes. It's a network; you've got to be off. And it's perfect.
I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
And whenever I'm in a situation where I'm wearing the same as 600 other people and doing the same thing as 600 other people, looking back, I always found ways to make myself different, whether it be having a red lining inside of my jacket, having red shoes, it hasn't changed.
All the great novels, all the great films, all the great dramas are fictions that actually tell us the truth about us or about human nature or about human situations without being tied into the minutia of documentary events. Otherwise we might as well just make documentaries.
But there is a process that happens when you're making something, be it a musical or a new play. That process takes time, and mistakes will be made along the way, and you will go down and hit dead ends. But it is so public now. Any yahoo with a computer can start a firestorm.
My dad was a really funny, really talented guy who had a great success in a limited audience. But from him, I learned that he always felt the audience was entitled to 150 per cent. If he was performing at an event, he'd keep playing until the last person had finished dancing.
There are a lot of wrong reasons to do a remake, but there are some good ones... I think it's human nature, in many ways, to retell our favorite stories. We do it in the theater, all the time. I've seen four different 'Hamlets,' and every one has given me something different.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
By the very nature of being a clergyman's son, people tend to put you slightly apart, which is - you tend to live a life, at some stages, as being - people being suspicious of you and puts you rather on a - I don't mean lonely, particularly. But it does tend to put you apart.
I love Chicago, but in a lot of ways it's a disappointment. You can work there for years and years, and because you're in Chicago, you don't get the recognition. It has some of the best theater in the country, but when they shoot a movie there, they bring in all their actors.
My father was a country music singer and a motion picture actor, Tex Ritter, and I sort of had a normal upbringing, except dad would come down in full regalia with the boots and the guns and the hats, and the horse would eat with us. But other than that, it was pretty normal.
I remember opening my dad's closet and there were, like, 40 suits, every color of the rainbow, plaid and winter and summer. He had two jewelry boxes full of watches and lighters and cuff links. And just... he was that guy. He was probably unfulfilled in his life in many ways.
The term 'popular culture' always used to mean what the people do - pop songs, folk songs, music in general used to live because people would sing these songs and tell these stories together. Then all of these new technologies came out and it became the work of professionals.
I had a kind of romantic notion about being a Hollywood Errol Flynn type. Honestly, I did not get into a lot of bar brawls - but I was always willing to. About the only thing missing from my story is that I haven't had a full knock-down fight in the middle of the Polo Lounge.
'Frasier' works because we stay focused on the idea that - how he continues to grow. It is not that you are really - the mission is not to try to keep him fresh; the idea is if you naturally put a character in a situation that demands growth of him, then he will remain fresh.
I think one of the first things to go as people's lives start to go down is their dreams. Dreams should be the last thing to go - dreams are the things you go down with. If you're left clinging to a piece of driftwood in the middle of the ocean, I'd put on it the word dreams.
I feel like I have a job to do, like I constantly have to reinvent myself. The more I up the ante for myself, the better it is in the long run. I try to interact with my fans as much as possible. It's good that the person I'm being onstage isn't really an act. It's really me.
I'm sure I've lost a few jobs because I'm a Christian. That's irrelevant. I can honestly say that of everything I have, of everything I've experienced, nothing compares to the joy of knowing Christ. Because I've been given a glimpse of Heaven and it outshines all of the rest.
I stay subjective because that's what I do. That's one of my abilities. I don't need to watch it because I've had the adventure. I don't do low-budget acting. I do the same acting, whether I'm in a Jim Cameron or not. I always try to do good work. There's no snobbery in there
There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
During 'Chicago Hope,' I never let directors talk to me, because I was so spoiled. I started off with people like Milos Forman, Sidney Lumet, James Lapine, unbelievably gifted people. So there I was, saying, 'Don't talk to me, I don't want your opinion.' I behaved abominably.
The only other job that I've ever had that provided that time in the morning, where you're going to work and you can't wait to get there, and the sun's rising, and you are moving towards something you look forward to, was getting up and doing every day, was being a carpenter.
Graduates, I'm asking each of you, at some point, to act up, be misbehaved. Buck the system. Fight for what you believe in. This is the time to do it. You're the ones to do it. Your world, is like no other generation, you actually get to create the world that you can imagine.
Shakespeare was the main thing I did in my life from the age of 16 when I first played 'Hamlet' at school. I then did summer stock the next summer and then went to RADA and joined the RSC and ran my own company and then worked at the Globe. That was about 30 years of my life.
On the surface, you think you wouldn't have to think at all about being asked to play Bilbo in 'The Hobbit.' It's not prison; it's a good gig. But you know it's going to take a long time, and it does. There are times when you thought: 'Gee, I've not seen my house for months.'
What we try to say is that it doesn't matter if you are a Republican or a Democrat or conservative or independent. You are equally responsible for your place in the culture, and you must make a contribution, and you must accept responsibility for what goes down on your watch.
I would say that there's definitely some advantages with me being able to talk shop with some of the effects people. Because I come from a post-production world, I can speak shorthand with them. I don't think many other actors can say that and know how the process 100% works.
I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I’m for anything life-affirmative. I’m for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who’s different.
I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I'm for anything life-affirmative. I'm for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who's different.
When something that occupies a giant space in your life comes to an end, then you have to go through a mourning period. I loved 'The Shield.' It was one of the hardest and one of the greatest experiences of my life. But having said that, I'm always thinking about what's next.