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One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.
I have some realistic humility which comes from my first career as a writer. I wrote for other people for ten years. I saw some incredible egos not based on any reality. They were great when they were on top and awful when they weren't. I learned a lot about how to treat people.
I'm a restless person. I get bored very quickly, particularly with myself. I've used acting as an escape and a way to channel my nervous energy. So I've always looked to find a role that's as different from the one before it. I need change and variety or start to feel depressed.
There's something I love about how stark the contrast is between January and June in Sweden. In a way, I feel that time doesn't exist in LA. Sometimes I don't know if it's February or April or October, because you're always sitting outside on the same patio, and it's 70 degrees.
People do come up to me quite a lot. I get called all of it. I rarely get called my name; it's usually "Hey, Dr. Edwards!" or "Algernon." The most common thing is, "You're the black doctor on that show!" I'll take any of it, because I've definitely been called much worse things.
I've enjoyed appearing in Atlantic City. East Coast audiences are a bit brighter than Las Vegas audiences. I think most entertainers will tell you the same thing. The East Coast audiences are more perceptive - especially when it comes to a performer with a theatrical background.
If Facebook gets your entire social graph, you don't necessarily want to share everything with your entire social graph. You might wanna parse that social graph. So there's a company called PASS that is a private social network that I personally use for my friends and my family.
One of the things about being on Twitter, for me, is mostly about just being on the pulse of what people are interested in, what people are doing and what people are looking for. I look at entertainment projects and storytelling, and I really try to think about what people want.
There is God, and it doesn't matter who you are or what you are doing, there is God in this world, and there's a lot of love for everyone, and it doesn't matter where you are from, the important thing for me when I read The Shack script - the thing that Jesus is, he is a friend.
I had a map on my wall that had a circle around Lubbock and then giant arrows pointing toward New York City and Los Angeles. Written across both arrows were the words 'Toward Civilization.' Of course, by the time I got to New York, I realized there really isn't any civilization.
One of the things it channelled in me was that experience that I'd had of wearing a big red leather thing on my upper torso in Daredevil with a mask I couldn't see through and an outfit that completely inhibited movement, feeling humiliated and like a fool. I just recalled that.
I had a teacher, he was 86 years old and his name was Luigi in New York City, and he said, 'Never stop moving. You get to reinvent yourself.' So you have to find ways to reinventing yourself. Especially today, because it's a whole different market - social media is so important.
I don't put on a face. I'm the same guy every time you see me. I like to laugh, I like to smile, and I don't take myself too seriously. I can be a goofball. When I come home, the only thing that changes is that I take off the suit and put on tennis shorts and play with the kids.
Women are a source of energy in life. I've always wanted to be in a war or baseball movie, but the thought of having no women on set for six months - that's hell. I don't know if it's animalistic or what, but men become like peacocks with their feathers up when women are around.
I've run into people who say, 'I know what you're like: You're a Boston guy.' That's so weird. This person who doesn't know anything about me thinks they know a lot because of the city I grew up in, which, to me, is a meaningless label. There are all kinds of people from Boston.
Sometimes with certain writing, you feel like you've got to be literal, hit it hard on the nose, just to get the point across. Good writing is more subversive I think - or good scenes. They are about one thing on the page but you can make it about something completely different.
There are so many things I want to do. Like, I want to get an artist, a musician, a photographer, and a bunch of dancers that I know and just travel across Africa and just film it and just see what happens. Do and learn as much as I possibly can. Luckily, I have a lot more time.
You cannot let a fear of failure or a fear of comparison or a fear of judgment stop you from doing what’s going to make you great. You cannot succeed without this risk of failure. You cannot have a voice without the risk of criticism and you cannot love without the risk of loss.
My daughter is full energy, like my wife and I, and strong-minded and has an opinion, like we do. And my boys, one's a bit more calm and chill, and the other is much more sensitive to things. You see this right away, when they're first born. One cried, one didn't, with the boys.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
Too many young actors are strutting about and doing films without having developed some of the depth you need to bring off certain kinds of roles. I think that's the problem with the system, where a lot of younger actors who haven't had a chance to develop suddenly become stars.
Don Siegel last advice to me was 'Don't short yourself.' He said the tendency is when an actor's directing is to kind of you want to work on everybody else but you're going to short yourself. He said, take the time to do a good job with yourself so that you're satisfied with it.
I always thought what an interesting idea because almost everybody's fascinated by the perpetrator of a crime; very few people study what happens to people for the rest of their lives, and how it affects not only that particular character but other characters around him as well.
The great thing for me about 'The Resurrection of Gavin Stone' is it's a throwback to the old fashioned Hollywood movie that you can watch with your family, has a message, and is funny and entertaining. They didn't call them faith-based movies; they just called them good movies.
Although I respect the Judeo-Christian ethic, as well as the Eastern philosophies, and of course the teachings of Muhammad, I find that organized religion has corrupted those beliefs to justify countless atrocities throughout the ages. Were I to go to church, I'd be a hypocrite.
Im grateful for my health, glad Im making people laugh, glad my wife still likes me after a lotta years, grateful my daughter is growing, glad I dont take myself too seriously, glad L.A. has Astro Burger, grateful to be coming home to Harlem soon. Its a gratitude list. It works.
I also believe that you are what you have to defend, and if you're a black man that's always going to be the bar against which you are judged, whether you want to align yourself with those themes or not. You can think of yourself as a colourless person, but nobody else is gonna.
Usually people in the acting business end up both in front of and behind the camera. Working for so long in the business, I know how it works. It's not too much of a challenge; the challenge is making it all come together, being in charge of a huge team of people that you trust.
It's incredibly fun to play someone that you don't like. It exorcises your own demons in a way. It's cathartic. We all have things that we don't like about ourselves, little things. And I get to amplify those things and put them out there. It's fun and it has a cleansing effect.
It was inevitable at some point that I would bump into one of my father's plays. The reality of the situation is that I'm a jobbing actor, and any actor would give their eye-teeth to have one of those roles. It's a no-brainer! I'm pleased the stars have aligned around 'Arcadia.'
When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
My philosophy has always been to try to put myself into roles and films that are different. That intensified after 'Lord of the Rings' because it was so massive, but it's something I've always believed in - wanting to change people's perceptions and challenge myself as an actor.
My father was my trainer, my teacher. He was closer to my sister in the sense that she adored him and he adored her. He was more like my pal. Because of the 13-year gap, I think by the time I came along, it wasn't a big deal. I wasn't spoilt or cherished, I was just put to work.
When you're acting on camera, you don't really think of your voice. You think of the whole instrument - your body, your look, and whatever you have to do. But when you're doing the voiceover, you're thinking only of your voice. You really can't compare the two different mediums.
Fereydun, that's my dad's name. My grandmother, my dad's mom, when she was pregnant, she was dating a man from Persia, a Persian gentleman. It wasn't his child, but he was still very supportive and said, 'Hey, this is a great name,' and so it stuck. So that's what she named him.
In fact, [Gene Wilder] had made a hysteric seem considerably less funny in his film debut as a terrified undertaker in "Bonnie And Clyde." And neurotics soon became his stock-in-trade, whether he was playing the weird title character in "Willy Wonka And The Chocolate Factory..."
I'm the son of a newsman, I grew up around news, so I can understand the issue, which is that papers are losing subscribers and they're getting less and less outlets... it's a tricky thing. You're going to have to sell papers. The problem is, there's so little reporting anymore.
I think the American justice system has a lot more issues than the European justice system, especially the Scottish justice system. We have a really nice mix of European codified law and the traditional English system of common law, which is what the American system is based on.
I had been cut from the basketball team every year. But I was like, 'I can turn it around! Michael Jordan made it!' You see it a lot of times - you'll have an athlete that you love, and then they'll be like, 'I also want to rap,' and you're like, 'Don't do that.' I was that kid.
I apologize for my terrible interview skills. I wasn't prepared to expose stories about something so special and wonderfully private that is happening in my life. I guess a part of me wishes that I'd never have to and that maybe I could protect this special time. I was dreaming.
I never really cared much for Hollywood or movies. But the curiosity for filmmaking, and expanding myself as an actor and my curiosity for people and portraying them, just has grown. And that's from simply being involved in the industry. But it was never a goal of mine as a kid.
I was part of the first generation of girls and women to be educated and go to grammar school even if we didn't have much money. Then that generation went, 'OK, great', and went into medicine or the police, and hit this wall of discrimination from older men who hadn't caught up.
What I have noticed which I'm not nuts about that the trend that a lot of shows are hiring the American Idol type of talent without real training and real technique and I think that audiences are smart and sometimes seeing that things are not as high caliber as they were before.
I always was getting into trouble some way, because I was really good at lying when I was a kid. If I left my jacket at school for the third time and my mom was really angry at me, I would make up a lie and I would just really believe in it. This sounds a little bit sociopathic.
The balance when you're catching people up, and the craft of what we do as actors, is to try to make sure that the exposition sounds like thought and dialogue, and a plan or a problem or something that is motivationally induced, rather than just telling the audience information.
You can't find that moment when you became somebody else, because everything is in flux. So as it were, the torturous period where you are changing, you are transforming - I think that can be very hard on somebody's system. You don't necessarily realize that is what's happening.
I have the best friends in the world. I miss my friends, I miss my family but they always come out and visit me. I went to boarding school in the country so there's no real differentiation between family and friends. I went there from when I was 8 until I was 17 - it was insane.
I began acting at age eight, but if you don't stay on your game then people pass on you. Being on a show, it's a little easy to get comfortable, so I'm trying to get back on it. I'm taking some acting classes and watching movies, and I'm just trying to stay up with other actors.
About 25 years ago, my wife and I bought Kenny Loggins' house in Santa Barbara. It was way out of our price range, but we said, 'Screw it, let's go for it.' We've raised our family there. We overextended ourselves at the perfect time in our lives, and it worked out for the best.
Our friendship [ with Don Handfield] has remained all that time, and I'm godfather to his kids, but then when The Hurt Locker came around, I just knew there was a lot of opportunity that was coming in, and just couldn't really manifest any opportunities because things were busy.