The people I idolized I saw once a year on the Tony Awards. I would buy the cassette tapes of the various Broadway shows and scour the photos inside the recording package. That's how I exposed myself to the arts - New York and professional theater felt like a very distant thing.

Well, my personal mission statement is that we want marriage equality in all 50 states. We want it not to be a state-by-state issue. We don't want it to be something the majority is voting on. I don't think the civil rights of any minority should be in the hands of any majority.

I have a problem with the term 'leading man.' It's so limiting; it involves not upsetting anyone. Obviously, we have anti-heroes now, but if we're talking about the two tropes - character actor and leading man - I would so rather be a character actor. That's why I have a career.

Whereas 'Avatar' and other movies get shocks out of their three-dimensionality, 'Gatsby' is going to be about inviting the audience into this larger-than-life drama, letting them almost be inside the room rather than looking at it through the window. I think it will really work.

You're trying to grow up, and you don't want to be like your parents, and that gets mixed up with being Korean... They brought their values from Korea, and I accepted them because I didn't know anything more. But as I grow older, I feel more Korean every year; it's very strange.

I was a stage actor for 20 years or so; I was leading men in classical things. 'Shakespeare,' you know. And now, I never play leading men. I'm that kamikaze comic that comes from the left, turns the table over, and leaves, or the hyper-intelligent yuppie scumbag if it's a drama.

Things that are present - whether it's a conversation with someone who is really grounded in the moment, a movie that feels authentic, or a moment in nature where you feel nothing but the present. It motivates me to truly ground myself, breathe, and push forward. Crashing waves.

My favorite comic book growing up was 'Thor.' It was one of my three, favorite comic books. Obviously, Marvel is such a huge name, but for me, to book a role in a Marvel movie, and for it to be 'Thor.' When my manager told me I booked 'Thor,' I literally didn't know what to say.

The greatest gift an actor can have is not revealing who he is but through the parts he plays. Unfortunately, we live in a world where everyone wants to know everything all the time and I think it takes away part of the fun of acting that we have to go through that all the time.

I thought I had a pretty good American accent but I had a few sessions with a voice coach over there and she was picking up on a few things. Possibly because I've got such a strong Northern accent, I emphasise the wrong part of words so the idea is to work on my American accent.

School, I never truly got the knack of. I could never focus on things I didn't want to learn. Math is just the worst. To this day, I can't concentrate on it. People always say, 'You should have tried harder.' But actually, I cheated a lot because I could not sit and do homework.

There is this place in Nashville called Steak and Shake, which is pretty much the best food, ever. That is our secret, sexy place to go. When I look over at her when she's biting into a steak sandwich and there is some steak sauce dripping down her chin, there is nothing sexier.

My uncles used to call me 'Devil Child,' or 'Triple' for triple six. They used to tell my brother Chris that they were going to get the demons out of him because he was also a little crazy. But to me, they'd just be like, 'You're too far gone. There's no exorcising you anymore.'

I think, the first time I played Iago at the Public Theater, I realized I had a - much to my chagrin - I realized I had an instinct for these conflicted characters, for these torn characters, for these characters who could be described as evil. I wouldn't describe them that way.

The recognition thing started to happen in 2009 when 'Skins' season three had come out and we were on TV. It used to happen much more when we were in the height of our success, but I never really saw it as a chore or anything like that. It was just quite exciting - you had fans.

There are so many women who contributed in a very real way in pushing for the space program during the time in which there was a lot of competition to get into space first, and to know that there were African-American women who were integral in that success is pretty phenomenal.

My sense of religion is Einstein's sense of relativity. I don't believe in God. I believe that energy never dies. So the possibility exists that you might be breathing in some other form of Moses or Buddha or Muhammad or Bobby Kennedy or Roosevelt or Martin Luther King or Jesus.

I'd never taken a job purely for money - I felt that would kill me - but I was afraid that I was heading that way. Then, my brother passing away was the final thing that kicked me over. It reminded me that life is short, and you'd better do what you want while you have a chance.

I’ve had unsatisfying experiences, but mostly it’s about communication, which is why I make an effort to talk to the director beforehand to make sure we see eye-to-eye as creative individuals. If [good] communication isn’t present, you can lose something and end up very unhappy.

I've always wanted to do action stuff. I like it. You really want something that's special; that's got something special about it and not cheesy, I guess. I'll tell you something, it's fun, it's different. Comedy is difficult. Doing comedy is very difficult. Action stuff is fun.

The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.

It's the African-American experience. You've got to wear different masks. When you're in the hood, if you stand out, you get picked on for being weak. Sometimes you have to hide your intelligence. In front of your boys, you might put on a bit of bravado, be a little bit tougher.

I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothing, there was nothing to see.

I think that idea of alienation, for whatever reason, is still very prevalent within our society and a lot of people deal with it - most people deal with it at some point in their life unless they're sort of the golden child. I think that's something that we all need to address.

Filming in India was one big adventure. For 'The Cheetah Girls', we were in Mumbai for two weeks, then Rajasthan for six weeks. Every day after shooting, I would hop into a rickshaw and start exploring the city. I even learned a bit of Hindi. It's such an amazing place to visit.

It sounds so weird, but I'm totally pro-aging. If you look at the film industry, it's so funny how it's so much more accepted that actors begin their prime in their forties or fifties, and for women it's so different. I think it's time to change that. Aging is a beautiful thing.

I got lucky. To be frank, I was surrounded by white teachers who never did the whole, 'You're never going to amount to nothing' thing you hear about in the South. Instead, they would say, 'You're really smart. You can do this.' If I hadn't gotten that, I don't know where I'd be.

I think TV has been a little bit irresponsible in how they portray these people because homicide detectives are not brooding, tortured souls who are stained with the stink of the city and who have blood on their hands. They are real, live people that are incredibly entertaining.

My dinner spot is usually in front of the TV. I'll grill a steak and whip up a salad and watch 'Hoarders.' I love it because a) I'm kind of voyeuristic, and b) every time I see an episode, I go to the one room where all my unpacked boxes wound up, and I throw out a box of stuff.

My dinner spot is usually in front of the TV. I'll grill a steak and whip up a salad and watch 'Hoarders'. I love it because a) I'm kind of voyeuristic, and b) every time I see an episode, I go to the one room where all my unpacked boxes wound up, and I throw out a box of stuff.

Most sketch aficionados have an enormous amount of respect for 'Mr. Show.' I didn't have HBO back then, so I was always trying to find episodes. Bob Odenkirk and David Cross became celebrities, and Jay Johnston - who's lesser known, but brilliant - deserves a lot of credit, too.

I just try to keep it fresh. I try to keep it interesting. The truth is my roots are independently spirited dramas that are small, and I will always go back to that well, because that's where I broke out of. But I'm going to keep doing as many different movies as I possibly can.

I've been into Sonic Youth since junior high school. I think I kind of have ADD, so it's good music for ADD because it just throws you in different directions all the time. I really like Kim Gordon's voice and Thurston Moore's voice, and I like the guitars going off on tangents.

A lot of African wildlife is very big. If you're protecting the big stuff, you're usually protecting the small stuff, too. One of the main things we advocate for is for countries to set aside, even if it's fewer places, really big places, so that you can have viable populations.

Where there seems to be a difference between guys being nuts and women being nuts is that guys are much more open in calling each other on stuff; lots of insults and dirty names. Whereas women will talk frankly and honesty, but there also seems to be more passive aggressiveness.

As a kid, I know that most of my parents' friends were because my mom made friends with them, and my dad went along. I know a lot of dads who do that. I think it just starts to happen with guys. In the case of my father, he was probably just too busy reading books about Titanic.

We, as Americans, at least - I mean, I love my country - but we're so self-righteous sometimes, in terms of, like, our nationality, our country. But we're people from somewhere else; the true 'Americans' are the original peoples. It's funny, but we're a very territorial species.

There was a lot of expectations and pressure on the first one, because the fanbase is pretty big, when we were shooting the movie. I think the whole cast was aware of the responsibility we had to tell Stephanie's (Meyer) story, to try to get it right and take our work seriously.

For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'

I was miserable in West Side Story. They really miscast me. I came from the Midwest; what they really needed was a guy that was street smart. The first time I saw the movie, I had to walk out. I looked like the biggest fruit that ever walked on to film. My character was so weak.

I've worked with a ginormous number of people over the years. What happens when you've been around for a while, when you run into people whose work you've seen and liked and they have seen and liked your work, there's a sense of you kind of know each other even though you don't.

New York is more exciting, I guess, than even Paris or London. New York's the center of something; I don't know what, really - the center of a lot of things. With all its problems and chaos and craziness, it's still a great place to live. I can't see myself living anywhere else.

When Orson Welles was acting in 'Compulsion,' the director Richard Fleischer let him just take over and direct the courtroom scenes. To be able to see Welles - who knew more about directing than anyone - direct himself and the other actors, it was unbelievable and unforgettable.

You have to learn to look at someone you truly adore through eyes that really aren´t your own. It´s as if a person has to become another person altogether to be able to take a hard look. Good people protect people they love, even if that means pretending that everything is okay.

Working in South Africa and the people in Johannesburg get under your skin. It stays with you. It's a place I want to take my children back to. It's a place that filled me with great joy and inspiration but also sadness. I think it's one of the most complex places on the planet.

People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies, which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.

My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.

Whenever you're looking at new ways to get in shape, first you have to decide what you want. Do you want a more muscular look, or do you want to slim down and appear more toned and ripped? I adapt my training and diet with each role I do, depending on the image I want to convey.

Deaf people are struggling to find their favorite show or something that represents them. It's hard. There are some examples of shows that have a deaf storyline in one episode, like Cold Case, or another show where they are focusing on the cochlear implant or the medical aspect.

In the theatre, because you're all looking at the same thing in the same space, consciousness is no longer individual. There is a unified consciousness. Until you look and project what is happening, it doesn't exist; the audience are the ones making the theatre, not the players.

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