Quotes of All Topics . Occasions . Authors
What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
It would be easy for someone to think growing up in a small town would be like 'Footloose' or something, that it would be, 'No dancing allowed!' all the time, but it was quite the opposite. People always got excited for me and my successes and supported me even though I was a little weirdo goofball.
People are flawed. I like peaking into their flaws. The way to humanize them is not to play them in any general way, but to make them very specific. If you make them specific, they have hopes and dreams and loves and vulnerabilities and quirks and you get to know them and you get to appreciate them.
Higgins: I'm an ordinary man, who desires nothing more than just an ordinary chance, to live exactly as he likes, and do precisely what he wants. An average man am I, of no eccentric whim, Who likes to live his life, free of strife Doing whatever he thinks is best for him, Well, just an ordinary man
I'm not really a conspiracy nut, but I think if I went down a slightly different route in my life instead of meeting and marrying the person I met, I may have gone down this other direction and got myself stuck in my head with my ideas and my thoughts and I'm into UFOs and paranormal subject matter.
Frankly, as much as I love to improvise, it hasn't been difficult to stick to the script on 'Mad Men.' The writing is so precise, and the story so carefully crafted, that I don't think there's room - or need - for ad libbing. I could never come up with dialogue as lovely as these writers do, anyway.
My main aim in 'Gandhi' was to project him as the vanguard of non-violence. Nowhere in the world has a movement of non-cooperation sans violence received so much support from masses as Gandhi's movement in India did. He was, to a great extent, responsible for freeing his nation from the British Raj.
I've never really been star struck. I was a little bit taken aback when I was doing a chat show recently and I was sat in the make-up chair chatting to a guy say next to me but I couldn't look round and see who it was, it was only when I got up I realised it had been Bryan Adams I'd been talking to!
Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life.
I'm always running around trying to raise money to make the films. Fortunately, I've been able to do that, but if I can't, at this point, it's not like I wanted to spend a lot of time putting together, you know, you spend a year of your life on something, you go, "What the hell am I doing that for?"
You know, I run the Vegas Deluxe website and that really is 24 hours a day, seven days a week. And we have more stars going through this city with shows. We have more disc jockeys playing in nightclubs here, we have more parties, more of everything than any other city in the world. So it's non-stop.
They hadn't even gotten their first paychecks yet, ... My biggest thing was giving them a sense of reality and what costs would be. We outlined costs and a budget, and by the time we finished they said they could take maybe one vacation a year. They started to understand reality versus their dreams.
As I entered this world, I would leave behind the nurturing of my family and my home, but in another sense I would take their protection with me. The lessons I had learned, the feelings of groundedness and belonging that have been woven into my character there, would be my companions on the journey.
I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
With Fincher, you can take chances and try things. And what happens is that any pretension and preparation you've done, all the square, intellectual work, you can't keep that up for 40 takes. It breaks down, and new things start popping up. This, for me, is the most exciting thing about film-making.
I really loved working on 'Laguna Beach,' and I'd do it all over again. I'm one of the luckiest kids in the world, but I thought it was going to be a documentary about kids in high school, and they exaggerated all this drama. When it came out, it was this weird thing. People feel that they know you.
It's a very frightening feeling to feel like you can have a busted taillight or wear a hoodie or be playing in a park, and someone can take your life away. To have two children, two black boys, you ask yourself a lot of questions about how do I protect my family. Is there anything I can actually do?
I quite enjoy fame, especially when you go to conventions in America where they treat you like a god with stretch limos and the whole fame thing, but then when you come back to Britain, you end up changing in a toilet in a theatre off West End and that's really good, because that is what it's about.
There are some parts of my life that are wonderful, and it's amazing to get to go to cool events and award shows and things like that, but I think the outside perception is that your life just changes overnight and you wear Dolce and Gabanna suits and drive a Mercedes. But life's just not like that.
New York cops are very specific in terms of the way they talk and the way they handle themselves. All these cliches that, as an Englishman, I thought were from a bygone era or were a bit of poetic license with cop shows - the more you hang out with them, the more you realize how real that jargon is.
Here's what I'm going to say about that: my personal thought about the brilliance of 'Peeno Noir' as proven by the fans' appreciation is that, when watched back, what makes it so exciting is the random locations and the random costume changes and the multiple shots that we've done all over the city.
In 'Thor,' that was my own hair. I grew it out. But I have naturally curly, blonde hair, so I'll never look like that. By the time I got to 'The Avengers,' I had come off two other films, which required me to have it very short. So I dyed it again and it was long enough to use a part of my hairline.
Every year I hear people complain that the quality of screenplays and movies is declining. In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
I'd never read 'Prince Caspian'. I watched it and loved that film. Everybody was talking about its lack of success; its relative success in comparison to the other film. It's a great film. It deserved to do a lot better than it did. It's very difficult to make a film that will match up to the first.
And the thing about my jokes is, they don't hurt anybody. You can take 'em or leave 'em - you can say they're funny or they're terrible or they're good, or whatever, but you can just pass 'em by. But with Congress, every time they make a joke, it's a law! And every time they make a law, it's a joke!
There’s a redemptive power that making a choice has rather than feeling like you’re an effect to all the things that are happening. Make a choice. Just decide what it’s gonna be, who you’re gonna be, how you are going to do it. Just decide. And from that point, the universe will get out of your way.
Now that I'm a grandfather myself, I realize that the best thing about having grandkids is that you get the kid for the best part of the ride - kind of like owning a car for only the first 10,000 miles. You can have your grandchildren for a couple of days and then turn them back over to the parents.
Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
Inspiration comes from so many things that it's hard to define what that is or when it happens. It's always been a strong feeling that comes over me in a given moment, and it feels like hope, desire, strength, magic, excitement. A supreme motivation to create or do something special. To win for love.
I don't love the business. I never wanted to be a part of it. I don't think any actor does. Most of the time, I've been really fortunate to work with people who are really fun to work with. It doesn't mean we don't take it seriously, but no one is under the delusion (that we're) bringing world peace.
Sometimes with people I know, they're playing the hunky action guy and there's resistance to them coming out because it's so connected to straight masculinity. There's a plastic kind of movie star who has a very short shelf with very small kind of ambition. I see that but I still don't agree with it.
It's interesting: when your wife is pregnant and you're expecting, everyone's like, 'It's incredible. Get ready. It's magic. It's the most life-changing experience you'll ever have. Brace yourself for heaven.' And then the second the baby comes, everyone's like, 'Welcome to hell! Ha ha ha! You fool!'
It's funny, I talk to some of my friends and they don't want to to get a job at Starbucks. They don't want to get a job at, wherever, because they feel like it's below them. And I think the only thing that can be below you is to not have a job. Go work until you can get the job that you want to have.
We're having so much writing some of the sillier stuff that never would have been on Mr. Show. And that's not a knock on Mr. Show at all, because it's my favorite comedy show of all time. Even before I worked on it. It's just really refreshing to write something so stupid and say, "We gotta do that."
Whether I was a character in WCW, WWE or The Longest Yard, you want to be able to - the best part about myself is that I have a very wide range of emotions in that one second I can be speaking on Capital Hill about dog fighting and giving them a voice, which they can't obviously speak for themselves.
I remember making 'Mr. Show,' thinking, 'Man this stuff is really funny to me.' I don't know if anyone else will love it, but I know I'm going to still watch it in 15 years if I'm still alive and laugh really hard. Even though we had very high standards, we were trying to excite and please ourselves.
It's hard to be surprised by a film. It's hard to be surprised by another actor or by a director when you've seen enough and been around. So when I am, or when I forget that I'm watching someone's movie, or when I don't know how someone made a certain turn that I didn't expect . . . You know, I'm in.
I've wanted to follow my dad into acting for as long as I can remember. 'I've had a very serious round of dramatic training, and I like action films that take their characters seriously, so I figure I'm making it the best of both worlds if I try to bring some serious acting to a shoot-'em-up picture.
Every white liberal straight man needs to take action and work at unifying all peoples of our sides and stop making women and people of color and the LGBT community fight it out themselves and just pat them on the back. We have to take active roles in supporting them, defending them, and hiring them.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
Basically, it's somebody who got stuck having to interview me who really wants to be a novelist, so they're writing these novellas and I was like, "It's not true, that didn't happen, they just made all that up! Why don't they just go ahead and be a novelist instead of bothering with interviewing me?"
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
I liked back in the sixties where you'd turn on the radio and go 'Oh that's Hendrix, that's Creedence Clearwater, that's The Doors, there's The Grass Roots, The Monkees, there's Big Brother.' You could just instantly hear it and tell. But in the eighties and nineties there's no way you could do that.
Let me tell you something. When I was young, I was an armed robber. I did robberies. And there's no adrenaline rush like that. When you're using drugs and doing robberies, it's hard to distinguish whether you're doing robberies to support your drug habit, or doing drugs to support your robbery habit.
Being with my family and loved ones makes me feel vulnerable. Speaking my truth and then being that in action. Leaving my comfort zone but knowing that risk is going to create something beautiful. I believe I have come to good terms with my vulnerability. I welcome it now, where I didn't in the past.
Drax isn't your average stereotypical soldier/warrior/musclehead. He actually has some depth. It was a character that I wanted to play, not only because I love acting so much, but also, I needed to play to get people to actually take me seriously as an actor and get away from the pro wrestling label.
Because I think whenever you sit down with another human being who would absolutely disagree with you on every issue, you learn about them as a person and you relate, in human terms, and it's much more difficult for either side to dismiss out of hand, like that person's a freak, that person's a Nazi.
Directing takes a lot longer than acting. This was about seven years in development, and then two and a half years with pre-production, production, post and now the release. Not that I have people banging on my door to star in movies, but it takes me out of the acting game for a longer chunk of time.
There's a morality... I think there's a moral compass but whether that comes from religion or just from being a good person, and where one starts and the other begins... I'm a good person, I hope. But I'm never as good as I want to be, never as nice as I want to be, never as generous as I want to be.