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In my mind at that time, at 14, the men who were successful were Stallone and Schwarzenegger and guys like that - Harrison Ford - who were these men of action. I was like, "Okay, they're successful, they're not getting evicted, they built their bodies - I'm gonna go build my body." It was like that.
Duran is a mythological figure in Latin America. He grew up in a time of turbulence because Panama was basically occupied by the United States. So he felt obliged to fight Americans in the ring. He felt the whole pride of his country and the need for cultural and political emancipation in his hands.
You can train and train until you are blue in the face, but you've got to diet, you've got to have that leanness because if you are not lean, your abs won't show. Of course, the training has to be put in, but then you've to shed all the fat and keep the fat off. And that's how you get an eight pack.
I have never wanted to be typecast, one of those actors who plays a variation on a one-note theme. So just as I enjoy playing a wide variety of characters, from good to bad to ugly to cute - so I have enjoyed of late working in film and television, as well as in theatres of various sizes and shapes.
I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.
The first role I ever played I had the lead and it's pretty much stayed that way, though people take great relish in calling me a character actor, which I am. There are a lot of short parts I could play, but I only do them when they are like this ("A Few Good Men"), central to the idea of the movie.
Studio press agents make up anything they want to, and reporters go along with it. One flack created the legend that I had been blown up in an air crash during the war, and my face had to be put back together by way of plastic surgery. If it is a 'bionic face,' why didn't they do a better job of it?
Girls love guys who dance, and I'm definitely going to be the first one on the dance floor. Usually, you just see guys sitting around, but I definitely don't hold back when it comes to dancing. I like to keep [my dancing] toned down initially. It's a lot of snapping first off, just to get a feeling.
My father is a man with a great capacity for love and a huge heart, which has led him to be somewhat of a lothario, but at the same time, he's genuine. He's far more loving and kind than I could ever be. As selfish as he is, he is an extremely giving person. He's just 100 percent in every direction.
I think stutterers are funny. And I know it's rude and politically incorrect to laugh at stutterers. But I think it is okay because I know why they're funny. They make people nervous. People think, when on earth are they going to get the word out, so they start laughing out of their own nervousness.
One of the fun things as an actor is to find a character that if you were to look up a rap sheet about them, you might say, 'I don't really necessarily want to hang out with this guy' or 'I would never be this kind of guy in my life.' I think it's part of an actor's job to say, 'Maybe you could be.'
If it's achievement that you place your value in, you're never going to achieve enough. If it's power, you always need to wield power over others. If it's money, you'll never be rich enough. But if you do something and are a part of what is happening, then you're always in it and it's always enough.
Young women who come to Rise every weekend range from ages 15-19 years if they're in school and 19-24 years if they're out of school. These empowered young women talk about protecting themselves, their friends and communities and how they can educate people to help break the stigma surrounding AIDS.
As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
Everyone has to do the same work as actors - I teach acting. But there are those people who come on, and there's just something about them in and above themselves that has to do with chemistry and electricity - this aura about them. And that's unmistakable. Do I have that? Yeah, I think I have that.
I don't take off my nail polish when I go home because I'm too lazy, and they're fine with it. Maybe the checkout at the grocery store's not so great with it, but they're fine with it. The distrust, the phobias, those are learned, those are taught. But the natural grace is to understand and to love.
Fear is going to be a player in your life, but you get to decide how much. You can spend your whole life imagining ghosts, worrying about the pathway to the future, but all it will ever be is what's happening here, the decisions in that we make in this moment, which are based in either love or fear.
You have a lot more leeway to be contradictory playing a character than most of the scripts have in them. That's how all actors are. We have so many different sides of ourselves and we're so different, in meeting with different people. The audiences relate more to that and find that more believable.
Freedom of speech is, to all Americans, as oxygen is to the human condition. It is a right that has been irreversibly programmed into our hard drive. We are free to speak our minds. An artist's right to express him or herself as best suits their art, is the artist's prerogative and it is guaranteed.
Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
I think that Poe is so resonant because he represents that part of us that is in misery or sorrowful or wants to explore the darkness. He wrote a great story called 'The Imp of the Perverse' about the instinct towards self-destruction. Poe is the godfather of Goth literature and that whole movement.
I'm besotted by [Kirsten Dunst] now. I think she's just wonderful. I can't think for a second that however much she'd worked in America, she would never have had the chance to play [a role in Lars Von Trier's 'Melancholia' ] like that. You have to get outside of the States to do something like that.
We would just go out and line up a bunch of cans and shoot with rifles, handguns and at times, submachine guns... When I was a kid it was a controlled atmosphere, we weren't shooting at humans... we were shooting at cans and bottles mostly. I will most certainly take my kids out for target practice.
Had more confidence than I probably should have in high school. But I do remember feeling like I wish I could physically mature a little faster, fill out. In college it started to happen a little bit more, and my confidence started to grow - then I got out to L.A., and that got squashed immediately.
I would love to do much more singing; it's just one of those things where I can't quite describe what it feels like when you're standing in front of a forty piece orchestra, and there's nothing between you and an audience but a microphone. It's like strapping yourself to a locomotive, and I love it.
When you get to the end of a TV series, you feel totally out of sorts as an actor. You feel unfit; your voice box has collapsed on you because you've spent all day muttering into a microphone that's two inches from your head, and you feel desperate to spread your wings and do a bit of real thesping.
I've been a fan of The Rock ever since he first came to wrestling. Every time I went to school, I talked about The Rock. So when I finally got to meet him I couldn't believe it! When he walked through the door, I went bug-eyed! 'I'm standing next to The Rock, man!' He's huge. He's very nice, though.
We shot in a place called Asheville, which is like beautiful, beautiful forests. And then part of it we shot all the reaping stuff, which was just crazy - because the reaping in the book and in the script is such an emotional thing for everyone. It really did feel like that when we were shooting it.
I converted Dec. 31, 1999. It was a Friday. That was my second time going to the mosque. The woman who is my wife now... was basically raised Muslim - and she was at that point where she was deciding or trying to come to terms with her own relationship with Islam and how to embrace that for herself.
I don't want there to be this separation between the rich and poor. I may be part of the three percent because I've been fortunate and done well for myself, but I will never forget about the 97 percent. That was me growing up. I was so poor I dreamt about being just 'regular poor,' not 'poor, poor.'
Look, I want to be able to make the stupidest movies ever, because they make people laugh and they make money. But that's not all I want to do. And I think I've proven to some people - the ones paying attention - that I can do more. Everybody else, well, they can wait and see and make up their mind.
The values that I have are the values I was raised with, from where I'm from, which is a middle-class place. So that informs everything about me, my politics and all that stuff. I mean, politically, I vote against my own self-interest at every election. I actively ask these people to raise my taxes.
The growing pains of being an actor, that was a little frustrating at times because you feel like you have great capacity to do many things. And yet there seems to be a misunderstanding about who you are and what you're trying to do. And that requires patience, and people eventually will understand.
During my senior year, when I was attending the University of Michigan and getting a drama degree, the Purple Rose Theatre was in its second season. The year before was the company's inaugural season. I, of course, wanted to work there. It was started by a really prominent local actor, Jeff Daniels.
How much do you have to pay someone to be in a George Clooney/Alexander Payne film? Nothing! Because everyone in the world wants to be a part of it. Therefore you pay nothing. And that continues until you become something they need... I'm not that kind of actor. I'm blue collar and very replaceable.
I always have the same thing - which is the fear of not getting a laugh - that I've had from the time I was a kid; obsessing over, 'This joke doesn't quite work, we've got to get this right.' I was always like that, whether I was a member of a six-person ensemble or whether I'm the center of a show.
If you fall in love with someone, it doesn't matter who they are. I've had lots of girlfriends who weren't in the public eye. It is hard, all the intrusion: you have a row with someone, and even though you've sorted everything out, you get the are-they-going-to-split headlines for the next ten days.
I love character-driven, well-written, great storytelling types of films, and I think that 'My Cousin Vinny' just hit the nail on the head with everything. It's one of those movies that, if I'm flipping through the channels, no matter what part it's on, I can watch it. It's just one of my favorites.
Every choice you make as an actor ends up being really influential on your life, because you're spending a lot of time working on this project, and you want to make sure you're making good choices and you're not making them for the wrong reasons. I just want to be careful and not jump into anything.
People want leadership, Mr. President, and in the absence of genuine leadership, they'll listen to anyone who steps up to the microphone. They want leadership. They're so thirsty for it they'll crawl through the desert toward a mirage, and when they discover there's no water, they'll drink the sand.
One of the reasons I'm an actor is because I was no physical specimen as a child. I wasn't athletic and didn't have any prowess in that regard. Growing up in Kentucky, most little boys were trying to get into sports, and it was very competitive, so that was not to be. But I did want to do something.
When I moved to New York to act I was no good at working restaurants - hosting, waiting, bussing, dishwashing - I wasn't good at any aspect. But I did have a guitar. So I would sing 'Me and Julio Down by the Schoolyard,' but you would only hear the chorus because the train comes by every 30 seconds.
By the age of 13, I knew I wanted to be a comedian like Morecambe and Wise. So, obviously, I thought I'd better start practising my interviews for Parkinson. Don't look shocked - I wasn't the only teenager to imagine that. Though I may have been the only one to have chosen T'Pau as my walk-on music.
When I was getting close to being accepted for pilot training, I was allowed to get in a jet airplane. I sat there looking at all those switches and dials and I got the distinct feeling that I was sitting in the nose of bomb. I realized my fantasies of flying and fighting were just that - fantasies.
I'm doing exactly what I was supposed to do. Yeah. I didn't exactly choose this. My own life, if it were up to me, would be very, very quiet. I'd be like a shopkeeper, a book collector, or something like that. I'm not like this. Myself as a performer and an artist is totally different from who I am.
Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
The GDR people found love at the workplace, and the West is always telling stories about finding love when work is over and you have your free time and your leisure time. That's when you fall in love. But in the Communist state, you fall in love in the workplace, because that's mainly where you are.
You'll never see me in any of the tabloids because I've made a conscious effort to stay out of that. I'm not interested in fame. I'm interested in hard work and letting my work speak for what I do. I've been in high-profile shows but you don't see stories on me because I don't go out and court them.
I found poetry at 12 and 13 and, lo and behold, learned that my attorney father had a background in poetry - as he wore dashikis and Afros in the '70s and named his kids Arabic names. He was a poet and a lot like The Last Poets and Gil Scott-Heron and all of these folks. He definitely was an artist.
I suppose I just had this Christian idea about how I ought to go about my life. I thought, 'If I work really hard and have a bit of success, the problems I'd had all my life would leave me.' But, of course, not a bit of it left me because Asperger's is not something you just get over or grow out of.