Quotes of All Topics . Occasions . Authors
Our stars are quite notorious. I mean, they don't show up on time. This is, you know, something which is very, very annoying.
Most black families have roots, whether Christian, Muslim or other religions, and that journey is unique for each individual.
Movies like that aren't about the visual effects and explosions. They're human stories about family, about life, about death.
I've done all these historical epics and chivalrous roles, but there's an odder, quirkier side to me that nobody knows about.
You make a horror film that's not very good. You'd be joining a long line, in a long video aisle, of stuff that doesn't work.
There was a small window when I wanted to be an astronaut. It may have coincided with not getting cast in a high school play.
If you look back on the breakups that you've had, whether it's a long relationship or a one-night stand, it's always awkward.
One thing you notice is, there's a lot of people with raw talent, and then there's people who take that talent and work hard.
Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, "Hey, why don't you talk to Katie?"
To that extent that you can sustain and maintain that childlike part of your personality is probably the best part of acting.
My wife made me a book of photographs she took of our road trip across the United States. Makes for a good coffee table book.
If I was to meet my eight-year-old self, I would say, 'Don't listen to what they say about you. Wear your anorak with pride!'
Oh, I was some efficiency expert. On my first day, I couldn't find my own office in Hartford and wound up in the Post Office.
I was lucky enough to make four Bond films. It finished in rather shambolic fashion, but I have no bitterness, no resentment.
I do certain things that, maybe, nobody else knows why I'm doing. But it's all - it all has to do with - to grow as an actor.
I haven't seen about half the movies I've done. You know, you've got to make a living, but some I don't get a good vibe with.
I made it a morning show. We have the coffee cup, we have the morning papers. It's got that feel to it, that's what I wanted.
I might run from her for a thousand years and she is still my baby child. Our love is so furious that we burn each other out.
There is a way of looking at an awful place from a certain angle that allows it to take on a beauty because it is what it is.
I have to say I was very lucky in this [movie] business. I was in the right place at the right time when I first got started.
In 'Notting Hill,' I was part of a whole plot line over six scenes that was completely taken out. That was rather depressing.
I fell in love with my wife twenty years ago. I am only now, it seems, getting it through my very thick skull how lucky I am.
She'd play around and tease me with her carefree devil eyes. She'd hold me close and kiss me, but her heart was full of lies.
Pretty Polynesian baby over the sea, I remember the night, when we walked in the sands of Waikiki and I held you oh so tight.
I joined 'Hollyoaks' because in the long-term, I thought it's good money, it's good profile, and everything happens in soaps!
I knew I wanted to try comedy and acting. Even if I failed, at least I would have tried. It's better than never having tried.
If you're an actor, always be true to your character. If you are not an actor, have character and always be true to yourself.
You know, when you're part of a comedic duo, you can take breaks. It's kind of like having a partner that is good with a kid.
Whenever I watch someone doing something, even if it doesn't turn out so great, I at least admire their intentions and stuff.
I've always just shown up and tried to figure out what's for lunch and am I going to get to play some racquetball that night.
Horror has been very good to me in my career. Doing horror films is for the fans and helps keep that part of my career alive.
My greatest desire was to be in a sandbox with Kevin Kline or Kenneth Branagh - to be with the people I admired - and I have.
I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself.
I'm convinced that if the same opportunities were made available to everybody, people would want to better their lot in life.
Boys, you must strive to find your own voice, because the longer you wait to begin the less likely you are to find it at all.
I tend to - every time I step onto the set until the time I go back to the hotel, I just try to be in character all the time.
I'm one of those people for whom success is one thing, but significance is another. If I can have both, I'm living the dream.
I'm taking the indie filmmaker's approach to building my career and that approach is developing a relationship with the fans.
They're either going to fire you or they're not. They can only fire you. That's all they can do. They can't take your thumbs.
To get a job where the only thing you have to do in your career is to make people laugh-well, it's the best job in the world.
The funny thing about the golf swing is that you try to alter it and end up with the same faults as you've had all your life.
I do as much comedy as I possibly can but I'm basically limited by the imagination of the secretaries who make the decisions.
To this day it cracks me up to think that my debut on national British television as a reporter ends with me turning a trick.
My love life has never been of interest to people. Of course I have a love life; I have a real life outside of show business.
My days, if they start in the morning with a cuddle from my son, are just so much more glorious than they were prior to that.
Good guy' or 'bad guy', hero or anti hero; doesn't matter to me, what role I play, only the character have something magical.
Sometimes I think that the one thing I love most about being an adult is the right to buy candy whenever and wherever I want.
I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
I don't think there's anything to be desired in a bunch of people chasing you around, trying to get a piece of your clothing.
Most sitcoms and cartoons, especially, you can rely on, because they go back to square one at the beginning of every episode.