Our show is less about a girl who is doing miracles and more about the domino effect of this girl's life, and how everyone else is affected. Our show seems to be a questioning show as opposed to an action sort of fairy tale.

Because the role-model pressure becomes so insane, the personal and private takes a backseat to whatever it takes to maintain that fame and to maintain that lifestyle, and before you know it you're not a human being anymore.

I'm like the luckiest girl in the world. I've gotten to be a princess, I've gotten to work with the Muppets. A lot of my childhood dreams about who I wanted to be when I was a grown-up, I at least get to play them in movies.

I look in the eyes and I see the heart. As long as it's a human story. I would like to turn on my television and see African American, Hispanic, Asian as well as Caucasian. And I think there are probably more people like me.

I didn't die young. So I am very lucky. There are other artists and people that didn't survive certain things... people can imagine that I did the most dangerous, and I did the worst... for many reasons, I shouldn't be here.

People wonder aloud about whether I am an okay mother. That is obviously painful because it's so important to me. It's hard to hear that people think I'm not a capable mother and a good person, that they just think I'm nuts.

I get irritated when people counsel me on what I should do with my life, or tell me I should get married, or tell me what I should do. I think people have their role models for happiness and it helps if others fit into that.

Growing up my whole life, my mom was telling me how incredible and special I was and that I was going to change the world. I think it's important for girls to know that they can change the world, that they do have an impact.

"Into the Woods" was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.

There's something to be said about living in the present moment. In cooking, you're allowing your mind to just focus on the task at hand, and you're able to escape and put your mind at rest. That's why it becomes meditative.

I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.

I find it to be strange that people get obsessed about how fast actresses and celebrities are taking off their baby weight. I guess people like to look to them and feel better about themselves or feel worse about themselves.

I don't think balance is ever achieved in the full sense of the word. Life is more like a juggling act, spinning plates in the air, allowing some to drop, and picking them back up or adding new ones when the timing is right.

I rarely think about my childhood. It's a slippery thing I can't keep hold of for long - it slithers out of my grasp. And a lot of the time I remember what was missing instead of what was there. I am a chronicler of absence.

I watched the entire 'House of Cards.' I couldn't stop watching it. I was staying up until 4 o'clock in the morning. I just couldn't stop... I'm crazy about Netflix. I'm excited that the world we live in is changing so much.

I think you're peripatetic when you work in this industry. My husband and I are assuming the role of co-artistic directors at the Sydney Theatre Company in 2008. But as long as the film industry will have me, I will have it.

I find that the skills and the muscularity required to be on stage, you need to keep those up - I do, personally, in order to maintain your ability to perform on screen. You don't want to always be working in the one medium.

I was always very active as a kid. I would climb on roofs and jump off using my parents' bed sheet, hoping it would open like a parachute. I was always getting hurt, breaking a leg, you know, bruising, cracking my head open.

My character is somebody who is smaller in stature and yet who's strong, so to see the fighting situations between people who are not generally thought of being strong is in itself unusual and therefore interesting, I think.

One of the interesting things about being a female police officer in the '60s is they really didn't have opportunities to do any serious police work - they filed, and they made coffee, and they were treated like secretaries.

You talk to people who serve you the food the same way you talk to the people you eat the food with. You talk to people who work for you the same way you talk to the people you work for. It's a one-size-fits-all proposition.

You know, you have everything you want and nobody to share it with, and that's kind of lonely. It was tough for me to admit that. I'm good now though, between this role and the guy, I'm literally the happiest I've ever been.

I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it.

I happen to be interested in watching a face age. I like faces of women aging so it makes me personally quite sad. That's a beautiful gift from God. If people don't want to see that anymore then I won't be in anymore movies.

There have been setbacks, illnesses and other obstacles, so inevitably I've had disappointments. But once you realise that things can't always go your own way, you're on the right track to being able to handle your own life.

Secretariat was just ridiculously endowed with every positive quality that a person would seek out in a non-human. He was very aware of his environment; he surveyed the terrain before he ran and would look people in the eye.

I mean, I come from a hippie mentality where I just think to know someone, you need to look into their eyes. Eyes are so important. Until they start melon-balling eyes out, I won't be able to get to know someone another way.

Great dad. Yeah, he would ask me for money on birthdays and, you know, inappropriate times. And I just wrote him off like, 'You're not a father.' I just learned you cannot emotionally invest in people who are not attainable.

I think my whole life, work has been a very important and positive thing for me. It never was something that made me feel unhappy or disengaged from life. It always makes me feel like I'm plugged in, in a really healthy way.

I've learned all my hair and makeup tricks on the set, and I incorporate all kinds of things when I'm getting ready, and I'm big on blotting papers. I get a very shiny forehead, which I like to call my inner glow coming out.

Brains don't really smell, but what's amazing about the brain is that it's almost like scrambled eggs or soft tofu, almost like a gel. The brain controls so much of what we do, but you could put your finger right through it.

I never felt I was quite the ticket academically. I always felt I had to put in an enormous amount of effort not to be disappointing. So I worked really hard, but at the time it suited me, because I didn't do very much else.

The roles that have come into my life have taught me - and in that time period maybe I didn't even know it, but whatever came up or whatever it is that you have to express at that time, has benefitted me in a particular way.

It was good for us, I suppose. Those kinds of times produce qualities in us that make us better for having had them. My parents were not getting along. My mother was quite intolerant of friendships that were being developed.

I have permanent damage to my facial nerves. I went to the UCLA Movement Disorder Clinic, and after two years of tests and constant monitoring they have finally found the right medication that keeps the spasms under control.

I remember very distinctly being so tall I didn't fit sleeves, so I ended up modeling lingerie and bathing suits, sleeveless stuff, basically. I didn't have a good body, but I believed I knew how to stand or pose to mask it.

I simply cannot fathom the horrors of being enslaved, and the thought that children are ripped apart from their families and used year in and out for sex and hard labor under the threat of violence and death breaks my heart.

I do think that there are certain parts, if you are lucky enough to play them, that are bigger than you, and they stretch you. I don't think you become a bigger person, but you develop certain muscles you didn't have before.

You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.

I love my job, I love being an actor and stepping into the shoes of different characters and exploring their lives. It's enriched my life extremely. I've learned more about myself and the ways of life through being an actor.

I always tried, in the books I wrote, to make it clear: Thin is not the goal. But I was thin. So no matter what I said, the subliminal message was, "You have to look a certain way." And I'm not happy about playing into that.

The skin is our body's envelope, the wrapping that delivers us to the world. If we understand how the skin functions in mid-life and adjust goals and life-styles appropriately, we'll be surprised how much better we can look.

I feel strongly for the younger actresses when a lot of their career is based on how they look. That must be hard when your looks begin to go and you haven't built up the wealth of character parts to get into something else.

I'm still really close with everyone at home and their parents - and their brothers and sisters. I was so, so, so lucky to grow up as part of a community and I don't take that for granted. I try very hard to stay part of it.

Practically everyone in Hollywood has a neighbor whos been famous, wants to be famous, is famous, has been married to someone famous, worked with someone famous, slept with someone famous, been blackmailed by someone famous.

It's just so bizarre how in this world if you have asthma, you take asthma medication. If you have diabetes, you take diabetes medication. But as soon as you have to take medicine for your mind, it's such a stigma behind it.

People used to believe their life--or at least their life as a performer--was over at 28 or some ungodly age! God, when I think of myself back then, I had no idea who I was. I think I'm barely getting that under control now.

With proper acting, I don't know what I would play - I got sent a script for a play, and it said in the notes that my proposed character was 'hideously fat and ugly'. That made my day. I mean, I do know I am no oil painting.

In Ethiopia... you might find a seven-year-old expected to take 15 goats out into the fields for the whole day with only a chapati to eat and his whistle. Why are we so afraid to give our children responsibilities like this?

Any actor working a long time should know how a shot is set up, where to place themselves, how to handle the lines. I'm a member of the crew, like the best boy, the electrician. What I'm good at is making eyes at the camera.

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