Quotes of All Topics . Occasions . Authors
I understand what it's like to come with your family, and to uproot yourself and come to another culture. You need a lot of support. People say, 'She's got her daughter; she's got her husband.' Yeah, but she hasn't got anyone else.
I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.
Sometimes I forget that I am even watching myself, realizing that's me. It's like you almost become a fan yourself: You are just this normal person watching this show, and then you realize that it's your show. It's weird sometimes.
When I was in school, I was very involved with a lot of things. I was very very active. I couldn't say that I wasn't popular. I was a cheerleader when I was in junior high. I didn't make it in high school so I started a dance line.
Now that we've transitioned to more Smart TVs, where people are broadcasting their cable box, I hope that Geek & Sundry is something that people will click on in the future, knowing that they're going to get content that they love.
I like Nelly's [Ternan] quiet inner strength. I thought there was something about her predicament that I found interesting - that she didn't want to be a floozy mistress, a bit on the side, that she had more self-respect than that.
When a relationship with a director is really working, you have the same idea at the same time. You go, 'Look, this isn't working,' and they'll go, 'I know it's not working. What are we gonna do?' And you go and try something else.
When you want a break from dogs, and you take them to the kennel to the stars, no one thinks you're a bad pet owner. But when you have kids, you can't drop them off for three weeks without someone calling Child Protective Services!
Right now the topic of female empowerment is at the forefront of conversation and it's important we take advantage of the trend while there is added pressure to adjust long-standing beliefs, prejudices, and cultural discrimination.
You know, it's a big version of an episode, which I think is necessary at this point because we're drawing in people who not only people who have seen the show before and are devoted to it, but people who have never seen it before.
Fans believe they have a relationship with you, either through your TV character or, more reasonably, through the tweets you may have exchanged. In a way, you have gotten to know them. You learn about people's kids, families, pets.
'A People's History of the United States' was actually a very big book for me. I read it in high school, and I felt like my mind was really blown by it. I think the truth is I read it because it's referenced in 'Good Will Hunting.'
It was weird because I was pregnant, throughout that so it was weird being a pregnant witch. I was in a really bad mood but luckily, because I sleep with the director, he just sort of scheduled me so I only had to do it two nights.
You read about poor people having Botox go wrong and you think: 'Well, what the bloody hell were you doing?' Why would you inject yourself with poison? And why are we spending so much time looking at ourselves? I just don't get it.
I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
One of my favorite authors, Garbrielle Zevin, she did a book called 'Elsewhere,' that is one of my favorites, and I think they're making that into a movie too. I really want to be in that one just because the story is so beautiful.
My dream is to be Endora in Bewitched. That's the part I want to do. I want to do a fabulous old woman. I want to be Maggie Smith someday. Not exactly like her, but that genre. I like that kind of humor - sophisticated, vain stuff.
Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.
I think if you go from show to show without doing that big PR blitz its helpful because people can get pretty sick of your face if youre just out there all the time. And keep a low profile, hold in your stomach and be a good sport.
I was never a glamour puss whose career was really based on a look or an attitude. I've been basically playing the same parts I am at 55 that I was at 35. I get cast as strong women, and that can be a mother or a judge or anything.
It's interesting that there's so many different sides of this: Women get frustrated that we don't get paid enough; and then the Republicans or the CEOs that are men say, "Well, it's because women take off time for maternity leave."
I am a lover. And with my kids I am even softer. I realize with my son, I have to sometimes be tough, especially now when he's pushing boundaries. With my daughter, I can get a little stern with her and she pretty much will listen.
[After the twins' birth,] I spent two years doing nothing. I was a wife and a mom. But you need that time to grow. You can't be afraid of, 'Oh, I'm out of the public, then I'm going to have to make a comeback.' It's ridiculous. No.
Jennifer Lopez has been very much in the news because of her divorce from Marc Anthony, also a top singer, a top player in Latin music, her joining the cast of judges on "American Idol." But the music has not been at the forefront.
The only place I've felt was really my home is my cabin up north. There's something in the water there that connects me to that place. There's also this sense of isolation and loneliness about it that I've never been able to shake.
When I finish dressing before a night out and have put on all the accessories, I usually look at myself in the mirror long and hard and then end up removing something. Whether it's a belt, bracelet or a bauble, less is always more.
Boys are easy. I mean, there are just a lot of bruises when they're young. With boys, you get a lot of accidental jabs in the eye and stepping on your feet, and those tantrums they cause when they don't want to leave the toy store.
What I love about New York is that everyone is in their own world. It's the opposite of L.A. - there, everyone is looking outside of themselves to see who's next to them. What's great about New York is that you get to be anonymous.
I would be lying if I said I cut out all dessert. When Im training, I try to satisfy those cravings with a slightly healthier dessert, like a piece of dark chocolate or whipped cream and strawberries. Those are two of my favorites!
After high school, I was going to move out to L.A. and try to pursue my dreams of acting. My parents said, "Thats fine. We support you, but you have to go to school", which was fine because I'm a studious person anyway, I enjoy it.
You've heard the phrase 'There are no small roles, just small actors?' Well, I kind of disagree. There are small roles, but when you get a lot of them in a row, you can become a pretty successful actress, and that's what I've done.
The hardest thing about being an actor, and especially when you're a woman trying to also have a family and a relationship, is to maintain some sort of normalcy. With television, you might not be home a lot, but you have a routine.
I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
The dialogue is out there, the veil has been lifted. We all know that there's a ways to go. We're still fighting uphill battles, and you just have to hone in on making change, one dialogue at a time, one course of action at a time.
I think the chemistry on the Orange set is extraordinary and I’m going to risk and say this: I think by virtue of the fact that there are not so many men, we are free to be absolutely authentic. There is a lot of freedom and trust.
I got my SAG card quite unexpectedly. I was here in Los Angeles doing a play called 'Vanities' - it was 1976, I believe - and I got invited by Dustin Hoffman, whom I'd met in New York, to come audition for a movie he was directing.
You would never argue about a straight girl playing a lesbian. Everybody still watched 'The L Word.' I feel like we have such great role models, like Jane Lynch and Jodie Foster and all these people that you don't even think about.
Everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.
I know that I'm getting the real deal with my mom. I know that she's telling it like it is. She's proud of me when I've earned it and she's disappointed in me when I've earn that. She's really my spectrum on where I am as a person.
My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.
I did a lot of lying. I went through a big lying phase when I was in like third and fourth grade. I told all my friends I was in Les Misérables, and I was not. I also told them I was an Indian princess. Also not an Indian princess.
I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
I love when actors can let go of where and how they have to do it, and just that we do it. That we are flawed and human, and don't worry about how we look or who we are, or that it seems too old of a character if we're still young.
The harming of animals for any reason is shameful, but torturing them for mere vanity is senseless. Slaughtering animals for their fur or harming them for cosmetic purposes is disgusting and not worth the perfect shade of lipstick.
I personally was driven to be an actor for the love of telling a story. It was very closely linked to being a reader as a kid and being transported by literature and art. It had nothing - zero - to do with anything resembling fame.
So often, trans roles don't even go to trans actors. Most of the fabulous trans roles that have won people Oscars, we didn't get to play. A lot of folks have said we're not trained enough and that we're not prepared to do whatever.
But yeah, it's funny because I used to talk so fast before 'Gilmore Girls' and it took me several years of auditioning and being comfortable in auditions to sort of take my time because I would just go into it and rush, rush, rush.
I had a bat mitzvah, was confirmed, went to Jewish summer camp, I go to temple for the High Holy Days. I think, like most people in their early 20s, I kind of strayed away from it. I think once I have a family I'll be back into it.
Everybody hangs out with everybody, which is very strange for a cast this large and this young. We're all cool and down to earth and not caught up in this maniacal business at all... . Everybody really, really likes everybody else.