Quotes of All Topics . Occasions . Authors
But even when I do give interviews, I always come across as such a completely different person. It seems like there's no controlling it anyway.
I will keep playing as long as my body lets me, and as long as I'm wanted by my listeners. Because music is the only thing that keeps me going.
The Richard Ashcroft of 1992 would have struggled to imagine the path my life has taken - he would be amazed at the changes in my song writing.
I always wanted to be a father. I have a beautiful relationship with my dad and beautiful memories. I always knew I was going to have a family.
One day I'm riding a bicycle in my neighborhood, the next day I auditioned for Menudo and was on a plane to perform in front of 200,000 people.
I would like to think that the singer is the butterfly, and the drummer was just the little grub in the ground, working to become a caterpillar
Can't you see it all makes perfect sense, expressed in dollars and cents, pounds shillings and pence, can't you see it all; makes perfect sense
I could have been an architect, but I don't think I'd have been very happy. Nearly all modern architecture is a silly game as far as I can see.
For me personally, to hop onboard and use the amazing success and blessings in my life to pull off something like the 30/30 Project is awesome.
We are in an age of technology where we sit in our little cubicles and we IM each other and Skype each other and never connect as human beings.
A lot of my friends are artists or musicians or single parent families and I'm totally aware of how difficult it is for them to make ends meet.
Drivers don't always see the (flashing) lights. You can't get tunnel vision. You've got to look everywhere, even when your adrenaline is going.
I'm Mexican, and we do a lot of singing, and it was my brother's guitar that I'd practice on, and he would say, 'Who's that playing my guitar?'
Guitar is the best form of self-expression I know. Everything else, and I'm just sort of tripping around, trying to figure my way through life.
I like to make bombueti, which is basically the South African national dish. It's basically a South African curry shepherd's pie kind of thing.
I used to do this huge jump off the drum riser. I had a good way of landing so I wouldn't hurt myself, but then one time, I landed on my elbow.
We have such an energetic live show. We have so much fun onstage. We swap instruments. We might possibly be the sweatiest band in the business.
Despite my own doubts of being marketable or crushworthy, my goal was to write a record of peppy pop songs, hopefully without annoying anybody.
Right, those relationships with your parents and family are the hardest to figure out, and the same patterns get carried into a band situation.
I beat myself off 17 times in one day. That's the worst beating I've ever handed out. I was so sore that it was hard to get that last load out.
It seems like people are just dropping off the Earth. I suppose that happens when you get older. It's part of life. No one's getting out of it.
The music has to be affordable. It's the common man that keeps it going, and if you price it out of his realm, it becomes a thing of the elite.
The whole experience of getting an album from an artist you like and listening to it from beginning to end is sort of gone. Now it's piecemeal.
John was great to work with, and a lot of fun. I wish I'd had the chance to make more music with him, of course, and to get to know him better.
I am not a philosopher, only frustrated by the development of the world we live in - and too stupid to keep my mouth shut when I see injustice.
I love working and writing new songs. But sometimes you need to wait, to have something in your mind, and then you can let yourself play music.
I started making music with my band in the '80s, so I am more product of post punk than classical music, and I have always carried on this way.
A great way to get your rhythm playing together is to work with a drummer, preferably someone that has a good groove and plays solidly in time.
I rented a house, recorded the stuff in a house. Just took my time 'cuz sometimes it's just rush, rush, rush. I just wanna live and play music.
When I came out in the public about my struggles with alcohol and drugs, that's probably the most vulnerable I have ever been in my entire life.
I just want to make music that glorifies the Lord and continue to see revival happen all over the world and to see people meet Jesus. That's it.
Unless man is committed to the belief that all mankind are his brothers, then he labors in vain and hypocritically in the vineyards of equality.
I didn't grasp the basic principle of being a promoter, which was: Put on music but also generate an income. I was on the dole most of the time.
For me, the audience is the most important thing in the whole chain, so finding out how they respond to things is a learning curve at all times.
When I was young, I didn't play like I do today. So these kids are starting at the height that I've reached. Think what they might do over time.
I don't care for the music when they're talking bad about women because I think women are God's greatest gift to the planet - I just like music.
I'm sure the music is going to come out. I'm not sure if I'm going to put out 12"s or put the songs on my website. I just have to get them done.
When I record in a studio I don't use an amp. I go directly into the board, so I can get that very fat, full sound - which is my favorite sound.
Heavy metal is a universal energy -- it's the sound of a volcano. It's rock, it's earth shattering. Somewhere in our primal being we understand.
Hey, Christian rock, if you want to be good, stop copying U2. U2 already did it. You know what I mean? There's a lot of U2-esque Christian rock.
I just got off stage playing with Lynyrd Skynyrd a minute ago. It was a great show. Got to meet some incredible guests. This is the bee's knees.
How many a year has passed and gone and many gamble has been lost and won, and many a road taken by a friend and each one I've never seen again.
I find C major to be the key of strength, but also the key of regret. E major is the key of confidence. A-flat major is the key of renunciation.
If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs had taught me that.
You can't imagine parlor ballads drifting out of high-rise multi-towered buildings. That kind of music existed in a more timeless state of life.
Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.
I have lived in countries that were coming out of conflict: Ireland, South Africa, the Czech republic. People there are overflowing with energy.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
Every song has a piece of you in it, because just general regret, love. You have to basically zero in on the truth of those particular emotions.