The video forum for me has been a source of great consternation because once you start projecting a look to a song, it robs the listener of their ability to adopt that song and make the lyric their own.

Then not everything is gonna be the way you think it oughta be. It seems like everytime I try to make it right, it all comes down on me. Please say honestly you won't give up on me, and I shall believe.

There are no guarantees in the music field. There's a lot of rejection, a lot of criticism and a lot of disappointment. You have to be prepared for that. And after 1973, it just wasn't happening for me.

I have a formal education, but there's a whole lot you don't learn in school. And you only have so much time to figure it out. No matter how cerebral, celestial, how ethnic, there's a span of time here.

I always loved rock guitar. I just never put it together that that's what I'd end up doing. I had no aspirations to be a musician, but I picked up a guitar for two seconds and haven't put it down since.

I think there's no way of avoiding the South African or African influence from coming into my music, just because I spent 19 years of my life there. Being a kid, my early musical experiences were there.

I like looking at a future where we're expanding our creativity and brightening our lives. I believe that eventually we'll get to a point where we'll be able to live indefinitely through our technology.

I'm not going to get in to an argument with anyone about the relative merits of Judaism and Christianity, and what it means for a Jewish kid to be a Christian - I'm just not interested in that argument.

I only started playing piano because I had chickenpox when I was about 14 and wasn't allowed to play my drums for a whole week... We had a piano in the house, so I just sat down and played that instead.

I think I'm too cynical for L.A. My sense of humor doesn't go down well here, which probably affects my love life. I need to have a laugh track following me around so people know I'm trying to be funny.

Well, I've been reading a lot about the fifty years since the Second World War, about Western foreign policy and all that. I try not to let it get to me, but sometimes I just think that there's no hope.

I threw my son, Brandon, a rave for his birthday and I fully set it up like a crazy rave with lights and sound, me and my partner DJ'd - I got Mix Master Mike from the Beastie Boys to come DJ for a bit.

I never actually had a guitar lesson. I taught myself the guitar from piano exercise books, which led me to have a pretty good technique on the guitar and allowed me to find different ways to do things.

This country is filled with remarkable people. One of my best friend's families is from Iran, and they're the most American family of all time. Some of the best people that I've ever met are immigrants.

I love running in nature. I don't like running on the streets, I don't like running in the city, I don't like running on the concrete. I love running in nature, so Jamaica provides a lot of that for me.

Anyone can play an instrument if you show them how to move their limbs, lips or fingers the right way. It's irrelevant. What is relevant is personality, energy, creativity and disturbing sense of humour.

Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I'm not always comfortable with the idea of small talk at a party.

I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.

One of the biggest and most pleasant surprises is that, even when you have that need to keep up an appearance of being right or knowing, there is life after admitting you don't know and that's beautiful.

I think it is all about creating characters, mixing them up with the stars and the light-years, and coming back to Earth, because we're from this universe. We're not just New York or London; we're stars.

I have been using delay and reverberation since the middle 1960s. I use them to make what is almost inaudible to the ear, audible. I do not use them to play loudly but to make the higher harmonics heard.

Interested listeners have only to hear the recording to find out if those guys, who go to such pains to undervalue my work, are right. All people have to do is listen to realize it is a beautiful record.

Because of the fashion, the young people don't have any access to the history of music, unless people like me revive it. There are very few people to revive it, because you can't earn any money doing it.

It's like, what happened, I was always leading fashion, and then the grunge thing kind of came along. And because I've been so on top in the '80s you know, I, you know, what can I do? Suddenly go grunge?

When I wasn't in the band, Korn management hit me up every year or two asking me to rejoin. I would do book signings, and they would send someone to say, 'Hey, it would be cool to have you back one day.'

In the third grade, a nun stuffed me in a garbage can under her desk because she said that's where I belonged. I also had the distinction of being the only altar boy knocked down by a priest during mass.

I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could.

The first year I started liking the Dolphins was Super Bowl VI, which they lost to the Cowboys. I was 5. My whole family was pulling for the Cowboys, so I rooted for the Dolphins. They lost, and I cried.

Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.

There are times when I prefer a cerebral moment with an artist, and I'll just enjoy the wit of a Picabia or a Duchamp. It amuses me that they thought that what they did would be a good way of making art.

Punk. . .was more a kind of do-it-yourself, anyone-can-do-it attitude. If you only played two notes on the guitar, you could figure out a way to make a song out of that, and that's what it was all about.

I'm just wearing regular street clothes. Pretty much all the time. In the summertime, or when it gets warm out, shorts and sandals or something like that. Stuff that I don't mind getting a little sweaty.

I guess I am trying to get the point across that all of us are in need of salvation; that we are dead in our spirits and minds and need the grace that has been offered-no matter how good we think we are.

They were beginning to burn churches. They were beginning to move beyond crosses... They burned churches because they understood that the Christian faith was what inspired the movement and kept it going.

I was able to apply ukulele to whatever I'm trying to write. It's become part of songwriting for me, the knowledge I gained from hearing the melodies come out, and then applying that to guitar or vocals.

When I first went to school, I was fighting all the time. The soldier mentality was still in me. I kept getting expelled. I found it hard to take instructions from anyone who wasn't a military commander.

I feel that Jane's is really a vibe and a time. It wasn't like we were the Beatles. We didn't have crafty pop songs where it sort of didn't matter who played them because they're just really great songs.

Music is my way out. I keep things locked up and never say anything. I guess in order to say something to one person, I have to sing it to a couple of thousand. It doesn't make for healthy relationships.

The crux of the biscuit is: If it entertains you, fine. Enjoy it. If it doesn't, then blow it out your ass. I do it to amuse myself. If I like it, I release it. If somebody else likes it, that's a bonus.

We don't, as a collective life on this planet, all get groovy together or all sink into ignorance together. One by one we liberate our souls, our individual souls, from the cycle by our own realizations.

I'm grateful to myself and those closest to me me for having given me that non-material base that means I'm a happy man, one who doesn't have to compete or engineer projects he doesn't have his heart in.

The saddest thing was actually getting fed up with one another. It's like growing up in a family. When you get to a certain age, you want to go off and get your own girl and your own car, split up a bit.

My Chemical Romance is done. But it can never die. It is alive in me, in the guys, and it is alive inside all of you. I always knew that, and I think you did too. Because it is not a band- it is an idea.

I was never raised with the traditional story of creation in religion, and because of that I think I had a lot of questions. And evolution, the evolutionary narrative, helped provide some of that for me.

You don't just have to be influenced by rock, or goth, anymore. It's okay to say, 'My influences are Tin Pan music from Bali and Rihanna.' There are still so many combinations that haven't been done yet.

Once you say something, it stays said. I apologized to anyone who may have been hurt by what I said, and I really meant it. I am absolutely not interested in hurting anyone, or being mean or insensitive.

I wonder if it is Australia's great distance from more populated land masses that allows its inhabitants to be left to their own devices, to be incredibly creative and, at times, to be wonderfully weird.

I can't imagine being sixty years of age and playing music I wrote when I was in my twenties. I would rather sail the sea of consequence to new lands. Laps around the shallow end of the pool, not for me.

I'm influenced a lot by Nina Simone, Stevie Wonder, even Paul Weller - Billie Holiday as well: People who wrote and sang songs that were reflective of their times. I quite like that. I quite admire that.

I love festivals in that people seem to let their hair down more. I love that people run from stage to stage. I love going as a performer because you get to see band that you wouldn't necessarily go see.

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