Quotes of All Topics . Occasions . Authors
I went through my adolescence having this revelatory experience - I can have any music I want, and I can get it immediately. For me and for a lot of people I know, there's this musical eclecticism that happened.
Too bad that Paul Ryan confessed to being a fan of Rage Against The Machine. By doing so, he not only begged for a bucketing by many of their fans but actually got one from the band's guitar player, Tom Morello.
I have been listening to the Stooges' self-titled first album for well over half my life, and it remains one of the most exciting and essential records I have ever had the good fortune to come into contact with.
I've never raped or killed anybody, or hurt a kid. I've done all the more inept, high-volume stuff - like, "Whoops, sorry I came in your hair. Don't worry, I won't use your name when I tell this story on stage."
The talking shows are like free jazz. I'm just gonna go out there and blow with the idea of keeping it streamlined and not wasting time. It's wild. And it's a great thing when you see a performer really able to.
I am a politically motivated person, and that will come through in the music. I'm not sure if every song will be Take Me to Church, but I can only hope that people enjoy the body of work that I have ahead of me.
Well I like everything but my first love has always been piano because when I started out there was a piano in my house and it was there so I just started tinkling on it really so it's always been my first love.
It's not like that often, I mean, I suppose out of a ratio of 10 fans maybe like 1 or 2 of 'em might be Asian, and maybe every second or third time they might bring up something that they're Asian and I'm Asian.
I've been very blessed to have worked with two incredible directors - Barry Jenkins on 'Moonlight' and Ted Melfi on 'Hidden Figures' - and it was a collaborative effort in shaping my characters, Teresa and Mary.
One of the problems of our modern world is that there's a lot of things to work through, but, at some point, everybody should take a pause from that and make something, so that it's not just all one-way traffic.
Our society is run by insane people for insane objectives. I think we're being run by maniacs for maniacal ends and I think I'm liable to be put away as insane for expressing that. That's what's insane about it.
It made me sick - my name's Keith Richards. It hardly makes it against Howlin' Wolf or Muddy Waters, does it? On my first guitar I had Boy Blue written - just pathetic. But that was as good as I got at the time.
I didn't want to be that artist that is successful as a result of someone else. Not that that's wrong, but I felt like I had what it took. I really believed I could do it on my own, so I wanted to try, at least.
I'm left-handed, and it's not very easy to find reasonably priced, high-quality left-handed guitars. But out of all the guitars in the whole world, the Fender Mustang is my favorite. I've only owned two of them.
Unfortunately, as far as the music is concerned, what defines relevance is whether you are on the radio or whether you are on the cover of a magazine or whether you're winning MTV awards, and so on and so forth.
I think Thurston's and my weird tunings lent Sonic Youth a very different sound from the get-go. In the band's 30 years - aside from covers - there are maybe two or three songs we wrote using traditional tuning.
I find it hard to express myself when writing from the f - - - heart or the a - , or wherever. It's just like anything, it's (easier) when you get used to it, but I've not done it. I was just a singer in a band.
Learning how to center and control anger, fear, sadness, weakness and learning how to channel that into something smart, cerebralizing it, meditating on it and then moving into it with wisdom - that's important.
Another thing that was unique about working on this stuff was that I was engineering it. I used many of the things I had learned while I was away from the band. It sort of vindicated my decision to leave in '87.
If you make a strange, eccentric record - like the Velvet Underground's 'White Light/White Heat' - it takes on its own mood because it's less about a shrewd marketing plan; it's more about an individual emotion.
I'm not anything like Brad Pitt or Antonio Banderas, but maybe it's the taboo element of my image, which is almost deathlike, that attracts them. I should be the last person that [people] should be attracted to.
I am a character, so that's the problem. There are many, many levels to how I behave. Some people might associate being Marilyn Manson as having lipstick on, but I don't really have some sort of other lifestyle.
You just pick up a little bit of whatever the ones you think are appropriate, and you try and, you know, combine them. And then you bring in other people that are great for the things that you're not so good at.
The best part about Chickenfoot is that nobody needs the money. We've got nothing we need to prove to anybody. We wanted this to be a fun band and when we get in the studio it's just so loose, relaxed, and open.
Everyone in the movie industry wants to win an Oscar. I don't think that's why you make movies. But winning an Oscar is not just about making a great movie, unfortunately. It's also having a good Oscar campaign.
Saturday night is your big night. Everybody used to fry up fish and have one hell of a time. Find me playing till sunrise for 50 cents and a sandwich. And be glad of it. And they really liked the low-down blues.
If drummers are 'anti-solo,' that's up to them. They're musicians, and they can play whatever they want. But my inspirations early on were people like Buddy Rich, seeing him on 'The Tonight Show', or Gene Krupa.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song. What do I write about? I never know.
My stepmother sold my birth certificate and someone asked why I didn't buy it back. I don't know, really. I just couldn't bring myself to do it. It was mine. It cost me nothing and suddenly I had to buy it back.
Just slip out the back, Jack, make a new plan, Stan, you don't need to be coy, Roy, just get yourself free. Hop on the bus, Gus, you don't need to discuss much, just drop off the key, Lee, and get yourself free.
Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
If Oasis is the sound of a council estate singing its heart out, then the Libertines sounded like someone just putting something in the rubbish chute at the back of the estate, trying to work out what day it is.
I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours.
I'm in the strange position of the world drifting away from me, but you know what? I'm actually quite content with that. It doesn't bother me in the slightest. I don't feel like, 'Oh God, I'm being left behind.'
Out of the woods my Master came, Content with death and shame. When Death and Shame would woo Him last, From under the trees they drew Him last: 'Twas on a tree they slew Him--last When out of the woods He came.
As soon as I could put together the, you know, three or four notes that made up, like, sort of a rock and roll lick, you know, like a Chuck Berry kind of thing, I was off and running. Just completely taken over.
I originally wanted to go into sports, but my first concert was KISS at the shooting of 'KISS Meets The Phantom Of The Park.' The minute I saw Gene and Paul... it was all over. I knew that's what I wanted to do.
It's up to to you to perfect that gift that you've been given. Put your spirit into that song. Focus on the words that you are singing. Get into the experience that you are singing about and sing your heart out.
The truth is that we have to, as American citizens, stop thinking that this life that we're living, the things that we're dealing with, is some reality TV show. This is real life, real children, real situations.
I used to say that if something happened to my mother, I wanted to die with her. That's because I loved her so much. I want to live so I can carry out the essence of what she has shown me: kindness and goodness.
I think the time is right for yoga, we really are living in a very complex time - a time of great turmoil and change. Yoga is a good antidote to all that...It is almost like music in a way; there's no end to it.
Every breath you take and every move you make Every bond you break, every step you take I'll be watchin' you Every single day and every word you say Every game you play, every night you stay I'll be watchin' you
Hopefully, there's a place in music for Tinted Windows. If we're really trying to be iconic, we should just stop right now. If one of us could die, that would also help. But I don't think anybody wants that gig.
The Olympics are too powerful. I hate sports - they generate so much nationalism, sexism, homophobia, transphobia, racism, economic exploitation, displacement of communities to build worthless bankrupt stadiums.
And then computers got to a point where you could just record directly into them. So when that happened, funny enough, I thought, Right, I'm going to learn how to do this because then I can understand that part.
Each album I do, I try to have at least a slight rule, whether it's the band has to get together and record live, or all guitars, all fuzz on, all the time. It's varying and slight, but yes, I like having rules.
I was not in touch with reality. Growing up, I was being shielded without my knowing it, because even all the way up to the age of 15, I made these paper basketball men and played with them, like action figures.
I love coffee, I love my family, I love being in New Zealand - that's honestly one of my top five favourite things - faith is important to me, and I hope to be married one day. I love that coffee was number one.
In terms of content and instrumentation, I feel we have been extremely ambitious on every one of our albums going back to high school. We were the first screaming hardcore band to put a big ballad on our record.
Another Black Label motto. That's what I think life is. It's just another bridge to cross. You ask no questions. Whatever work it is you gotta do, you gotta go over it, under it, through it, around it, to do it.