Quotes of All Topics . Occasions . Authors
There are two types of collector, I think. There are those who are quite academic, and get into the archaeology of finding the earliest example of a particular idea. Then there are those interested in what's new.
The nice thing about being on stage is it's not that I know what to do, but I have a very clear feeling that anything I do is OK. All I'm up there to do is express how I feel. Any way I choose to do that is fine.
When I'm done with something, I'm done. I don't go back and listen to and pine for my old albums, or the Lollapalooza days, or 'Psalm 69' selling millions of records. Maybe I'm really just getting old and mellow.
You don't meet that many people that you can talk about Roots Manuva with, but that was my favorite in school, this record of his called 'Run Come Save Me.' When I first started writing lyrics, it came from that.
Music is the only thing that you can share with a million million people and you don't lose, you gain. It helps you to get energy and to live long, because when your soul is very happy then you don't want to die.
I was glad to see other blues guitarists like Albert King have crossover successes like me. We played in the same places like the Whisky and the Filmore. When Albert made his guitar cry, he could cut you so deep!
I am quite a romantic person, really, and I should have put that into my music earlier, but I was probably denying it... I didn't want to be soft because I felt I had to be so hard to get people to believe in me.
Let me ask you one question Is your money that good Will it buy you forgiveness Do you think that it could I think you will find When your death takes its toll All the money you made Will never buy back your soul
Men have a lot less to write about, unless you're somebody like Tom Waits or John Lennon. And the female voice is much more suited to melody. Men have this barky thing - we're domesticated apes with a microphone.
I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
I found a sound that people really liked - I found this basic concept and all I did was change the lyrics and the melody a little bit. My songs, if you listen to them, they're quite a lot alike, like Chuck Berry.
That was where my dream began to take hold, of not havin' to pick cotton and potatoes, and not havin' to be uncomfortable, too hot or too cold. That in itself had driven me to try to find some better way of life.
I never expected to record again. I knew I had done everything I ever wanted to do. I was satisfied. But... all the time I'm watching the country music horizon. And I'm sayin' 'Lord, is there anybody gonna come?'
At its core, kitsch feels like something less than art; it panders to the middle and is flagrantly anti-art, though it often apes or references art. This referential, ersatz quality is why it's so fun to collect.
I like being barefoot in my apartment. The comfiest shoe is the human foot, I think. There's all sorts of articles that say wearing a shoe is actually bad for the human foot. I love to go barefoot whenever I can.
The tough thing about radio is I've met a lot of people in it who like my music. But it's hard for them to figure out how to play what they like when there's somebody up above them yelling 'you have to play this.
I still have night terrors about things happening to my son. The worst things cross your mind when you care so much. I keep them at bay as best I can, and it's a struggle for me not to just do everything for him.
The fact that the public are mesmerised by Britney Spears, Lindsay Lohan and all these miserable people makes me laugh because those celebrities are more miserable than the people reading about them for escapism.
Basic atheism is not a belief. It is the lack of belief. There is a difference between believing there is no god and not believing there is a god - both are atheistic, though popular usage has ignored the latter.
I'd had a racist experience as a child at age 10, where people had thrown rocks at me and bottles. I didn't understand. And all it was, was because of the color of my skin, nothing I had done, nothing I had said.
Science has proved that everything is energy, and now they have dark energy, dark matter. They don't call it all-embracing consciousness; they call it dark because they can't measure it. You know, paint it black.
[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
We were pretty normal - suburban kids having a good time playing in bands. We were silly. We weren't dark, intense, humorless people. Humor was one of the connecting forces among us. It was more like camaraderie.
When I was 17 or 18 and it was time to figure out what to do with my life, I realized that I didn't enjoy anything as much as I enjoyed playing music. I felt that I had no choice: that I had to become a musician.
Every time when it comes to writing a book, I think, "I'm the last person in the world that should be doing this, I don't know anything, I can't do this." And I went through years of that with Into The Maelstrom.
Producing is getting the performances, tracking it, making sure all the parts are there. Mixing is when you take the finished work, and you make sure all the levels are right. It's putting all the parts together.
My priorities were taking the kids to school and being a mum and being a daughter and being a sister. Just spending a lot of that time with my family that I'd probably lost a lot of, touring with the Cranberries.
One summer I remember, I got exposed to Chuck Berry and Buddy Holly and Buddy Holly was a very very big, made a very big impression on me. Because of a lot of things, you know, the way he looked and his charisma.
We've always wanted to do it, something you could dance to, and deep down we always thought we could bring something to the table if we could do it, but the live shows always made us pull back and be a rock band.
Anyway, there is one thing I have learned and that is not to dress uncomfortably, in styles which hurt: winklepicker shoes that cripple your feet and tight pants that squash your balls. Indian clothes are better.
I've always said that if I could have made a living someway in gospel music, I would have loved to had that break, but it never was offered to me, a job in that field, so naturally, I got lost on that other road.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
It was a very lucky set of incidents that led to Wham! getting a record contract - although we weren't Wham! when we got the record contract. We were nothing; we were just two friends who had written a few songs.
We’ve always been fighters. There will always be something to fight against. So we’ll always fight, underdogs or not. If you put a wall in front of us, we don’t look to go round it. We just bust straight through.
It's interesting, there are a lot of similarities with being in the music business or being in a band, where a lot of it is business work you've gotta do, like emails. It's weird, I don't feel like I'm in charge.
Lately I've been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.
Inspiration comes from everywhere. Western, Non-Western cultures - I'm open-minded. I love to travel. But not only for inspiration. Alas, timewise, I have a problem with that. Touring, museums, designing, babies.
Muscle mass does not always equal strength. Strength is kindness and sensitivity. Strength is understanding that your power is both physical and emotional. That it comes from the body and the mind. And the heart.
Spending time in Calcutta [India] really did a number on me. The way life and death are almost the same thing, the way poverty is dealt with, the sheer number of dead bodies you see, it's all pretty overwhelming.
It's so easy to look forward when you're travelling; you spend your life looking forward, thinking, 'What's next? When do I get time to work on my music again? Or when do I get time to get my 'normal' life back?'
Because somebody plays guitar, why does it mean they need a singer? Because people already have this image of things? No, I'll put my music together, then think about whether I need to embellish it with a singer.
I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.
I think all writing is necessarily autobiographical to a greater or lesser extent, and the less it tries to be confessional, the more likely it is that you're somehow sneaking the things you need to say in there.
In Paris in 1964 was the first time I ever heard Dylan at all. Paul got the record (The Freewheelin' Bob Dylan) from a French DJ. For three weeks in Paris we didn't stop playing it. We all went potty about Dylan.
Each one of you has something no one else has, or has ever had: your fingerprints, your brain, your heart. Be an individual. Be unique. Stand out. Make noise. Make someone notice. That's the power of individuals.
I guess lyrically they're similar because they're talking about escaping the kind of misery that likes company. 'The Last One Alive,' for me, is very simple. It's just about alienation, really, that causes anger.
My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.
If the choice is between doing something supercool and having no one hear it and doing something equally cool and tricking people into putting it on the radio, I don't think the second option is some big sellout.
How do you get up in the morning? Another wasted life it's so boring The system never failed you You failed yourself and all of your friends Now your heart is failing too A total system failure they pronounce you
I never plan anything, which is probably the difference between Mick and myself. Mick needs to know what he's gonna do tomorrow and I'm just happy to wake up to see who's hanging around. Mick's rock and I'm roll.