Quotes of All Topics . Occasions . Authors
Gonna be a twister to blow everything down That ain't got the faith to stand its ground Blow away the dreams that tear you apart Blow away the dreams that break your heart Blow away the lies that leave you nothing but lost and brokenhearted.
When you fly to New York, sometimes they put you on hold and you just go round and around in a holding pattern. Sometimes in a concert, I feel other spirits in a holding pattern that they want to land through my heart and through my fingers.
I'll admit that I'm not quite certain how to sum up an entire year in music anymore; not when music has become so temporal, so specific and personal, as if we each have our own weather system and what we listen to is our individual forecast.
When I made it, I still didn't wave the flag and say, Yeah go Asian people. I do want people to know that about me, but I always felt like at least musically, let me just do what I do and be the best at it. Which is what I'm doing right now.
People say, "Well, we're all just going to die and go to heaven anyway, or Jesus is going to come back" or something. I don't feel like God wants us just to lay down and die just because that's going to happen. I think we should keep trying.
Alright...here's the deal. What's happening in this piece is very simple, over here on this side...you see that there is a very scared little kinda guy over there...wanna know why he's scared? Because this guy over here is trying to eat him.
There are people that have that confidence, who march into VIP areas. I assume I won't get in. I don't say, 'Do you know who I am?', but sometimes I'm with someone who says it for you. Then, I pretend to be all, 'Oh, please don't shame me!'.
Our schedules haven't permitted us to do shows in a while and now we're gonna do it but that's it. It's cool, we'll see what happens, I'm just excited to do it. We never broke up, there's no reason to, why would I? We don't have to break up.
The Bible and several other self help or enlightenment books cite the Seven Deadly Sins. They are: pride, greed, lust, envy, wrath, sloth, and gluttony. That pretty much covers everything that we do, that is sinful... or fun for that matter.
And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
Tired of lying in the sunshine, staying home to watch the rain You are young and life is long, and there is time to kill today And then one day you find, ten years has got behind you No one told you where to run, you missed the starting gun.
As a melody instrument player, it's all about getting from one note to the next, and those intervals and how you navigate your way through these vertical structures of chords. You realize that everything's moving forward and it's all linear.
We make music for a living. Like I've always said, if you like what you're doing, you're halfway there; if someone else likes it, that's even better. If they don't like it, at least you like it. Not to be selfish, but you kind of have to be.
For Unlawful Carnal Knowledge' took a year to record; that's why the playing on it might sound somewhat labored. 'Balance,' on the other hand, was written and recorded in only four months, so the whole process was quicker and more immediate.
When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.
Very much like that, and very much a loner, do you know and I didn't fit really into sport or all kind of group activities as a kid, I couldn't find a niche. And music was not really part of the kind of village curriculum it would, you know.
Me, I don’t want any children, I don’t want responsibility. I am gay, I smoke weed and I do exactly what I want in my life because of my talent. I represent an ideal which others have had to let go and they blame me for that. Especially men.
In the two years of preparing material for shows, I realized there are elements that are definitely going to work live, but might not be the most exciting thing to put on a record. And there's stuff that I really love but it falls flat live.
I'm not a tech fan. I don't get that charge that comes from having the new little gizmo in your pocket. Maybe I'm a dinosaur. There's nothing battery-operated that will help me write songs any differently from the way I've done it for years.
I'm usually busy - if you call me at the house, I get about four phone calls there a year - I'm usually running around the house with a pen in my mouth holding onto something, folding it, or doing something to it, and it's always a bad time.
I've been on 'Jay Leno,' and everyone likes Jay, but being on that show is a really boring afternoon. I sincerely like Jay, but I wouldn't want his job, because I'd have to interview Kathy Ireland, and there's nothing there I'd want to know.
Each year, every city in the world that can should have a multiday festival. More people meeting each other, digging new types of music, new foods, new ideas. You want to stop having so many wars? This could be a step in the right direction.
I don't get a rush from anything. I did music as hard as I could. Acting for me at least, is a far more restrained performance than music. It requires a lot of skill and discipline. I'm not any good at it but I enjoy trying to be good at it.
Pride is not a word or sentiment I can ascribe to anything I have done or do. As far as regret, it is a luxury I can not afford. Anything I did, that was bad or wrong or regretful, I stand accused, I am guilty and I'm ready to serve my time.
People often ask us if we had direct influences. Honestly, just a lot of different music - not necessarily individual people. We listen to anything from Bob Dylan to Massive Attack to Aerosmith to En Vogue. We very much enjoy all that music.
The premise of anything you do - whether it's writing a song or any business - is ultimately that it hinges heavily on your belief in the thing that you're doing and promoting and selling. It's a reflection of who you are in a very deep way.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
I still skate occasionally but last time I did, at our show in Hanford, I did a 360 frontside varial over our rolled-up banner and broke every damn bone in my body. Ok, I only broke one bone. Well, I didn't break any bones, but I could have!
Improvisation is risky. I like that. Another practical reason for that is that you have to go out and play every day on a tour. I couldn't do it if I thought I was going to do the same songs every day in the same order, like a full-on robot.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
I don't think I've ever actually written from inspiration, actually had a song just go, 'Bing!' I only recall that happening to me twice - once was with 'Terrapin' and the other was 'Wharf Rat.' I mean, that's twice in a lifetime of writing!
There is nothing conceptually better than rock 'n' roll. No group, be it Beatles, Dylan or Stones, have ever improved on Whole Lot of Shaking for my money. Or maybe I'm like our parents: that's my period and I dig it and I'll never leave it.
There are a lot of things going on in politics at the moment which means that people can't concentrate on politicians' personalities and the characters of those who are actually running this country. This can overcome what politics is about.
I'm a guy so I equate vulnerability with fear. What makes me fearful. I feel vulnerable when I release material, my work, to the world, and I have no control over the outcome. Those are very vulnerable moments. I'm getting married on Friday.
The actual process of travel I really like, because that time on planes and in airports makes me feel like I'm moving around like a ghost. There's a certain aspect of justifiable downtime. I really feel like being online is so pervasive now.
It's morning when I go to sleep In the distant dawn a church bell rings Another day is coming on A baby's born, an old man dies Somewhere young lovers kiss good-bye I leave my soul and just move on And wish that I was there to sing this song
I consider my job [being a musician] is to have a little idea and nurture it and put it in some form that everybody else can understand and then sort of pass it on. It's really a passing through. In other words, you receive and you transmit.
Any man that hits a woman is not a real man, he's a coward. With my wife Jodi, I think it's my job to protect her and stop anything bad happening in her life. Abusing your partner is the opposite of that. I want her to wake up and feel safe.
Nobody can deliver a line better than Jadakiss. That's where I learned my technique. He can deliver punchlines so perfectly wrapped up for you to enjoy. If I had a different favorite rapper, I wouldn't be able to make some of the music I do.
I recognise that the whole issue of downloading and intellectual property rights is not an easy one, but on the whole, I'm a fan of downloading, both legal and illegal, and the open-source ethos that it harbours for the future is a good one.
The world is changing, and the way we consume music is obviously changing. I was one of the biggest CD advocates you will find, but when Apple music and digital options came out, like for everyone else, it was more conducive to my lifestyle.
I'd been DJ-ing in these clubs in N.Y. and I hated everything that was coming out. So I decided I would make it myself. People were making mash-ups or remixes, but I was extra bored, so I actually started remaking these records from scratch.
My greatest struggle is to coexist while watching the people I love choose less than life-supporting paths via drugs, alcohol, or poor lifestyle decisions. There is so much to life; my heart breaks watching someone held captive by addiction.
I have things that I'm interested in, and I'm not really interested in writing about anything that I'm not interested in. But it's important to me to be able to see it from a different perspective, and add something new to the whole picture.
As soon as people realize that the majority of people in this country take drugs then the better off we'll all be. It's not like a scandalous sensation or anything like that... drugs is like getting up and having a cup of tea in the morning.
I don't dislike rappers or hip-hop or people who like it. I went to the Def Jam tour in Manchester in the '80s when rap was inspirational. Public Enemy were awesome. But it's all about status and bling now, and it doesn't say anything to me.
I tried heroin just the once. Even then, I didn't realize I'd taken it. I was just handed something, smoked it, then found out what it was. It didn't do anything for me, which was lucky because I wouldn't have fancied heading down that road.
When a poem might become a song, then certain parts are repeated and might become a refrain or a chorus, so they change in that way. But it's more the nature of the words and what they're saying that determines whether it's a poem or a song.
I think I just speak on what the regular people are going through outside of love 'cause, of course, there's always gonna be a love song, but there's so many other parts of life... being lost, feeling your way around, what you gonna do next.