Some people—and I am one of them—hate happy ends. We feel cheated. Harm is the norm. Doom should not jam. The avalanche stopping in its tracks a few feet above the cowering village behaves not only unnaturally but unethically.

and in some of the people of the town and community surrounding it, one of the characteristic diseases of the twentieth century was making its way: the suspicion that they would be greatly improved if they were somewhere else.

With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.

I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.

The journey of life is like a man riding a bicycle. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. We know that if he stops moving and does not get off he will fall off.

The really heroic thing about Nick Hornby is that he lives in north London and rarely leaves it... Every English writer needs their corner that is forever England - but only a few brave men choose to make that corner Highbury.

You don't come to live here unless the delusion of a reality shaped around your own desires isn't a strong aspect of your personality. A reality shaped around your own desires - there is something sociopathic in that ambition.

There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don't want to, don't much like what you're writing, and aren't writing particularly well

Such as it is, the press has become the greatest power within the Western World, more powerful than the legislature, the executive and judiciary. One would like to ask; by whom has it been elected and to whom is it responsible?

As for me... I'm fine. I have bad dreams, but I never saw Mister Duck again. I play video games. I smoke a little dope. I got my thousand-yard stare. I carry a lot of scares. I like the way that sounds. I carry a lot of scares.

She said to the Daisy girl with her big brown eyes: 'I will not have it plain. No. Fancy. It must be fancy!' She meant her future. A moon-daisy dropped to the floor, down from her hair, like a faintly derisive sign from heaven.

Many characters in the novel are representative of types that exist in India. He represents the caste system in India with an air of superiority, the caste system in India and the people thinking that western things are better.

In Orphan Train, Christina Baker Kline seamlessly knits together the past and present of two women, one young and one old. Kline reminds us that we never really lose anyone or anything or – perhaps most importantly – ourselves.

I was reminded of the Four Immutable Laws of the Spirit: Whoever is present are the right people. Whenever it begins is the right time. Whatever happens is the only thing that could have happened. And when it's over, it's over.

I've always thought I could use my brain and my heart to jockey everyone around to the good. But life is not jockeyable. When you try, you make people infinitely crazier than they already were, including or especially yourself.

I don't want to say I hear voices; well, actually I do hear voices, but I don't think it's supernatural. I think it's just that when characters are given enough texture and backbone, then lo and behold, they stand on their own.

For themost of us, if we donot talkof ourselves, orat any rate of the individual circles of which we are the centres, we can talk of nothing. I cannot hold with those who wish to put down the insignificant chatter of the world.

There is no point treating a depressed person as though she were just feeling sad, saying, 'There now, hang on, you'll get over it.' Sadness is more or less like a head cold- with patience, it passes. Depression is like cancer.

A sound-bite culture can't discuss science very well. Exactly what we're losing when we reduce biodiversity, the causes and consequences of global warming-these traumas can't be adequately summarized in an evening news wrap-up.

The strangest thing about the low quality of Internet argument is that effective argument isnt really so difficult. Sure, not everyone can be Clarence Darrow, but anyone who wants to be at least competent at argument can do it.

The most important guideline when it comes to argument is the golden rule. If someone were addressing your point, what tone, what overall approach would you find persuasive and want her to use? Whatever that is, do it yourself.

I love to watch the movement of light on water, and I love to play in rivers and lakes, swimming or canoeing. I am fascinated by people who work with water - fishermen, boatmen - and by a way of life that is dominated by water.

I'm asked all the time, 'Doesn't it feel great to finish the novel?' And the answer to that is, 'No.' It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination.

No man knows where the Castle of King Death is. All men and women, boys and girls, and even little wee children should so live that when they have to enter the Castle and see the grim King, they may not fear to behold his face.

[God] will not be used as a convenience. Men or nations who think they can revive the Faith in order to make a good society might just as well think they can use the stairs of heaven as a shortcut to the nearest chemist's shop.

I think we must fully face the fact that when Christianity does not make a man very much better, it makes him very much worse... Conversion may make of one who was, if no better, no worse than an animal, something like a devil.

Every good book should be entertaining. A good book will be more; it must not be less. Entertainment…is like a qualifying examination. If a fiction can’t provide that, we may be excused from inquiring into its higher qualities.

At a well in a yard they met a man who was beating a boy. The stick burst into a flower in the mans hand. He tried to drop it, but it stuck to his hand. His arm became a branch, his body the trunk of a tree, his feet took root.

I was a pretty angry kid, and I got into military history largely as a way to vent my own anger. As I got older it narrowed down to a more specific focus on individual violence. I'm just trying to understand where it came from.

The reality about being economically dependent on someone else usually doesn't work out for women in the end. It's about being an adult and being responsible for your life. Most women have to work, so let's just get on with it.

You have an absolute freedom in Mexican writing today in which you dont necessarily have to deal with the Mexican identity. You know why? Because we have an identity... We know who we are. We know what it means to be a Mexican.

Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.

There is, I am convinced, no picture that conveys in all its dreadfulness, a vision of sorrow, despairing, remediless, supreme. If I could paint such a picture, the canvas would show only a woman looking down at her empty arms.

The father’s job is to teach his children how to be warriors, to give them the confidence to get on the horse to ride into battle when it’s necessary to do so. If you don’t get that from your father, you have to teach yourself.

The obliterated place is equal parts destruction and creation. The obliterated place is pitch black and bright light. It is water and parched earth. It is mud and it is manna. The real work of deep grief is making a home there.

I can manage my own pain. I can drink. I can go to the doctor and get a prescription. I can exercise. I can write a story about it. I've done it a million times! But I don't want to see the people I love tortured and suffering.

I think that one of the great things about spending - as in my case - twenty-something years with somebody is that at some point you do love the actual person. They're there little by little, the outline is really pretty clear.

Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it that way.

Initial excitement over the announcement that Enbridge was building a pipeline to Kitimat dampened considerably when people discovered that the number of permanent jobs for locals, in the end, would amount to some dock workers.

A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness.

Archer reddened to the temples but dared not move or speak: it was as if her words had been some rare butterfly that the least motion might drive off on startled wings, but that might gather a flock if it were left undisturbed.

The newspaper has debauched the American until he is a slavish, simpering, and angerless citizen; it has taught him to be a lump mass-man toward fraud, simony, murder, and lunacies more vile than those of Commodus or Caracalla.

Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we...yes, I assure you...we should be begging to be under control again at once.

But do you understand, I cry to him, do you understand that if you have the guillotine in the forefront, and with such glee, it's for the sole reason that cutting heads off is the easiest thing, and having an idea is difficult!

Wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.

If I could only fancy myself clever, it would be better, but to be a failure of Nature and to know it is not a comfortable lot. It is the last lesson one learns, to be contented with one's inferiority -- but it must be learned.

It is, I fear, but a vain show of fulfilling the heathen precept, ''Know thyself,'' and too often leads to a self- estimate which will subsist in the absence of that fruit by which alone the quality of the tree is made evident.

If you want to keep a secret, you must also hide it from yourself. You must know all the while that it is there, but until it is needed you must never let it emerge into your consciousness in any shape that can be given a name.

Once a man has seen a dragon in flight, let him stay home and tend his garden in content, someone had written once, for this wide world has no greater wonder." Tyrion scratched at his scar and tried to recall the author's name.

My characters who come back from death are worse for wear. In some ways, they're not even the same characters anymore. The body may be moving, but some aspect of the spirit is changed or transformed, and they've lost something.

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