Quotes of All Topics . Occasions . Authors
I believe with all my heart in delivering on my contract with my readers. They've got plenty of other things to do, so I had better give them a reason to turn every one of these 550 pages. This is my promise: I solemnly swear I'll make you laugh out loud at least once, cry a little in private, and burn whatever you left on the stove.
That's how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers. That's how I became the boy who never understood how anything worked. That's how I became the boy who wouldn't save a friend. That's how I became the boy who couldn't love the girl.
And in that far distant day when the gods become wholly beautiful, or we at last are shown how beautiful they always were, this will happen more and more. For mortals, as you said, will become more and more jealous. And mother and wife and child and friend will all be in league to keep a soul from being united with the Divine Nature.
We may give our human loves the unconditional allegiance which we owe only to God. They they become gods: then they become demons. Then they will destroy us, and also destroy themselves. For natural loves that are allowed to become gods do not remain loves. They are still called so, but can become in fact complicated forms of hatred.
Alas," said Aslan, shaking his head. "It will. Things always work according to their nature. She has won her heart's desire; she has unwearying strength and endless days like a goddess. But length of days with an evil heart is only length of misery and already she begins to know it. All get what they want; they do not always like it.
We said we would meet again but we made no arrangements. Not out of any bad feeling between us, but because I felt it had all been said, or not said but understood, and she probably did too. To know she was there was enough, and for her to know I was around was probably too. Sometimes that's all people ever really need. Just to know.
It's funny, it never occurred to me that a movie star would play me. But now that she [Reese Witherspoon] is playing me, it's like, of course, it couldn't be anyone else! I don't know if you've seen pictures of Reese and me and Reese and my daughter Bobbi, who's named after my mother, and also plays me. There's a kind of resemblance.
Writers shouldn’t underestimate the difficulty of what they’re doing, and they should treat it with great seriousness. You’re doing something that really matters, you’re telling stories that have an impact on other people and on the culture. You should tell the best stories you can possibly tell and put everything you’ve got into it.
To enslave an individual troubles your consciences, Archivist, but to enslave a clone is no more troubling than owning the latest six-wheeler ford, ethically. Because you cannot discern our differences, you assume we have none. But make no mistake: even same-stem fabricants cultured in the same wombtank are as singular as snowflakes.
I saw the logic that they used, and the death of a thousand cuts as experimental scientists slowly chipped away at the belief that the world was an inexplicably powerful, magical place. Ultimately they failed, though. The magic never really went away. It waited, quietly, for people to return to it when they found the science wanting.
Before I decided to concentrate on writing, I drew pictures and painted, and made Super 8 experimental movies. I was the singer in three rock bands, and I wrote and staged and acted in plays for kids in my neighborhood. So I was kind of all over the place in my interests and far-flung in terms of where my creativity wanted to end up.
...we're told by TV and Reader's Digest that a crisis will trigger massive personal change--and that those big changes will make the pain worthwhile. But from what he could see, big change almost never happens. People simply feel lost. They have no idea what to say or do or feel or think. they become messes and tend to remain messes.
The richness of the rain made me feel safe and protected; I have always considered the rain to be healing—a blanket—the comfort of a friend. Without at least some rain in any given day, or at least a cloud or two on the horizon, I feel overwhelmed by the information of sunlight and yearn for the vital, muffling gift of falling water.
I am not sure I knew what I was doing, writing an "apocalypse" novel, when I started this book. Now that the book is done, I can own that I have in fact written an apocalypse novel, one that speculates on a dark, dark future. Why I did it, I really don't know - every time people read my work they comment on its darkness, its sadness.
True originality consists not in a new manner but in a new vision. That new, that personal, vision is attained only by looking long enough at the object represented to make it the writer's own; and the mind which would bring this secret gem to fruition must be able to nourish it with an accumulated wealth of knowledge and experience.
Each time a mediocre singer performs, he is saying, in effect, "This is good enough for you." The audience, thrust into that familiar American mood of knowing something is wrong but not knowing what it is, unconsciously absorbs the insult and projects it back onto the mediocre performer in the form of inattention, rudeness and noise.
The camera has a mind of its own--its own point of view. Then the human bearer of time stumbles into the camera's gaze--the camera's domain of pristine space hitherto untraversed is now contaminated by human temporality. Intrusion occurs, but the camera remains transfixed by its object. It doesn't care. The camera has no human fears.
When I look back on my past and think how much time I wasted on nothing, how much time has been lost in futilities, errors, laziness, incapacity to live; how little I appreciated it, how many times I sinned against my heart and soul-then my heart bleeds. Life is a gift, life is happiness, every minute can be an eternity of happiness.
What makes a hero? Courage, strength, morality, withstanding adversity? Are these the traits that truly show and create a hero? Is the light truly the source of darkness or vice versa? Is the soul a source of hope or despair? Who are these so called heroes and where do they come from? Are their origins in obscurity or in plain sight?
When a homemaking aunt scolds a niece for following her evangelistic passion instead of domestic pursuits, her reply is interesting. First, she clarifies that God's individual call on her doesn't condemn those in more conventional roles. Then, she says she can no more ignore the cry of the lost than her aunt can the cry of her child.
To say "I accept" in an age like our own is to say that you accept concentration-camps, rubber truncheons, Hitler, Stalin, bombs, aeroplanes, tinned food, machine guns, putsches, purges, slogans, Bedaux belts, gas-masks, submarines, spies, provocateurs, press-censorship, secret prisons, aspirins, Hollywood films and political murder.
Some people speak and sing and walk and sit and sleep and silence their homesickness, for a long time, and to no avail. Some say that over time homesickness loses its specific content, that it starts to smolder and only then becomes all-consuming, because it’s no longer focused on a concrete home. I am one of the people who say that.
Without a revolution of the inner life, however slow, all our big designs are worthless. The work we have to do is with ourselves if we're ever going to be at peace with each other...the good that flows from it will shape our societies in an unprogrammed, unforeseen way, under the control of no single group of people or set of ideas.
It took a qualified wizard to detect a summoning in progress. It required only a half-literate idiot with a twitch of power and a dim idea of how to use it to attempt one. Before you knew it, a three-headed Slavonic god was wreaking havoc in downtown Atlanta, the skies were raining winged snakes, and SWAT was screaming for more ammo.
If you continue to transfer the wealth of the population of the planet to a very small amount of people, it becomes untenable at some point, a democracy, because people eventually will realize what's going on. You can only bulls - t people through kinds of media outlets for so long, and eventually you have to physically control them.
You thought I would not weesh to marry him? Or per'aps you hoped?" said Fleur, her nostrils flaring. "What do I care how he looks? I am good-looking enough for both of us, I theenk! All these scars show is zat my husband is brave! And I shall do zat!" she added fiercely, pushing Mrs. Weasley aside and snatching the ointment from her.
And I left the aspirin next to the phone with a tall glass of water. Figured you weren’t going to be able to make it to the coffeepot. Take three, turn your ringer off, and sleep. If anything exciting happens, I’ll come and get you.” “I love you, honey.” “So buy me a mink and a nice pair of earrings for our anniversary.” “You got it.
Let's take my truck," Jim said as he hit the gravel. "Less noise." And it has a radio, right?" With tragic concentration Adrian started warming up his voice, sounding like a moose being backstroked by a chesse grater. Jim shook his head at Eddie as the doors opened "How can you stand that racket?" Selective deafness" Teach me,master.
Viewed from a distance, or through the eye of the All-Knowing CEO of the Universe, the crash of 2008 followed the usual pattern. A long-lived boom driven by cheap credit, going back as far as 1982 (though subject to interruptions in the mid-1980s and 1990s, and in 2001), came to grief because of a rise in the cost of borrowing money.
A woman’s beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman’s body.
If you look at the best-seller list, it is mostly thrillers. Very few books attempt to create an image of the life we live. I knew there were writers who wore tweed coats and lived in Connecticut and somehow made a living, and that's what I aimed to do. I've tried to write as well as I can with books that say something to any reader.
I think the judging process is full of integrity, compared to some other prizes around the world. The fact that they change the panel of judges every year keeps it from becoming corrupt. I think it's very difficult if you've got judges for life; obviously relationships are cultivated between judges and authors, and publishing houses.
My family left Afghanistan in 1976, well before the Communist coup and the Soviet invasion. We certainly thought we would be going back. But when we saw those Soviet tanks rolling into Afghanistan, the prospect for return looked very dim. Few of us, I have to say, envisioned that nearly a quarter century of bloodletting would follow.
You'll have to forgive me this boldness, but I think women are very fortunate that men exist! The gods are very wise and certainly knew what they were doing. They created the sun and the moon, light and darkness, the eagle and the serpent, all for the same reason. They are perfect complements and the mechanism we use to reach heaven.
It's more like I write multiple first drafts, handwritten. So with my first novel, I wrote whole drafts from different points of view. There are different versions of that novel in a drawer on loose-leaf sheets. I won't even look at the first draft while I'm writing the second, and I won't look at the second before writing the third.
One of the cheapest commodities in the world is unfulfilled genius. All of us want to be known as a unique individual, the one who broke out of the pack. So, you offer yourself up as a sacrifice and what you’re afraid of is losing and being thrown back into the pack. One question taunts you. Do you want to have, or do you want to be?
Indeed, the hype around 'Watchmen' is its curse. If you want to enjoy the comic for what it is, ignore the attributions of literariness and the novelistic pretensions with which some critics have imbued it. This isn't high culture, and it doesn't pretend to be. It's good, juicy pulp fiction with a little nuclear apocalypse thrown in.
However, the danger in [socially unbalanced relationships] is that the subjection of the woman temporarily calms the man's jealousy but also renders it more demanding. He ends up making his mistress live like those prisoners on whom light is shone day and night in order for them to be better watched. And things always end in tragedy.
There is probably no one, however rigid his virtue, who is not liable to find himself, by the complexity of circumstances, living at close quarters with the very vice which he himself has been most outspoken in condemning -- without altogether recognizing it beneath the disguise of ambiguous behavior which it assumes in his presence.
I consider it as a foreshadowing of modernity in many different respects, and the consistency of character is interesting to the emerging modern psychology. The emphasis on dream knowledge relates quite deeply to psychoanalysis, although I suppose psychoanalysis wouldn't like to say that... Freud was always saying he was a scientist.
Amis is acutely, vibrantly sensitive to the different registers of laughter. He knows that it can be the most affirming and uniquely human sound, and also the most sinister and animalistic one. He understands every note of every octave that separates the liberating shout of mirth from the cackle of a bully or the snigger of a sadist.
When I write to you, I feel your breath; when you read them, I imagine you feel mine. Is it that way with you too? These letters are part of us now, part of our history, a reminder forever that we made it through this time. Thank you for helping me survive this year, but more than that, thank you in advance for all the years to come.
I have boys, and boys are particularly resistant to reading books. I had some success recently with Sherman Alexie's great young adult novel 'The Absolutely True Diary Of A Part-Time Indian.' I told my son it was highly inappropriate for him and one of the most banned books in America. That got his attention, and he raced through it.
To blame the poor for subsisting on welfare has no justice unless we are also willing to judge every rich member of society by how productive he or she is. Taken individual by individual, it is likely that there's more idleness and abuse of government favors among the economically privileged than among the ranks of the disadvantaged.
And it was back in the mid-1980s, and as I point out in a piece, that was when we are spending about eight percent of our gross domestic product on health care. And even then, we had the impression that so much of the excessive, aggressive medical treatment that took place at the end of life was not only unnecessary but it was cruel.
That is the operatic problem; the singer must keep up a big head of steam while trying to appear secretive, or seductive, or consumptive. Some ingenious composer should write an opera about a group of people who were condemned by a cruel god to scream all the time; it would be an instantaneous success, and a triumph of versimilitude.
War has its necessities...and I have always understood that. Always known the cost. But, this day, by my own hand, I have realized something else. War is not a natural state. It is an imposition, and a damned unhealthy one. With its rules, we willingly yield our humanity. Speak not of just causes, worthy goals. We are takers of life.
Darkness invades the dreams of the glassblower. Of all the unpleasantries his dreams grab in out of the night air, an extinguished light is the worst. Light in his dreams, was always hope: the basic, moral hope. As the contacts break helically away, hope turns to darkness, and the glassblower wakes sharply tonight crying, "Who? Who?"
When i get home, I sit on the front step and take deep breaths of the cool spring air for a few minutes. My mother was the one who taught me to steal moments like those, moments of freedom, though she didn't now it. I watched her... But I learned something else from watching her too, which is that the free moments always have to end.
What do--" Tobias's voice. Tobias! "Oh my God. Oh--" "Spare me your blubbering, okay? Peter says. "She's not dead; she's just paralyzed. It'll only last for about a minute. Now get ready to run." I don't understand. How does Peter know? "Let me carry her," Tobias says. "No. You're a better shot than I am. Take my gun. I'll carry her.