There was a time we decided that it was songs that were done especially from my background because of the things we were dealing with, but nowadays, anybody who has a need, and can find the need, they can sing the blues.

In the Lonely Hour is about a guy that I fell in love with last year, and he didn't love me back. I think I'm over it now, but I was in a very dark place. I kept feeling lonely in the fact that I hadn't felt love before.

People say, 'He doesn't want to be a spokesperson for the gay community.' I do, of course I do, but I want to be a spokesperson for everyone. Ya know, straight people, gay people, bisexual. I don't want it to be limited.

I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.

I think that's my hope for a lot of the feminist movement is that the gender thing sort of stops being the selling point, if that makes any sense. We're just people making art, and that's how this process has felt to me.

With rock music, the amount of power that you can generate, the intensity behind the intentions of your lyrics that you can really reflect through rock music - you can't do that in jazz. You can't do that with classical.

You do try to write songs that you feel like people can relate to and you try to be as honest as you can so that people hear your records and they feel like, "Oh, my god. This is exactly how I feel. I went through this."

People like music when they're in love, but they don't need it as much. You need music when you're missing someone or you're pining for someone or you're forgetting someone or you're trying to process what just happened.

I just think it's a blessing that I was able to have the gift of words and to be able to put them into music. I was given a great gift all the way around. I didn't ever have to really go out and look for songs, you know.

I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.

I wear this crown of thorns Upon my liar's chair Full of broken thoughts I cannot repair Beneath the stains of time The feelings disappear You are someone else I am still right here What have I become My sweetest friend?

Our moms accuse us of selling out all the time, so we're still trying to cope with that. They claim to be true fans, like they've been there from the beginning, and they think that we've kind of, like, changed as humans.

It's like something happened to you that caused you to do what you do...you heard something somewhere, you felt something about this music that was definitely part of your own vision. That's what the whole thing is like.

Don't want to discuss it, I think it's time for a change You may get disgusted, some think that I'm strange In that case I'll go underground, get some heavy rest Never have to worry, about what is worst and what is best.

I'd like to be able to be more topical and timely and more of-the-moment and I think the way to do that is, instead of waiting until I have twelve songs to release all at once, just to release them as I come up with them.

What influenced me was Tori Amos, who was unapologetic about expressing anger through music, and Sinead O'Connor. Those two in particular were really moving for me, and very inspiring, before I wrote 'Jagged Little Pill.'

I hear you calling and it's needles and pins (And pins) I want to hurt you just to hear you screaming my name Don't want to touch you but you're under my skin (Deep in) I want to kiss you but your lips are venomous poison

I went through a string of A&R men who all thought I should be doing something different. One thought I should be a dance diva; another thought I should do Rock n' Roll; and one thought I shouldn't even be singing at all!

Second Wave feminism started with consciousness-raising groups, which sounds "big" but it's really just house parties. Women getting together and saying, "You feel this way?! Me too!" Hanging out is consciousness-raising.

I embrace everybody, but you work everybody and each song at a time to who it is for. I believe that's how you build a palace. You build a palace one block at a time and then you'll have what you want. That's how it goes.

My parents are divorced, and seeing that was really painful for me. Really painful for me. But that's also a big part of why I'm intrigued by the dynamics between people - because I was close to something that fell apart.

A man who graduated high in his class at Yale Law School and made partnership in a top law firm would be celebrated. A man who invested wisely would be admired, but a woman who accomplishes this is treated with suspicion.

I always think that the exceptional people are those who remain outsiders but still communicate on a grand scale. I think I want everyone to feel more free, and so I feel really claustrophobic on behalf of lots of people.

It was a huge deal, a huge musical discovery that became life lessons learned. You can't return from having an experience like that. The Blind Boys are truly the deepest well of American musical heritage you can discover.

I write and sing about whatever I am able to understand and feel. I feel that it is healthier to look out at the world through a window than through a mirror. Otherwise, all you see is yourself and whatever is behind you.

I'm in a relationship, and I've been in one in a while, but all the people I've been with at various points - and I've had sequentially monogamous relationships my whole life - were all the right people at the right time.

Leigh Bowery was actually quoted as saying, "Flesh is my most favorite fabric." I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.

I'm fighting a losing battle here: I'm trying to lose some weight. I love chocolate; that's one of my biggest downfalls. I haven't gotten a whole lot of chocolate, thank goodness, because I'd probably be about 300 pounds.

When I was in seventh grade, I totally had a crush on a guy who was older than me, and he listened to alternative music. So he was into Days of the New and stuff like that, and more poppy stuff, too, like Matchbox Twenty.

I did not come into contact with any Muslim before I embraced Islam. I read the Qur'an first and realized no person is perfect, Islam is perfect, and if we imitate the conduct of the Holy Prophet... we will be successful.

The theatre is a world in itself. The possibility for creating experiences that move people is increased many times over. In the end, the best stories are usually about a battle of good over evil - that has never changed.

I think it's important to really press on with the song writing and just go with it. There's no code, there's no craft... it's just let yourself shine through your music. If it's meant to be loved and heard, it'll happen.

I'm not an old-fashioned, booze-and-drugs rock 'n' roller. For me, rock 'n' roll is all about doing whatever you want. It's about defying convention and being who you are. I'd rather go swimming or running or kite flying.

There are so many songs that have become massive hits merely because the video is great, while the song is pretty rubbish. From that point of view, I think I've always preferred to listen to a song rather than look at it.

I don't feel real confident expressing myself except when I'm writing. I feel kind of scatterbrained. I can see everything from both sides and that makes it hard to reach conclusions. Writing enables me to clarify things.

When I talk about the Internet, it's because young people are there. TV and radio are still what moves the masses, and you can't ignore that. But you also have to feed that monster that grows daily, which is the Internet.

When I'm with the wife, and we're having a romantic night, I occasionally think about a glass of red wine, but I'll order a sparkling water. I'd like the wine, but it wouldn't end with one glass, so I don't even go there.

When it came time to do 'One Hundred Years' I had been encouraged to really make a Styx album without the guys. I gave myself permission to do that. I set out to get people who sang with me who could make those harmonies.

I write anywhere. I'm always banging around on the dashboard. Whatever I'm doing. I can make music out of anything. Whenever a song hits me, I'll pick some sort of melody or rhythm out on it, and kind of enhance the song.

My Christmas prayer is that I would remain close to God, and He close to me. With all the suffering in the world today, there is the temptation to fall to fear… we need to be near the Lord.. we need the Hope of Christmas.

I always liked acting in school and drama classes, but when people asked me what I wanted to be when I grew up, I always told them I wanted to be a singer. I didn't want to be a jack of all trades. I wanted to master one.

I just love mermaids. I was a mermaid in my past life. I just feel it when I go in the sea. I just feel a connection there between me, and the water, and the fish - they speak to me - and the shells - they ring out to me.

Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.

Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.

As citizens we have to be more thoughtful and more educated and more informed. I turn on the TV and I see these grown people screaming at each other, and I think, well, if we don't get our civility back, we're in trouble.

I relate to that - he inspires me across the board. His music inspires me and reminds me to maintain honesty in the things that I do, to have an absence of fear. Listening to Earl Sweatshirt's music is like therapy to me.

The metal or the stone that's helping me .I'll incorporate them into anything I wear - but I think it's about accessories more than anything, because it's how you accessorize yourself that gives you your own unique style.

I can spend a lot of time on the internet as a substitute for TV. This is part of the reason why I'm not a good girlfriend - you can't sit down with me and watch a movie. I hate being strapped down to stay with something.

I believe, as artists, I do think we have a responsibility, and there's also a place for a lot of different artists. It is nice when music captures the honesty of the time but also what we're going through in that moment.

I clearly remember writing songs [when I was young] and the power that it gave me of feeling like somebody. My whole life changed when I wrote those songs, even before anyone ever heard them. It wasn't a commercial thing.

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