Quotes of All Topics . Occasions . Authors
I think it's important for bands to rough it. Whether you're in a van or a bus, it's still tough. You still have to stand in a two hour catering line with flies everywhere in the heat, and you still have to lug your gear.
The day it comes out, there's already things that you start to go, 'Oh, I should have done that a little differently.' You start to make a list in your head. I actually write things down -- what I'm going to do next time.
I don't agree with superstitious routines, but there are a couple of things I'll always do before performing. I'll get together with the band and chill out, and then, just before I go on stage, I'll always check my flies.
Most bands, when they sign with a major, are from an indie. They usually start off with a big dilemma. They think they're selling a part of their souls or they're losing control over an aspect of their lives or something.
I try to acknowledge both the sacred and the silly in my work. That goes for the live show as well. If I find myself in my head or dwelling in seriousness, I think of my friends back home and how they'd be laughing at me.
I'm not 'Grace.' That album is like a brick onto itself. It's like a coffin that I put certain feelings and observations in so that they can be capsulized forever. I wanted to put them there so I would be free to move on.
I don't necessarily think of myself as a feminist, but I'm a whole person. I'm not just breasts or ass or thighs - I'm a whole being! And it just seems like women aren't necessarily striving to be the whole of themselves.
Apart from the first set - which used high-level concert lighting - once you stepped into the two narrative pieces, we were working with lower-level theatrical lights. In most cases, people were really respectful of that.
When I had a mental breakdown I was 26 and the most important thing before that was my work. And I still adore it. But it was all that mattered and everything else was secondary: my relationship, my family, my own health.
There is a misconception that I've experienced in my life about people that live in the South. I got sent away to school in Connecticut in the late Eighties, and kids were honestly asking me, 'Do people there wear shoes?'
I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.
Don't let some hell bent heart leave you bitter. When you come close to sellin' out reconsider. Give the heavens above more than just a passing glance. And when you get the choice to sit it out or dance, I hope you dance.
There's always a group of songs that I'm working at. Some of them are 10 years old, and some of them are just a few weeks old. I'm always trying to adjust these songs to some position where I can bring them to completion.
I like passion in voices. I like passion in music. And I find that, sometimes with today's music, it's just so perfect - it's that high fidelity and all of the auto-tuning and all that stuff. It's too perfect for my ears.
A lot of people saw Marilyn Monroe and Judy Garland as persecuted and tragic and vulnerable, and I think a lot of gay men feel that way because of their particular predicament in society and not being accepted completely.
When you make a movie, it's just a huge bureaucracy because movies cost so much money. Millions of people get involved, and pretty soon the creative idea gets tramped on and watered down or filtered through a huge system.
The way the business things work in Russia is you have to meet people, you have to go through a certain amount of etiquette and business things are done just simply by a shake of the hand and whether they like you or not.
My dad's quite a conservative person, and he brought me up to be very questioning of the commercial world. He looked down on pop culture. I definitely got the impression that pop was evil and that Britney Spears was evil.
'Writer's block' sounds so dramatic and worrisome, and I don't worry about it. I know deep down that I'm a writer, and it's just a matter of time until it comes back, and when it does, it'll be good like it's always been.
The more I lived with Jan, the more I loved her, the more I made her miserable. It was a vicious cycle (page 209)……The more I loved her the more I hated her. And the more she loved me, the more I harmed myself (page 269).
It seemed inevitable to try to address my feelings about everything that had happened. To a certain degree, it felt cathartic, but it's less cathartic to me than it is illuminating and helping me navigate my own feelings.
I've seen lawyers who don't represent me and spokespeople who do not know me speaking for me. These characters always seem to surface with dreadful allegations just as another project, an album, a video is being released.
I have no perspective as regards my work. One reason I put out records and books is people respond to it, and it enables you to actually see the work more clearly. It's a form of therapy for me. Sometimes abusive therapy.
God surrounded me with people of faith, people of strong faith, people of power, spiritual power, and I saw little miracles happen in their lives. By it happening in their lives, I started believing it could happen to me.
I named my album Year of the Gentleman. Just looking at how the essence of what it is to be a gentleman is very much lacking nowadays. Someone said to me that chivalry is dead, and I hated to have to agree, but it's true.
I always refer back to the days of Frank Sinatra, Dean Martin, the Rat Pack. Back when everyone wore a suit because that's what it was to be an entertainer. You were stylish and you were fly, and it was an effortless fly.
The name of the album is 'Non-Fiction'. And, I'm calling it that because the name of every song on this album is derived from a true story. Now, some of the stories are mine. Some of the stories belong to some of my fans.
I've spoken before on how the art of storytelling has been lost a bit. I definitely feel 'Empire' is helping to reprogram us back to that place where we pay attention and invest emotionally in the records and the artists.
There's no recreating what Michael Jackson and Diana Ross did in 'The Wiz'. We're trying to figure out who these characters are in 2015. How would these times change their motives, change the things they would say and do?
When you get an idea, it's not going to be a great idea until you push it. You’ve got to push it until it’s uncomfortable. And then you’ve got to ask yourself, ‘Does my project say to my audience what I want it to say?’ ”
I've seen some female players, and they get up there and play an A chord and leave... and it's not a good representation. You can take it seriously and love it as much as a guy loves it, not just to get up there and pose.
You go with what you 'get,' and I get playing the guitar. It's a challenge because it's not an easy instrument to play. There are so many interesting sounds you can make out of it and so many different elements. I dig it.
I told Kate I didn't love her in an argument. But I do! Those heated moments are the worst, because that's when you can do the most damage. And they're bad, because you always hit them in the spot where you know it hurts.
There are tons of people who have made great music, great art, great whatever, but you don't know about them until the people lift you to a certain height so that you could even be visible and get any kind of recognition.
The simplest way to say it is that I think we're all dealt these cards in life, but the cards in and of themselves don't read one way or the other. It's up to you to home in and cultivate whatever you've got in your hand.
The last time I checked, the only difference between my gay friends and I is who we choose to love. I'm not sure how that warrants a loss of rights, but it needs to stop. What ever happened to liberty and justice for all?
In Korean, my lyrics are witty and have twists. But translated into English, it doesn't come over. I've tried writing in English, just for me, but it doesn't work. I've got to know everything about a culture, and I don't.
I am lucky in that I love what I do, but it can still be hard to be away from the kids for long lengths of time. At the end of the day, all I want is to be with my kids, but it's worth it to create a future for my family.
The other day I was down by the Hudson River, and I see two nuns in full habit rollerblading down the street holding hands. And I'm like, 'Oh, my God, I get it. The world is surreal and beautiful. And everything is fine.'
This is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood.
I dont know that the United States is Gods Country, but the church has been so strong here, and because of its influence, we hold life to be sacred and we believe that individuals have dignity. This is part of our legacy.
When you're a musician, one of the things that comes to you in the beginning that is quite unexpected is the reaction from your fans, and to the way your music plays an important part in their life in figuring things out.
Every event has a purpose and every setback a lesson. Failure is essential to personal expansion. It brings inner growth and a whole host of psychic rewards. Never regret your past. Rather embrace it as the teacher it is.
When I go home, I go to my house in the countryside. I don't hang out in Dublin. I go home to be with my family and have a rest and so on. I don't know anything about the Irish music scene, and I've never felt part of it.
You can't be unique any way. Music is made from seven notes. You will always come back to something. Even if you think you are unique, you will come back to something that existed before you were doing what you are doing.
I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.
There is one principle which is eternal; it is the duty of all men to protect their lives and the lives of the household, whenever necessity requires, and no power has a right to forbid it, should the last extreme arrive.
Sting I've seen a few times, and he really inspired me in the sense that he breaks the songs down a lot and will take a different approach. He'll take an acoustic approach to them; he'll rearrange them for the live stage.
I'm in road-coma at the moment. But it's OK. I think you subliminally become a junkie of being on the road. As much as you think you're burnt out, the minute you get off you go stir crazy and you just wanna go right back.
I started writing for myself when I didn't know how to understand how I was feeling, and I didn't know how to talk to people about it, so I would break into the subconscious to try and understand what I was going through.