Quotes of All Topics . Occasions . Authors
I've carved a different path which is not that affected by what happens in the bad side of politics. I've always surrounded myself with music and art and love and all those things - pleasures that are sort of immune from all that.
I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.
Love is the only thing that makes the world spin around, I think. It's weird. We have to call it "love," because we have to call it something, but it's not a word. It's an energy. It's an act. It's an action. It's a natural thing.
I feel at home in intimate concert halls. I can take risks and I'm immediately forgiven if the risk is a failure because it's such a cozy atmosphere. It opens up the opportunity for conversation and for interacting with the crowd.
What I'd love to do is work with kids in the U.S. to raise their awareness and encourage them to be global citizens. We're all connected these days; we can listen to the same music as kids all around the world and share our ideas.
I was looking for inspiration. I found it in California. The weather was always great, and the majority of San Diego seemed to be youth-and if you weren't 21 and couldn't get into the clubs, you'd go to a coffeehouse and hang out.
Ride It' did it for me. Not only did the Asian community love it, but the black community and the white community got to hear about it. The song became such a big hit for me and got me noticed by the CEOs of Cash Money in America.
I remember being, like, 5 years old, and my dad took me to a Yankees-Mets game. My dad had me on his shoulders and taught me one of the most important lessons about sports. He said, 'Jesse, just remember one thing, the Mets suck.'
I like to read Octavia E. Butler's 'Wild Seed' over and over again. And J. California Cooper's 'The Wake of the Wind.' That one makes me cry from joy. I'll mourn - I'll actually mourn - and then I'll cry from joy. She's wonderful.
[Writing] is edit, edit, edit. It's almost like getting a boat ready to go to sea. You've still got a countless number of things left to fix, but you've just got to go, "O.K., everybody get on the boat. We're going, ready or not."
I’m familiar with a lot of guys, hang out with those guys. A couple of my teammates actually went to Florida, so I’m familiar with a lot of those guys. It's going to be fun walking out with a victory and rubbing it in their faces.
When I was young, my mother said to me, 'Momma loves her little son.' Now, this tender endearment holds a firm meaning within my life, inside my spirit. It reminds me that in sharing love, it grows that much greater in our hearts.
I nearly died three times in 2008, and when you go through those experiences, you realize that you're blessed every day that you wake up. My world changed, my life changed, and with the help of my wife Jane, I was able to survive.
My school life was very much a wandering experience. I was having trouble in school and I was not making a lot of friends. So coming home and actually improvising on the piano and just coming up with melodies was an escape for me.
The teachers that we actually learn more from are the ones that taught us life lessons more than trigonometry. And they have such a huge responsibility and they're under-appreciated and underpaid. So that's my opinion of teachers.
The thing is that my idols have always been the types of guys who could do anything: Gene Kelly, Fred Astaire, Sinatra, Dean Martin; and when you look up to people like that, you don't accept that you need to be compartmentalised.
When I wasn't touring I'd be really down, then suddenly after a few weeks of crazy travelling - America, a double headline with Ray Davies in Denmark, TV shows here and just partying... Suddenly I had an acute psychotic breakdown.
The key to sauces is having patience. I'm not a patient woman, but I learned with sauces that you have to get everything on a slow roll and layer the flavors. That's where you get robust tastes: it starts one way and ends another.
It strikes me as very odd for someone to think, 'You know what, if I put on a bikini, I may shift some more records,' but it happens. If people are comfortable with that, fine, but it's not something that would ever cross my mind.
I've always felt at home in America. Obviously, there's down sides to everywhere - the politics of America can be hard to take but it's not great here either. I really love the country's landscape and I've travelled it many times.
When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.
I get hired as a writer or producer and I do the best I can to bring out that artist. If somebody calls you to do something, you go right for that vision and you're aware of that person's vibe. You're trying to get inside of them.
When I'm doing interiors - especially the ones where you really have full creative freedom - it's about creating an environment for people to feel so comfortable and at ease. I want them to become inspired to live and feel better.
Me being in my grandmother's yard in Brooklyn. I must have been about 3. I had this red balloon. I let go of it, and it went up into the sky and just kept going and going. I completely flipped out, because I didn't understand why.
In streams of light I clearly saw The dust you seldom see, Out of which the Nameless makes A Name for one like me... All busy in the sunlight The flecks did float and dance, And I was tumbled up with them In formless circumstance.
It's true that all the men you knew were dealers who said they were through with dealing Every time you gave them shelter. I know that kind of man It's hard to hold the hand of anyone who is reaching for the sky just to surrender.
New Orleans is just so full of culture in the music content - blues, folk. I was introduced to a lot of things. My mother didn't keep me away from other music. She only kept me away from rap. The closest I got to rap was D'Angelo.
When I first got turned on to 'Purple Rain,' I was just moved by Prince's charisma and his just being free. Everything meant something, from the scream to falling on the ground to taking his shirt off. It just all meant something.
I know there's a lot of competition in the world of magazines and newspapers and we have to make headlines and be sensational and sell, and saying bad things about me is going to sell more papers than writing good things about me.
There wasn't really a lot of difference from a Mississippi perspective between what Elvis did on 'Mystery Train' or 'Milkcow Blues' or what Bill Monroe was playing or what Flatt and Scruggs was playing; it was rock 'n' roll to me.
Going back to the Byrds and 'Sweetheart of the Rodeo,' when country was kind of getting away from the fiddle and steel aspect, it took some rock & rollers to introduce a new generation to it, and it kinda put some things straight.
As the CEO running my life, running Meghan Trainor, I have to say 'no' to things all the time, and it's been very uncomfortable and very difficult. I've said 'no' and it's actually worked - even when I never thought it would work.
Owning your curves means being confident - actually being confident - in your own skin. Growing up was tricky for me, it was so hard to shop with all of my friends and not being able to fit into the tiny clothes they were wearing.
The British press have written some nasty and spiteful things about the way I look which used to affect me quite badly when it was new to me but luckily, I've learned to ignore the comments. why do they even care about how I look?
I'm not all dolled up. We tried to keep it as real as we could. We're telling you something that happened. It's a part of history. I hope this movie [ 'Surviving Compton'] gives you a little bit of me and of my music and my heart.
I know that whatever I put out, whether people think it's pop or noise or whatever, it's always going to be some kind of a freak or mutation. It's not going to be anything pure that a lot of people will relate to. And that's fine.
A great song is a great song, whether it's on vinyl or CD or cassette or reel to reel or mp3. Then again, that might be an overly optimistic view, but I do think that great music will transcend the medium in which it is delivered.
One of my biggest inspirations growing up was Whitney Houston, so I was devastated to hear about her passing. I'm from East Orange, New Jersey, and started singing at New Hope Baptist Church, so she was like my fellow Jersey girl.
I know everyone says attention spans are shorter now, and if you can't get them in the first 20 seconds, you lost them. But I honestly believe if you give someone something worth slowing down to really pay attention to, they will.
People make you feel like a bad guy for asking for seven quid for your album, like you are slapping them in the face, when they'll go and pay two grand for a scarf somebody knitted in a sweat shop and stitched a designer label on.
I was so involved in my boy-rhythms that I never came to grips with the fact that I was a girl. I was twelve years old when my mother took me inside and said, "You can't be outside wrestling without a T-shirt on." It was a trauma.
I've always looked the same. Since I was a child, I hated having to deal with my hair. I hated having to change my clothes. As a kid, I had a sailor shirt and the same old corduroy pants, and that's what I wanted to wear everyday.
I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me - like food or water.
I saw the Village as a place you could escape to, to express yourself. When I first went there, I wrote and performed poetry. Then I drew portraits for a couple of years. It took a while before I thought about picking up a guitar.
There is a history of gay people pretending to be straight. I want to balance the sides. I'm a straight person pretending to be gay. I've had a lot of people to imitate. It's easy when you're British; we're camp by nature, anyway.
I was ballet dancing at four, playing piano by six, and doing commercials by 12. When I was 21, I was on the number one live comedy show in Puerto Rico. I told my parents, 'I'm going to New York to become a performer.' And I left.
I think the best songs are being written by the very under-stated, under-appreciated indie artists. The thing that separates them from mainstream success is they either consciously or unknowingly refuse to deliver on a big chorus.
I think that we see war as a virtual thing and we even get to believe that bombs fall on top of cardboard cutouts and stuff like that. They don't. They kill real people, real children, real mothers and millions of innocent people.
Despite all of our technological advances, content creation still requires time, inspiration, and a certain amount of sweat. There aren't any shortcuts. You can't write an algorithm for it. You can't predict it. You can't code it.
As far as I'm concerned, I'm now in the business of making spiritual records and using my voice for that purpose. I'm not going to be singing songs that I made in the past. I closed the door on that incarnation of Sinead O'Connor.