Quotes of All Topics . Occasions . Authors
When I met Michael Jordan on a basketball court at an athletic club - we hooped together in Chicago - he came to me and asked me if I wanted to do a song for his upcoming movie. I was like, 'Yeah!' I didn't even ask what it was.
'Trapped In The Closet' lives in a place on the earth on its own. It pays its own rent, it's its own landlord, it owns the building, it's everything. And it's so separate from what R. Kelly does; that's the great thing about it.
I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.
I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
Mama was a stickler on keeping your word. That's helped me to make the right decisions in so many situations. Because of that, I also think really hard before I make a decision because I know I'm going to have to see it through.
Yeah. My singing and my songs were very influenced by all of that. People would come up to me and ask, Is that a Billie Holiday song? I'd say, No, it's my song. The lyrics would be in my style, but the songs would be very jazzy.
When I write a song today, basically it goes on the stage tomorrow. That's the way it works. You cannont interrupt your consciousness; it all comes from the subconscious, it can happen anywhere. It could be in a telephone booth.
Oh, I've never gone off into that 'the room's not the right temperature, take this tea back' stuff. I still scrub my own toilet and vacuum the carpet, and I have to be able to push my trolley around Morrisons and do my shopping.
Everybody who's anybody has been competitive and over-sensitive and a bit silly. Look at Paul McCartney, look at Elton John. They're jealous of Justin Timberlake. I'm sure they were jealous of me when I was in my imperial phase.
I get around OK with a toolbox. As a kid, I picked up skills following my dad through the oil fields of Oklahoma and West Texas. My wife Janine is hard to impress, but she does think it's cool when I fix things around the house.
I like things that reach a little further and are a little more abstract, but I don't think that's what I do naturally well. How I write naturally is probably what's furthest from me, and the most removed from what I understand.
I've gotten to a place where I still love to play and sing, but I don't have any ego agenda left, outside of just wanting to stay in a creative place and play music. I much prefer to sing for somebody else, and to somebody else.
I think the true test of a pop song, for me, and I've talked to a lot of other writers about this, is you take your demo, you pop it in your car and you drive down Sunset Blvd. to Santa Monica, and that's the Hollywood car test.
I want to be a voice for that: just because I've lost weight doesn't mean that I'm happy and content with my body. Because of the media, and because of what I feel I should look like, it's always going to be a battle in my head.
My dance move has seemingly turned into push-ups. Sometimes, especially if I've indulged a little bit in an evening, it's not out of the ordinary to find me, for some reason, doing push-ups. That seems to be my go-to dance move.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
I will definitely start in small venues, as I want to find my feet as a performer; the first shows that Westlife did was ten dates at Wembley, which was just crazy. We didn't have a clue what we were doing because it was so big.
When I'm writing music, I'm not acting it out - it's all me. I feel that my responsibility is to be truthful about myself, first and foremost. I'm not going to sing things I don't believe in no matter who is benefitting from it.
The only thing that's helped me get through some really hard times was just being able to write and express - it's very cathartic for me. I'm hoping that, by writing and performing for other people, it affects them the same way.
I totally lucked out by meeting a lot of amazing people. I guess it stems from going to shows and being confident enough to meet people and be able to talk to them like a normal person rather than have my head down all the time.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard; it doesn't get easier, but that's why I love it: because it's a challenge every time. I also feel like I'm learning new ways.
There's just so, so many overlooked R&B artists and I think it's really about, again, being sensitive to whatever you're addressing culturally. I just always try to have a sensitivity to it and what that might make someone feel.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
Everyone should have a suit that's really well fitting - if a suit just doesn't fit, it looks ridiculous. It can purposely be too large or too small, if that's what you want, but it has to fit with your image and personal style.
So many girls come up and say to me, 'I have never listened to country music in my life. I didn't even know my town had a country-music station. Then I got your record, and now I'm obsessed.' That's the coolest compliment to me.
When I started singing as a freshman, I didn't sing for anybody - my parents or my friends. By the time I was a senior, the teacher asked me if I wanted to audition for a solo at my graduation. I was really nervous but I got it.
You are the master of your environment. You've got your own head, your own mind. So once you figure out what you want for yourself, you have to create the proper environment to make sure you can live out all the things you want.
When I was 15, I begged my grandfather to give me this guitar he'd always had in the back of his closet. I promised him I'd learn to play it, but I never did. Then my grandfather died, and I felt so guilty. So I started playing.
When you perform live, it's a different trip - it's different energy. I just felt a conflict between both of the trips. I was trying to evaluate what it meant for me to be a singer/songwriter and what that whole thing all meant.
It would be fun to go back and see where all my songs stopped, because I think I'd have every number in the top 100. It never ceases to amaze me. It still hurts when one doesn't work, because you put your heart and soul into it.
I think records and music are more appropriate and more respectful of the human soul than the churches are. And more respectful of the needs of humans to communicate with the aspects of themselves that are neglected by language.
I started writing cheating songs when I was too young to have any idea what I was writing about - broken hearts and things like that. I just think it was something I already knew, something I had experienced in another lifetime.
A good man often appears gauche simply because he does not take advantage of the myriad mean little chances of making himself look stylish. Preferring truth to form, he is not constantly at work upon the facade of his appearance.
Well life has a funny way of sneaking up on you When you think everything's okay and everything's going right And life has a funny way of helping you out when You think everything's gone wrong and everything blows up In your face
The spirituality that I experience sometimes touches on religion, in that I resonate with the thread of continuity that permeates through all religions. But in terms of it being a concretized, organized part of my life, it's not.
I feel the presence of a higher power. I believe that what you give is what you get. It's universal law. I believe in the power of prayer and of words. I've learned that when you predict that negative things will happen, they do.
Of all the soul divas, Gladys Knight was the one for me. Knight's always been about tone and heart, none of the big showboating or extraneous doodling. She nailed a melody and only played a little around the edges like Ma Staple.
Its true. Im a simple person. Some people tend to live from trauma to trauma, and that energizes them. I have a hectic schedule, but my mind seeks simplicity - like being in nature, a long bike ride, or sitting on the back porch.
I think it's so completely bizarre and arrogant for anyone to ever think that they could lose their innocence, because that implies that they have some sense, some idea of what's going on, and no one has any idea what's going on.
Just because someone signed up for something or takes advice or has managers or works in entertainment or show business with other people doesn't mean they don't have a brain, okay? It doesn't mean that they're not a real person.
I think that you just understand, as any creative person, that there's a beast that you have to beat, and it never goes away. I've resigned myself to that, and it's kind of what keeps you going. Writing is the worst and the best.
You rhapsodize about beauty, and my eyes glaze. Everything that I love is ugly. I mean really, you would be amazed. Just do me a favor, it's the least that you can do, just don't treat me like I am something that happened to you.
Sweden is a small country. All cities seem small after a while. I was hanging out at a rehearsal hall in Williamsburg and I don't know how many people I ran into just being there for a couple days. Music makes all cities smaller.
I stand on the shoulders of giants that have gone before me, in terms of affording people like myself, women, the access to democracy, the vote, medical treatment, education, everything that I've been given. It's all been earned.
I have a very feminine voice when I write, a very womanly point of view. My last name feels strong and powerful. To me, it's almost a bit masculine. I like the dichotomy of the two. Two sides perfectly represented within my name.
As long as our heart's beating, there's a chance for us, or whoever that person is in our life, and I don't know how the story turns out, but I do know that no one is out of the reach of God, and that anybody's capable of change.
I could probably live in Bali the rest of my life and completely live in the sticks and have a f - king moped and make a record every couple of years and not step in public and break even like I do anyway. That's really tempting.
It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
Most Icelandic people are really proud to be from there, and we don't have embarrassments like World War II where we were cruel to other people. We don't even have an army. So it's sort of like an all-around good, innocent place.
'I Will Not Be Broken' has really become very healing for me. Any time you go through a cataclysmic event... it's going to inform the richness that you sing from... The experiences of life make all your emotions, I think, deeper.