Dear old al-Maarri was a great skeptic poet. He wrote a parody of the Koran, and his friends would tease him and say, "al-Maarri, but no one says your Koran." And he said, "Yes, but give me time. Give me time. If people recite it for twenty years it will become as popular as the other one."

Germany is a capitalist state nurtured carefully and brought back to prosperity by the United States, and it is very loyal to the United States. I don't even think the Germans enjoy full sovereignty. There are some things which they cannot do if the United States doesn't wish them to do it.

What we are seeing in Turkey is a non-uniformed authoritarian regime led by a politician, Tayyip Erdogan, who has allowed power to go to his head and is behaving more and more like a despot. Sooner or later this will provoke political uprisings throughout the country as happened after Gezi.

To those who say "Sufism is apolitical" or "no politics," I respond: "No politics is politics." Look at the very old African Sufi tradition, the Asian Sufi tradition, or the North African Sufi tradition. Then you get it and understand what Sufism is all about wisdom, courage and resistance.

Cooking for people is an enormously significant expression of generosity and soulfulness, and entertaining is a way to be both generous and creative. You're sharing your life with people. Of course, it's also an expression of your own need for approval and applause. Nothing wrong with that.

When I write, I have a sort of secret kinship of readers in all countries who don't know each other but each of whom, when they read my book, feels at home in it. So I write for those readers. It's almost a sense of writing for a specific person, but it's a specific person who I don't know.

It is not only our hatred of others that is dangerous but also and above all our hatred of ourselves: particularly that hatred of ourselves which is too deep and too powerful to be consciously faced. For it is this which makes us see our own evil in others and unable to see it in ourselves.

Let no one hope to find in contemplation an escape from conflict, from anguish or from doubt. On the contrary, the deep inexpressible certitude of the contemplative experience awakens a tragic anguish and opens many questions in the depths of the heart like wounds that cannot stop bleeding.

It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail.

Our demand for good looks, expressed in the biting comments that ensue when public figures fall short of perfection, puts enormous pressures on these individuals and may screen out the otherwise qualified. If video killed the radio star, it may also be doing away with the homely politician.

As a general rule, durable-goods production tends to be the most volatile sector of the economy. Since people usually have a stock of durables in use, when times get tight, they put off new purchases. What seem like small cutbacks to the end buyer translate into big swings for the producer.

All great writers have, of course, an atmosphere in which they seem most at their ease and at their best; a mood of the general mind which they interpret and indeed almost discover, so that we come to read them rather for that than for any story or character or scene of seperate excellence.

To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.

She wouldn't say what we both knew. 'The reason you will not say it is, when you say it, even to yourself, you will know it is true: is that it? But you know it is true now. I can almost tell you the day when you knew it is true. Why won't you say it, even to yourself?' She will not say it.

Preaching that is boring is preaching that talks first about us and then only tangentially about God. Preaching that is faithful is preaching that talks first about God and then only secondarily and derivatively talks about us. The God of Scripture is so much more interestingly than we are.

I just tell jokes, and I think a lot of people take it too seriously. It's not that I don't have things that I'm angry about in the world, and I think most decent human beings are upset about things, and even upset about things in their own country, but I'm not a particularly unhappy fellow.

The future will be like the past, in the sense that, no matter how amazing or technologically advanced a society becomes, the basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.

Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.

You are right. I have no idea, and it is none of my business, and I was taught to obey my parents. But sometimes it is just impossible to obey blindly. Sometimes a child must strike out on her own. A child cannot be a child forever, whether that means not touching a spindle or . . . or . . .

In all of us there is a hunger, marrow-deep, to know our heritage- to know who we are and where we have come from. Without this enriching knowledge, there is a hollow yearning. No matter what our attainments in life, there is still a vacuum, an emptiness, and the most disquieting loneliness.

Now, in our opinion no author should be blamed for obscurity, nor should any pains be grudged in the effort to understand him, provided that he has done his best to be intelligible. Difficult thoughts are quite distinct from difficult words. Difficulty of thought is the very heart of poetry.

Psychic automatism in its pure state, by which one proposes to express - verbally, by means of the written word, or in any other manner - the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern.

The fact that we are all trained to be mothers from infancy on means that we are all trained to devote our lives to men, whether they are our sons or not; that we are all trained to force other women to exemplify the lack of qualities which characterizes the cultural construct of femininity.

There is a line that I always loved from Lucretius. He said, "The sublime is the art of exchanging easier for more difficult pleasures." The presumption of that formulation is that the more difficult pleasures are actually better than the easier pleasures. That is why one makes the exchange.

Once we are bound together to our brothers by a common good that is outside us, then we can breathe. Experience teaches us that love is not to gaze at one another but to gaze in the same direction. There is no comradeship except through unity on the same rope, climbing towards the same peak.

Writing is too hard not to do exactly what you want to do. It's a very draining and agonizing process for me, and I don't want to live with any piece of work that I don't believe in completely. I have to believe completely in what I'm doing. It has grown organically out of my own experience.

His face was very heavily creased, and into each crease he had tucked some worry or other, so that it wasn't really his face any longer, but more like a tree that had nests of birds in all of the branches. He had to struggle constantly to manage it and always looked worn out from the effort.

If someone says they are taking my time - that's the one thing you never can take. I have to offer it. Time is of the moment, and the moment is all I have. If that moment isn't precious to me, then I'm not living. Nothing is more important or precious to me right now than both of us talking.

Just about every weekend when I was growing up, we would throw rods and rifles and tents and shovels and pickaxes into the back of the truck and then head off to the side of a mountain or the bottom of a canyon. Hiking, fishing, hunting, rock-hounding: this is how my parents passed the time.

The tectonic layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive. I understand this. Nonetheless, I sometimes find it hard to bear.

In Kamby Bolongo Mean River damage and delusion walk hand in hand, and everything we think we know is gradually called into question. Reading like a cross between Samuel Beckett's 'The Calmative' and Gordon Lish's Dear Mr. Capote, Robert Lopez's new novel gets under your skin and latches on.

I'm pretty instinctual when I write, and I really like to get to a point where I'm writing where I don't know what's going to happen next. Usually when I get to that point, something will happen that I find intriguing or interesting, or that will push the fiction in a way that I really like.

It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.

Physics has never been a comfortable subject for human psychology. The desire to regard everything outside the human race's purview as insignificant, and everything within that purview as firmly under the control of tribal myth and custom, is as strong today as it was in the time of Galileo.

He was sailing over a boundless expanse of sea, with a blood-red sky above, and the angry waters, lashed into fury beneath, boiling and eddying up, on every side. There was another vessel before them, toiling and labouring in the howling storm: her canvas fluttering in ribbons from the mast.

If a dread of not being understood be hidden in the breasts of other young people to anything like the extent to which it used to be hidden in mine - which I consider probable, as I have no particular reason to suspect myself of having been a monstrosity - it is the key to many reservations.

Why should I disguise what you know so well, but what the crowd never dream of? We companies are all birds of prey; mere birds of prey. The only question is, whether in serving our own turn, we can serve yours too; whether in double-lining our own nest, we can put a single living into yours.

A true evangelist is almost as great a rarity as a true pastor. Alas! Alas! How rare are both! The two are closely connected. The evangelist gathers the sheep; the pastor feeds and cares for them. The work of each lies very near the heart of Christ- [Who Is] The Divine Evangelist and Pastor.

I have sat through an Italian opera, til, for sheer pain, and inexplicable anguish, I have rushed out into the noisiest places of the crowded street, to solace myself with sounds which I was not obliged to follow and get rid of the distracting torment of endless, fruitless, barren attention!

I just want some time, Mikhail, to think things through. It’s frightening, the way I am about you. I think about you every minute; I want to touch you, just to know I can, to feel you beneath my fingers. It’s as if you crawled into my head and my heart, even my body, and I can’t get you out.

Of course I know my characters are unlikable sometimes or have prejudices. It's not as if I'm thinking they're so endearing all the time. I guess it's much more interesting to me to write someone who is a combination of good and bad qualities because that's what people are like in real life.

In an essay, you have the outcome in your pocket before you set out on your journey, and very rarely do you make an intellectual or psychological discovery. But when you write fiction, you don't know where you are going - sometimes down to the last paragraph - and that is the pleasure of it.

These days a typical netizen has dozens of online accounts. If you really want to be safe, you need to have a different password for each one, and each password needs to be incredibly complicated, with a mix of capital letters, symbols, and numbers. Who can keep all that stuff in their head?

How any person decides to emphasize strengths and mitigate weaknesses is something people have to figure out for themselves. I'm wary of the self-help literature that suggests there are certain rules. I'm very happy for people to look at my story and say it's possible to achieve many things.

Perhaps it's because a writer lives in Brooklyn that he'd want to get away from it. It can be very sustaining, this community of writers - sometimes it's the feeling of many hands giving you a boost. But all that identical ambition can be choking, too. The many hands slide up to your throat.

I don't see anything wrong with a neighborhood association wanting to keep their neighborhood a certain way or their apartment complex a certain way. I don't see anything wrong with white kids wanting to go to school with white children, or black kids wanting to go to school with black kids.

The Christian Bible is a symbolic book, not a literal one. The one Christians know as Jesus was actually a symbol for the sun. Ancient sun worshippers believed the sun died at the end of the winter solstice and then three days later it would be reborn at the start of its cycle - December 25.

I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk.

Gender segregated shelters are inaccessible to many trans people, and trans women in particular are often forced to choose between going into a men's shelter where they face enormous danger, or remaining street homeless and facing the violence, harassment, arrest, and exposure risks of that.

Love becomes the deposit of the heart, analogous in all degrees to the 'findings' in a tomb. As in one will be charted the taken place of the body, the raiment, the utensils necessary to its other life, so in the heart of the lover will be traced, as an indelible shadow, that which he loves.

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