Quotes of All Topics . Occasions . Authors
January 8 has been a lucky day for me. I have started all my books on that day, and all of them have been well received by the readers. I write eight to ten hours a day until I have a first draft, then I can relax a little. I am very disciplined. I write in silence and solitude. I light a candle to call inspiration and the muses, and I surround myself with pictures of the people I love, dead and alive.
I could not understand how people could not like something as beautiful as the aerodrome. But I had lately become convinced that in general people were pretty boring. They liked to moan for hours on end about how hard it was to make ends meet, about the money they owed, the price of food, and other similar worries, but the minute some more brilliant or attractive subject come up, they were struck deaf.
Keep me up till five because all your stars are out, and for no other reason…Oh dare to do it Buddy! Trust your heart. You’re a deserving craftsman. It would never betray you. Good night. I’m feeling very much over-excited now, and a little dramatic, but I think I’d give almost anything on earth to see you writing a something, an anything, a poem, a tree, that was really and truly after your own heart.
There, peeping among the cloud-wrack above a dark tower high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.
I think I got a complete picture of what the lives of scientists are like. My father is of the opinion that if scientists are allowed to follow their nose, eventually it results in something. Unfortunately that doesn't always happen. What I came out of it with, in a non-cynical way, was that the scientific process is as messy as anything else. There's nothing wrong with that. That's just the way it is.
The world is not something separate from you and me; the world, society, is the relationship that we establish or seek to establish between each other. So you and I are the problem, and not the world, because the world is the projection of ourselves, and to understand the world we must understand ourselves. That world is not separate from us; we are the world, and our problems are the world's problems.
I guess I will say, going back to the Judaism questions, there are mental reflexes or patterns that I think of as Jewish in my own feelings about mysticism and theology.Franz Kafka is someone I very much revere. If I believed in holy texts I'd go to him as a touchstone. Not that I read Kafka all the time at this point. In a way, this is what I most want to talk about and it's the hardest to talk about.
Listen," I began, "this is an established,traditional form that-" "Traditional nothing.Where are your clothes?" "Clothes?" I said weakly. "I don't normally bother with them in this guise." "Well,you could put on a pair of shorts,at least.Your not decent." "I'm not sure they'd go with the wings..." The demon frowend,and blinked."Hold on,enough of this." "Lenderhosen would. They'd compliment the leather.
You cannot stay on the summit forever; you have to come down... So why bother in the first place? Just this: What is above knows what is below, but what is below does not know what is above. In climbing, take careful note of the difficulties along your way; for as you go up , you can observe them. Coming down, you will no longer see them, but you will know they are there if you have observed them well.
With no chance to take off, I had to play my role, searching for the rendezvous spot, which gave me the excuse to look for an escape opportunity. Maybe a hole in the wall too small for Tori’s mom to follow me through or a precarious stack of boxes I could topple onto her head or an abandoned hammer I could brain her with. I’d never “brained” anyone in my life, but with Tori’s mom, I was willing to try.
Part a of scene from 'Bitterblue' between Madlen (Bitterblue's medicine woman) and Bitterblue: Madlen came to sit beside her [Bitterblue] on the bed. "Lady Queen," she said with her own particular brand of rough gentleness. "It is not the job of the child to protect her mother. It's the mother's job to protect the child. By allowing your mother to protect you, you gave her a gift. Do you understand me?
A first grader should understand that her or his culture isn't a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society...Cultural relativity is defensible, attractive. It's a source of hope. It means we don't have to continue this way if we don't like it.
What is bad? What is good? What should one love, what hate? Why live, and what am I? What is lie,what is death? What power rules over everything?" he asked himself. And there was no answer to any of these questions except one, which was not logical and was not at all an answer to these questions. This answer was: "You will die--and everything will end. You will die and learn everything--or stop asking.
In school, they would tell you that life wouldn’t come to you; you had to go out and make it your own. But when it came to love, the message for girls seemed to be this: Don’t. Don’t go after what you want. Wait. Wait to be chosen, as if only in the eye of another could one truly find value. The message was confusing and infuriating. It was a shell game with no actual pea under the rapidly moving cups.
I know it. I know I shall make beastly mistakes, Father-" "The world does not forgive mistakes so quickly, my girl." He sounds bitter and sad. "If the world will not forgive me," I say softly, "I shall have to learn to forgive myself." He nods in understanding. "And how will you marry? Or do you intend to marry?" I think of Kartik, and tears threaten. "I shall meet someone one day, as Mother found you.
If one loves stories, then one would naturally love the story of the story. Or the story behind the story, pick your preposition. It does seem to me to be a kind of animal impulse almost, a mammalian curiosity. For a reader to wonder about the autobiography in a fiction may be completely unavoidable and in fact may speak to the success of a particular narrative, though it may also speak to its failure.
It is in our own mind and not in exterior objects that we perceive most things; fools know scarcely anything because they are empty, and their heart is narrow; but great souls find in themselves a number of exterior things; they have no need to read or travel or to listen or to work to discover the highest truths; they have only to delve into themselves and search, if we may say so, their own thoughts.
What a grin he had, what ferocious eyes, what a creature he was. He had dreamt himself an entire life and death. Ronan said, "I want to go back." "Then take it," said his father. "You know how now." And Ronan did. Because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he had given all of that to his middle son.
Solitude delighteth well to feed on many thoughts; There as thou sittest peaceful, communing with fancy, The precious poetry of life shall gild its leaden cares; There, as thou walkest by the sea beneath the gentle stars, Many kindling seeds of good will sprout within thy soul; Thou shalt weep in Solitude,--thou shalt pray in Solitude. Thou shalt sing for joy of heart, and praise the grace of Solitude.
But women are very differently situated with respect to eachother - for they are all rivals (...) Is it then surprising that when the sole ambition of woman centres in beauty, and interest gives vanity additional force, perpetual rivalships should ensue? They are all running the same race, and would rise above the virtue of morals, if they did not view each other with a suspicious and even envious eye.
What enriches language is its being handled and exploited by beautiful minds-not so much by making innovations as by expanding it through more vigorous and varied applications, by extending it and deploying it. It is not words that they contribute: what they do is enrich their words, deepen their meanings and tie down their usage; they teach it unaccustomed rhythms, prudently though and with ingenuity.
No episode is a priori condemned to remain an episode forever, for every event, no matter how trivial, conceals within itself the possibility of sooner or later becoming the cause of other events and thus changing into a story or an adventure. Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you.
The very beginning of Genesis tells us that God created man in order to give him dominion over fish and fowl and all creatures. Of course, Genesis was written by a man, not a horse. There is no certainty that God actually did grant man dominion over other creatures. What seems more likely, in fact, is that man invented God to sanctify the dominion that he usurped for himself over the cow and the horse.
A lot of the difference between an IM and GM is a seriousness to the game. The GM is willing to go through all this. He's willing to put up with anything. This shows his dedication. One other thing is the GMs superiority in tactics. For example Christiansen can find tactics in any position. If you're a GM you should be able to overpower the IM tactically. The GM will often blow out the IM in this area.
Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.
I was a child but weirdly uninhibited. I talked to people and inserted myself in all kinds of absurd situations. I think some of those life experiences influenced me in terms of the main character of The Flamethrowers. But for the parts where the community of artists are speaking above her level of participation, that probably came more out of my experience of being in New York in the '90s as an adult.
From this outer edge of his life, looking back, there was only one remorse, and that was only that he wished to go on living. Did all dying people feel this way, as if they had never lived? Did life seem that short, indeed, over and done before you took a breath? Did it seem this abrupt and impossible to everyone, or only to himself, here, now, with a few hours left to him for thought and deliberation?
A critic may reject some miracle stories as legendary, and not others, with no inconsistency at all for the simple reason that even if one holds miracles to be possible, one need not hold legends to be impossible! There are other factors, literary and historiographical ones, that might lead a critic to conclude that even though miracles can happen, it does not appear that in this or that case they did.
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
You’ve got to be kidding me. I thought you were the most powerful of beings. Even the gods fear you. (Stryker) We all have predators. The entire universe exists in a system of checks and balances. I just met my zero balance. (War) Are you honestly telling me that the most powerful creature on this planet is a pathetic Cajun guttersnipe who offed himself because one of my men killed his mommy? (Stryker)
I’m just trying to imagine you in flannel pink sock monkey pajamas. I’m sure you look stunning in pink. (Damien) Actually, with his skin tone he probably does look really good in it. I would definitely say he’s an autumn. (Kish) That’s summer, you dweeb. (Damien) I find it fascinating that you two women know that color palettes for clothes have a name. The fact you corrected him really scares me. (Sin)
Spend your free time the way you like, not the way you think you're supposed to. Stay home on New Year's Eve if that's what makes you happy. Skip the committee meeting. Cross the street to avoid making aimless chitchat with random acquaintances. Read. Cook. Run. Write a story. Make a deal with yourself that you'll attend a set number of social events in exchange for not feeling guilty when you beg off.
Thus we see that the lot of the duck hunter is not a happy one. He is the child of frustration, the collector of mishap, the victim of misfortune. He suffers from cold and wet and lack of sleep. He is punished more often than rewarded. Yet he continues. Why? Because one great day-- and great days do come, days when the ducks are willing and the gun swings true-- repays him many fold for all the others.
In general, it can be said that no contemplative life is possible without ascetic self-discipline. One must learn to survive without the habit-forming luxuries which get such a hold on men today. I do not say that to be a contemplative one absolutely has to go without smoking or without alcohol, but certainly one must be able to use these things without being dominated by an uncontrolled need for them.
If behind the erratic gunfire of the press the author felt that there was another kind of criticism, the opinion of people readingfor the love of reading, slowly and unprofessionally, and judging with great sympathy and yet with great severity, might this not improve the quality of his work? And if by our means books were to become stronger, richer, and more varied, that would be an end worth reaching.
A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter. This he had preserved. Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death.
If goodness were only a theory, it were a pity it should be lost to the world. There are a number of things, the idea of which is a clear gain to the mind. Let people, for instance, rail at friendship, genius, freedom, as long as they will -the very names of these despised qualities are better than anything else that could be substituted for them, and embalm even the most envenomed satire against them.
You collapse a few times, and you put your head in your hands, and you say, "Oh my god, how am I gonna get through this?" You have a few of those nights, and then you get over it and you keep it moving. And those nights... As you get more used to the strain, I guess those nights are fewer and farther between. So that's the best you can hope for. It's a tough job and it's a lot to pull out of your brain.
Judged by the stark, sure-footed portrait in Hard Time, Brian Azzarello and Richard Corben clearly have John Constantine down, cold and to the life. Azzarellos grasp of pacing, character and situation resonates through every scene with a black crystal clarity thats short of masterful, while Corben contributes what is, perhaps, one of the most darkly expressive pieces in a long, already-legendary career.
The mockery made him feel an outsider; and feeling an outsider he behaved like one, which increased the prejudice against him and intensified the contempt and hostility aroused by his physical defects. Which in turn increased his sense of being alien and alone. A chronic fear of being slighted made him avoid his equals, made him stand, where his inferiors were concerned, self-consciously on his dignity.
His love for my mother wasn't about looking back and loving something that would never change. It was about loving my mother for everything -- for her brokenness and her fleeing, for her being there right then in that moment before the sun rose and the hospital staff came in. It was about touching that hair with the side of his fingertip, and knowing yet plumbing fearlessly the depths of her ocean eyes.
You married Elora?” “Yes, briefly.” Oren emphasized how fleeting it had been. “We were wed because we thought it would be a good way to combine our respective kingdoms. Vittra and Trylle have had their disagreements over the years, and we wanted to create peace. Unfortunately, your mother is the most impossible, irrational, horrible woman on the planet.” He smiled at me. “Well, you know. You’ve met her.
It’s true that someone will always say that good and evil don’t exist: that is a person who has never had any dealings with real evil. Good is far less convincing than evil, but it’s because their chemical structures are different. Like gold, good is never found in a pure state in nature: it therefore doesn’t seem impressive. It has the unfortunate tendency not to act; it prefers, passively, to be seen.
The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius. The poet's greatness is contained in his words; yet the study of his words will not disclose his inspiration. God reveals himself in creation; but scrutinize creation as minutely as you wish, you will not find God, any more than you will find the soul through careful examination of your body.
The hours must be endured and those who cannot do so in life will most surely do so in death. You say you cannot face them? Life's joys and pains both? You shall find them waiting for you, a world of ignored moments there to be explored. Then shall you know how long an hour can be, shall feel the awful depth and restlessness of even a single day, and all the days you fled from life while you were alive.
Here's the thing: this eel spends its entire life trying to find a home, and what do you think women have inside them? Caves, where the eels like to live...when they find a cave they like, the wriggle around inside it for a while to be sure that...well, to be sure it's a nice cave, I suppose. And when they've made up their minds that it's comfortable, they mark the cave as their territory...by spitting.
To paraphrase something the anthropologist Ashley Montagu once said, the way I change my life is to act as if I'm the person I want to be. This is, to me, the simplest, wisest advice you can give anyone. When you wake up and act like a loving person, you realize not only that you are altered, but that the people around you are also transformed, because everybody is changed by the reception of this love.
To be shelterless and alone in the open country, hearing the wind moan and watching for day through the whole long weary night; to listen to the falling rain, and crouch for warmth beneath the lee of some old barn or rick, or in the hollow of a tree; are dismal things - but not so dismal as the wandering up and down where shelter is, and beds and sleepers are by thousands; a houseless rejected creature.
Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?
I love to see those paragliders weaving softly around Moon Point, their legs floating above you in the air. When they drift in for a landing, their feet touch the ground and they trot forward from the continued motion of the glider, which billows down like a setting sun. I never get tired of watching them and I've seen them thousands of times. I always wondered what that kind of freedom would feel like.