I like getting requests from audience members.

I consider each performance to be an intimate conversation between me and the audience members.

There's such a rich history in 'SNL' of political humor, and I think audience members expect that from us.

Standing ovations have become far too commonplace. What we need are ovations where the audience members all punch and kick one another.

I really want younger audience members to see kids in their early 20's playing Frank's music and to be inspired to take things to a higher level themselves.

I've played every comedy club and every theatre across the country for the last 25 years and seen a lot of audience members from different ethnic persuasions.

What I worry about the most is the competition for young eyeballs. We have so many other competing forms of media. I don't take any audience members for granted.

I think ultimately audience members like to see someone controlling the quality of a film. A lot of films you see are made by committees and studios and producers.

Any show that's bringing in a young audience is doing a good thing, because that's the only way that theater will continue to grow. All the other audience members are going to be dead soon!

There are times when there's been some discontent and muttered threats from audience members. I take no notice, and in any case, I always have John Carroll around to deflect unpleasantness.

My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do!

At readings, audience members sometimes ask if I keep writing past the two hours if I'm on a roll, but I don't. I figure that if I'm on a roll, it's partially because I know I'm about to stop.

I've always liked that idea of a diverse group of audience members sitting together, rubbing up against each other and taking on the life of a culture that doesn't belong to either one of them.

For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.

Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.

I think a lot of audience members don't realize the part that they play in live theatre. The audience actually has a mood. Sometimes they're tired and bored, and we have to wake them up and engage them.

World War II was a historical event, but also a movie genre, and 'Fury' occasionally prints the legend. The rest of it is plenty grim and grisly. Audience members may feel like prisoners of war forced to watch a training-torture film.

In a jazz atmosphere, the audience members were so quiet and respectful of the musicians that you felt you were almost part of a meeting at a church or a temple, where everyone was completely in tune with the sermon and what the whole event was about.

Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.

Being on Oprah? You realize that there are a couple of types of audience members. There are like the cult people in the audience who are just crying before she gets on. And then there are the people who are playing it cool. I definitely was somewhere in the middle.

Technology is improving to prevent musicians from losing their hearing while performing on stage... audience members losing their hearing from listening to loud music… people being able to experience music not just with their ears, but with touch or with through their eyes.

My dad loves to be talked about, good or bad. He just loves it. He's not even hearing the content, he's just hearing him. When I'm onstage, he's looking at the audience members and can't believe that there are strangers listening to me, and he's just delighted by the whole thing.

Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.

I love Cillian Murphy's character in 'Peaky Blinders' and Tom Hardy's in 'Taboo' - theses are characters that, as audience members, we follow along with and root for. But our own morality is tested throughout that journey, because these characters ride a thin line between morality and amorality.

What I try to get beyond is playing music at people and, instead, to play music with people because audience members are constantly part of the experience. What they say in their body language, what they say in their eyes, what they sing with me... it's an 'us,' and there's a communication that's like... it's like church, man.

I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!

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