I'm theatrically trained. Before Vine, before any of the social media, I was an actor. I was going to auditions; I was taking the classes.

The most pressure I've ever felt to be brilliant was in drama school - those were the toughest auditions. I really wanted to prove myself.

I put a lot of pressure to keep working. And when I'm not working, my agent books three auditions a day. I'd rather go to the set and work.

I'm always disappointed after an audition when I don't get a part and I hear, "Oh, she was too X, or too Y," and it's too much of a quality.

After high school I was going to be an architect. In fact, I was studying to be an architect when the audition for 'The Monkees' came along.

I went on a few auditions for Broadway musicals, and never stopped taking classes, but I didn't take it seriously until I was out of college.

I remember my mom being very scared the first few auditions. My parents are very supportive, but they're also very realistic, which is great.

Put a Post-It note on your mirror that says: 'Someone has to succeed. There's no reason why it shouldn't be me.' Repeat before every audition.

Auditions are hard. You should see what most of the women look like when I audition for things - they look like they should be on the catwalk.

The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.

I was 12, about to turn 13. [Laura Ziffren] pretty much knew she wanted to use me, so I just had to go and do the proper protocol and audition.

My family is extremely supportive of me. My mother has been accompanying me to the shoots, and my father used to drive me around for auditions.

I secretly went to auditions, to open calls. I was ashamed. Anytime I mentioned I wanted to be an actress, my friends were not that supportive.

With 'Carrie,' I did, like, seven auditions. I'd never done a movie, so they wanted to make sure I wasn't going to ruin it. I don't blame them.

Im really bad at tests of any kind, so Im bad at auditions. I consider myself educated most of the time, but when Im under the gun, I just fail.

I went to a few really bad commercial auditions because I needed the money, and when you booked a commercial, your life was made: you could eat.

This business - the auditions, the anxiety - it's all so, aaah, crazy! But I can always call my mom in Cuba to be reminded of what real life is.

When I started working with my manager and started going out on auditions, I always viewed Hollywood as a 'snowball's chance in hell' kind of gig.

I've been asked far too often, 'Can you be blacker?' I've gotten done with auditions and heard, 'We're not going to go black with this character.'

You go on a million auditions anyway as an actor, and one out of a hundred, you get. It's a hard life, but you can't really think about it that way.

Those auditions - you sit down, and literally the whole time you're there, they scrutinize you, and you know that. But you can't take it personally.

I had been playing with my local band, Skinny Cat. I had been to quite a few auditions before UFO, managed to get the gig and then not want to do it!

Well as I said in France I didn't get auditions, and it's very difficult to get an agent in France because they conduct the business in a strange way.

Auditions are very strange - you're there to win, to seek approval. They never get easier, but I did realise that you're there voluntarily, after all.

I've been working as an actress and sort of struggling along for ten years, so I've been on a million auditions for a million things I haven't booked.

I was doing auditions and meetings during the day and going to culinary school at night. And then 'NCIS' happened. So I dropped out of culinary school.

Giving auditions is a great exercise. They will provide you with a script, and you prepare in 10 minutes. And you perform in front of 100 other people.

During the fourth year of college, I heard about auditions for a musical for which I got chosen. There after, I continued acting in plays and improved.

It's weird what a last name will do. I changed it to 'Milian,' and next thing you know, I was working and getting auditions and stuff, and it was crazy.

Yes, there was a time when I failed to understand the system. I would go for auditions, but I wouldn't get any parts. I wondered why this was happening.

The most common experience in my life is rejection. I've done over 300 auditions. No amount of drama school training can prepare you for that, in theory.

I always look at auditions as not even getting the job as much as I'm just trying to connect with this casting director so they remember me for next time.

One thing that seems to surprise the studios is finding out later my willingness to audition. Under the right circumstances, I actually enjoy it very much.

You think you can go into all those auditions not knowing who you are? The work came after I found my sense of self - when I wasn't so manic and desperate.

A lot of the time, I won't read the script until my second or third audition just 'cause a lot of the scripts are the same and the characters are the same.

I live in Sheffield, and most auditions are in London, meaning I'm normally a bag of nerves on the train to London because you have all that time to think.

I used to wear sweats and a T-shirt to auditions, but my agent would yell at me and tell me I had to look nice and presentable. So I had to drop that habit.

I went for an audition, which was shrouded in all kinds of secrecy to keep the storyline under wraps, and 5 days later I was in Atlanta and 700 years older.

I've done plays where you get into the run and can go to auditions during the day, or can have lunch with someone, and then you go to half-hour and show up.

It's so important that we take auditions less seriously, take your work seriously, but take the industry a whole lot less seriously because it is so fickle.

I put a tremendous amount of pressure on myself. I felt like I shouldn't have to audition for anything and all that. And that energy did not serve me at all.

Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.

It's just been a lot of hard work and lot of auditions. A lot of ups and downs, but a lot of ups, and I'm really happy for my downs, too. I'm really thankful.

My mom is 60. She has been in the industry for over 30 years and till date, she auditions for movies. It's a myth that star kids don't have to give auditions.

When my son was small, he just came with me everywhere, whether it was going to yoga class or auditions or sleeping over at friends' houses. We came as a pair.

The hardest part was when I was in high school not having a job and always being broke. I had to get to auditions without a car. I either took the bus or walked.

New York is a great place to be as an unrepresented actor because there are so many 'open auditions' that you can show up for without being submitted by an agent.

I think people feel completely stunted without an agent, but there's a lot of auditions to be had without one and a lot to be learned before you take an agent on.

My oldest step-son wants to direct or produce. As far as being an actor, I've already told them they have to wait until they're 18; I won't take them to auditions.

I went on countless auditions. I begged my parents until I finally was allowed to be in a theatrical play when I was 13. It was the most important thing in my life.

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