One accusation you can't throw at me is that I've always done my best.

Mum and dad are always looking out for me; they just want the best for me.

There is a battle between me and Lin Dan and Lee Chong Wei. We always do our best.

I have always wanted to be the best, and it drives me every day, no matter the obstacle.

The best subjects are always people, who never fail to amaze me by their unpredictability.

She's always there for me when I need her; She's my best friend; she's just my everything.

I'm just like that: I just always try to win, to get better, do my best, and it always annoys me to lose.

My mama always used to tell me: 'If you can't find somethin' to live for, you best find somethin' to die for.'

I have never seen a player as driven and determined as me, quietly determined; that's why I always want to do the best.

As a competitor, you always want to go against the best, so whoever guards me, I'm hoping it's the best defender from the other team.

Friends always ask me what the best Indian restaurant in L.A. is. I'm like, 'I don't know, dude. I have an app on my iPhone for that.'

The punk era, at its best, celebrated questioning the norm and the promotion of originality. Both concepts have always resonated with me.

Holi has always been a nightmare for me because of the dangers of synthetic colours. Eco-friendly colours are the best way to celebrate Holi.

People always ask me, 'Why so many historical dramas?' Because those are the best roles I get to play, and I get to play heroes in those roles.

If I do something, I want to be the best. And one of the best things you can be is a Victoria's Secret Angel; for me, that's always been a goal.

I won the Premier League and played for England but it seems everyone always remembers me best for swearing live on BBC One on a Sunday afternoon.

I know it is the fans that are responsible for me being here. I've always tried in each and every broadcast to serve the fans to the best of my ability.

When it comes to advice, I always consult my father regarding everything, as he has seen the industry inside out, and he is the best person to guide me.

I've always been someone who thought it didn't matter where you were playing. I always shot for the best you could get. It never bothered me if it was small or it was big.

I've always been a pretty candid person. I'm not a very secretive person; I'm not a very discreet person. One of my best friends once described me as pathologically indiscreet.

Everyone is always working on their body and trying to make it the best that they possibly can. That's what I do every single day, mostly for performance, but also just for me.

I've always in some way tried to rebel against the norm, but there's always been a voice deep inside that pressures me to look my best, not leave the house without makeup, etc.

From what I came from, all the negative criticism - that keeps me from embracing that title of being the best. Because I always feel like there is another level I have to get to.

For me, the keyboard is always an additional sound to the piano. Piano is the main instrument; I can't go anywhere without acoustic piano. It's been my best friend since I was 6 years old.

After the season I always go back to my country and try to make the kids happy. That's the best feeling for me, when I see those smiling faces on the kids and you know how excited they are.

Certainly my parents were a huge influence. They always expected the most out of all of us. And expected us to do our very best. I'm thankful to them for allowing me to do what I wanted to do.

My process is really quite organic, and starting a painting is one of the best parts for me. I always start in quite a loose and free way. I often put down one ground colour to begin with and then play off that.

Casting, to me, is always the same. It's a very important part of a director's job. I pick people that I sense I'd like to be in a room with and will enjoy the rehearsal process with because that's the best part.

Making music has always made me happy. When I go through a situation, the best way for me to get over it is to bundle up all of my emotions about it, put it in a little shell, create something, and then let it go.

It was just me and my mum growing up, and my mum's always said that's why I'm so mature. We were best friends, and if it wasn't for her, I wouldn't even have started athletics, because she wanted me to have a hobby.

I've always balked at anything that feels like a clique, even if it's not always in my best interest to do so. I like each individual, fedora-wearing hipster - it's just the greater gestalt that rubs me the wrong way.

As a kid and avid sports fan, one of the most exciting things always was the introductions. To be that guy who makes the presentations and do my best for both the person being introduced and for the fans, is still very exciting for me.

People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.

Some documentaries are made by people who are driven more by one particular story, or have different backgrounds or ambitions, but I'm always looking for projects that let me be the best filmmaker I can be, and to be stretched and grow further.

Back when I first came up with the Twins as a second baseman, Billy worked with me on my fielding, on playing the game, on being heads-up, hustling, always doing my best, not alibiing. And when he was the Twins' manager, I enjoyed playing for him.

My mother always wanted me to be in the best environment that I could be in. She wanted me to go to the best schools. Every now and again she'd save up enough for us to get a nice apartment in downtown Chicago, but we were never able to sustain it.

I'm a storyteller - that's my chamber, that's my box. I'm always tryin' to give you the best story from our side of the table that you could really relate to quick. I understand where I wanna be at, but sometimes the production takes me where I need to go.

If you look at the Intercontinental Champion, historically, that has always belonged to the best of the best in-ring talent, the best wrestler, whatever you want to call it, that came out night after night, produced night after night - and that will be me.

Our outrage at inequality is primal. But primal emotions are not always noble ones. Of course, when I see a colleague receive some award, I covet it. But this is not me at my best, and these are not the feelings we would instill and promote in our children.

I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.

I was so young when I started that I didn't really understand all of it. We'd show up and have the slurs being thrown out there, but my parents always dealt with that. They just told me to go out there, do my best, and try to win. Go out there and race well and they'll shut right up.

Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.

The soles of the best writers, a professor once told me, are worn down to holes. This is an incomplete measure, but the image of a writer grinding his or her shoes against curbs and cobblestones stuck with me. The story is always out there, the details around the corner or down the alley.

Basic training was hard, but I made it - because I wanted to be the best me. Sometimes you have to learn that being the best you is being the second best you. I learned the hard way that the army doesn't want people who always come first. Otherwise, there would be only one person in the army.

I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.

I feel like there's a voice in my head, always, telling me every idea is brilliant, and another telling me every idea is the worst. And they argue in my head until somebody wins, until I solicit an audience to be, like, 'Will you help me figure this out? Is this the best or the worst idea?' And they tell me!

I think I'm changing the game. In that sense, I'm what Steph Curry is to basketball. Don't get me wrong: I don't necessarily think Steph Curry is the best basketball player, but he changed the game, so he's going to always go down as being remembered. Now everyone wants to shoot the 3 and shoot it from deep.

Paul Heyman has always been the only guy from the office that ever really had my best interest and really understood me. The other agents and promoters seemed confused why the fans liked me so much, because I was so non-typical for their idea of a wrestler, so they just tried to capitalize on it without owning it.

The Rolling Stones have been the best of all possible worlds: they have the lack of pretension and sentimentality associated with the blues, the rawness and toughness of hard rock, and the depth which always makes you feel that they are in the midst of saying something. They have never impressed me as being kitsch.

I went to a public high school and most of the comedy was coming from the black kids and the Asian kids and the Hispanic kids. And, the coolest kids to me where always the black kids. They were always fashion forward and they always dressed the coolest. They were always the best dancers, and just the coolest people.

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